It's the old Trojan-Horse routine, isn't it?"
I watched her eyes. There was that little twitch of the lids that she'd have to learn to control, now that she was in the big time.
She licked her lips. "I don't know what you mean. If you'd only listen to me-"
The telephone rang. She didn't look at it right away; she wasn't that good. You can't wait for something through intolerable ages of fear and humiliation, and then act quite naturally when it happens. But if she hadn't been expecting it, she'd have jumped at the first ring.
We stood there, facing each other, and let the instrument tinkle away on the table between the beds. After the fifth ring it fell silent.
I said, "The old Trojan-Horse routine, and very cleverly done, too. The purpose being to get an accomplice into the enemy camp, somehow. First they showed us a car we'd recognize, following us. That put us on the alert. Then they showed us you, sitting there. I'd seen you yesterday, so I'd be sure to recognize you. What would I do when I saw you? Well, I might lose my nerve and try to make a run for it-they'd have to allow for that possibility. But I might also, being a bold and impetuous character, do something direct and melodramatic, like walking right up to you and taking you along for a hostage or a source of information. If I did, fine. Where would I bring you? Why, up here, of course. Where else in San Antonio could I go?"
She was silent. All around us the hotel was silent, but I could feel them closing in. There wasn't much time left.
"Up here," I said. "Why they chose to move in on us in the middle of a big city full of people and policemen, I don't know, when they could have taken us out in the open, but they've undoubtedly got their reasons. And up here you'd put on the big innocence act until we weren't quite sure we hadn't made a mistake. We'd find that you were unarmed and presumably harmless- no girl who can blush all over can be anything but harmless, can she? And then the telephone would ring. If I picked it up, it would be a wrong number, but it wasn't the wrong number to you. It was the signal to tell you to get ready. And then there'd be a knock on the door, threatening voices perhaps, or just a key in the lock, and as we turned that way, forgetting all about you, you'd whip a gun from somewhere and have us covered from behind… Somewhere?" I looked around the room. "But where, Mrs. Chatham? Where did they cache the gun for you, while we were out to dinner? Or did they? Why hide a gun that might be found and tip off the play, when there was already one handy, as they'd discover soon enough, looking the place over in our absence. All they had to do was tell you where it was."
Still watching her, I moved sideways towards the big chair by the window. Her eyelids betrayed her again, as my hand dipped down behind the cushion and came up with the snubnosed revolver I'd hidden there earlier in the day, the gun that had once belonged to Barbara Herrera.
Her face had changed. When she spoke, so had her voice. It was older and stronger and firmer than it had been. She was no longer a scared young bride trapped in a terrifying and incomprehensible situation, but then, she never had been.
"Mr. Helm…"
I grinned briefly. "So you know my name." -
"Of course I know your name!" she said quickly. "I know your other one, too: Eric. I've been trying to tell you… Yes, yes, you're quiteright about me, but you've got to listen, you can't-"
It was the same old desperate last-minute chatter. They won't let you do it in golf, to make the guy miss his putt, or in trap-shooting or target shooting or chess, but we've got no rules of sportsmanship in our racket; you can talk all you want to, if the guy's fool enough to let you. It made no difference at all what she had to say. It might be the pure, golden, 18-carat truth, but it probably wasn't, and I had no time to run an assay on it.
I said, "If you go over by the door and lie down against the wall, I'll try not to hit you with any stray bullets when your friends break in."
She said fiercely, "You don't understand! You're making a terrible mistake, you've got to listen to me! It's not what you think, you mustn't start shooting-"
"Who's starting anything?" I said. "If nobody comes through that door, nobody'll be hurt. If you want them alive, just call them off."
"I can't," she cried, "I can't, they're already-"
Somebody put a key in the lock. I drew a long breath, held it, and steadied the two guns. I felt it come, the thing that had been missing since the war, the thing that's very close to sex, except that it deals in death instead of life. The girl was staring at me as if I'd suddenly grown twelve feet tall, and perhaps in a sense I had. A man is always just a little bigger when he's ready to kill.
"Come on, boys," I murmured, watching the door. "Come to papa! Come and get it!"
Mary Frances Chatham threw a desperate glance towards the opening door, shouted a cry of warning, and launched herself directly at me. I'd expected that. It was no problem. She had yards to go, and I was ready for her..
She was dead, you understand. It was all over. She was on the floor with a bullet in her brain. There wasn't anything left to do but cart her out and plant her. It was all taken care of, just a distraction from the main business, and I was thinking ahead, about the opening door and how to take care of the first man through so he'd make the most trouble for the guys behind… And then I discovered that I hadn't shot at all. I was still standing there, watching foolishly as she came driving at me like a Notre Dame fullback with goal to go. The sights were steady, the target was clear, and I couldn't pull the damn trigger. I suppose it was the years of peace that betrayed me-that, and the fact that she did look just a little like Beth.
She hit me hard, drove me back against the wall by the window, and tied me up with a kind of suicidal frenzy. It was no longer a question of not shooting her, it was a question of keeping her from shooting herself with one of the guns I was holding. Behind her, the door swung fully open, and Mac came in.
CHAPTER 21
I RECOGNIZED him instantly, of course; he wasn't a man you forgot. But there was a wild and crazy moment when I couldn't understand what he was doing there. All kinds of fantastic possibilities went through my mind in the space of a second or two. Then I made the logical connection: Tina had slipped away, Mac was here. It added up right, and it made me feel fine. I hadn't allowed myself to speculate too much about Tina's disappearance; but I discovered that it was a pleasure to be able to reassure myself that she hadn't deserted me, after all. She'd just gone for reinforcements.
I said, defending myself awkwardly, "Mac, for God's sake pull this female off me before one of these guns goes bang and kills her."
He closed the door, came forward, got a grip on the Chatham from behind, and applied some scientific leverage. I was interested to see that he knew how. One school of thought, during the war, had it that although he was great at picking, and setting up training programs for, dangerous men, Mac himself couldn't fight his way out of a lightweight airmail envelope.
"All right, Miss," he said. "Behave yourself now." Mary Frances stopped struggling in his grasp and stood there head down, panting. Her light-brown hair was a tangled cloud over her face, and there was a wide white gap between her sweater and skirt-but then, I suppose in actual life Joan of Arc went to the bonfire with stringy hair and dirty fingernails.
At the moment, I didn't care how the girl looked. She'd spoiled my Horatio-at-the-bridge act, to be sure, and made me look and feel pretty silly; but as things had turned out, it was just as well she'd interfered. I make a practice of seeing what I'm shooting at before I pull the trigger, so I probably wouldn't have fired at Mac in any case; but nevertheless, a girl who'll deliberately throw herself at two loaded guns doesn't have to comb her hair to earn my respect, no matter what her politics.