“I haven’t. It was my sixth birthday.”
“Yes, dear. Rather awful for you.” She added, rather as if just remembering she had three other children, “For all of you, of course.”
“What did he want?”
“He didn’t say. That was the odd thing. I knew from the moment I saw him he was up to something-you know that gleam he gets in his eye when he’s just about to turn the screws-but in the end he ended up just exchanging the most banal pleasantries and after about an hour he left. I’m still puzzled by it. And rather put out: I cancelled my bridge game to find out what it was he wanted-I thought it might have something to do with you, so I was determined to hear him out, however unpleasant-and yet he never got around to telling me. Talked about his stock portfolio, mostly, as if I cared. He said the gout was troubling him worse than ever, but he wouldn’t take the painkillers the doctor had prescribed. He said he didn’t want to end up looking like Elizabeth Taylor in rehab.”
“Perhaps he wanted to hear your views on Violet.”
“I’m sure he didn’t have to ask to know my views,” his mother shot back.
Oh, ho. So, she wasn’t quite as indifferent as she sounded.
“I mean really, Ruthven. A girl like that, probably a Page Three girl.” She was fairly hissing now. “What can he be thinking? People have always been most sympathetic, but the press will have a field day-a threeday’s wonder, of course, it’s not like royalty getting married or having its phone calls intercepted, after all, but still. The worst of it is, the real tragedy of it is, what it’s going to mean to you. Has he given any hint? Have you heard from him?”
“You mean apart from this execrable invitation? Not a word.”
“We’ll have to put our heads together, Ruthven. There must be a way to make him see reason.”
“Funny. Those are the exact words Lillian used.”
2. THE LION IN HIS DEN
SIR ADRIAN BEAUCLERK-FISK SAT complacently surveying the luxurious study of his manor house, basking in the Rembrandtesque glow of its dark-paneled walls, the gleaming surfaces of which reflected light from the flames in the carved eighteenth-century fireplace-a real fireplace, thank you very much, none of the fakecoal contraptions so beloved by the common people. The light reflected as well off Sir Adrian’s Toby-mug-like features, the silk of his smoking jacket, and the polished mahogany of the carefully chosen (by his hired London expert) antique furniture. Sir Adrian had shown the man a photo of the effect he wanted, torn from an article on Marlborough House in British Heritage.
He contrived to look, in fact, every inch the gentleman he was not. His expression as he surveyed the room through piggy eyes said as clearly as words, Mine. All Mine.
He picked up his twenty-four-carat-gold-nibbed pen and contemplated the scattered pages of manuscript before him. A Biro might have been less trouble than the pen, which constantly needed refilling from the antique inkwell, but the pen had seen him through thirty-nine best sellers and, writers being the superstitious creatures that they are, nothing could separate him from it-certainly not the lure of one of those infernal personal computers with their floppy disks. Besides, he had that poncy American secretary to do the drudge work of transcribing his mostly illegible writing and cleaning up his spelling.
Sir Adrian indulged himself in several superstitions related to his writing, in addition to the pen. He would write only on flimsy blue air-mail paper of a kind produced only by a certain manufacturer in Paris-the kind on which he had penned his first best seller. He now bought the paper in bulk, a hedge against the day its manufacturer might go bankrupt or change the content of the paper. His novels were always precisely twenty-six chapters long, often regardless of whether or not this served the needs of the narrative. His desk, although he had pointed it out to no one, especially the hapless reporters who liked to interview him on such things as when he worked and how he got his ideas, faced directly south, in imitation of the direction his desk had faced in the Parisian garret of his youth. Due south, which he had learned somewhere in his wide-ranging reading was the direction of good fortune in Asia. That this forced him away from the view of spacious gardens outside the French windows of the room was probably all to the good, the eternal Miss Rampling requiring more and more in the way of extremes of ingenious solutions to keep Sir Adrian’s vast public entertained. He had tried to kill her off more than once; his agent had remonstrated and his publishers had refused to publish. He had tried another sleuth, but the public revolted, staying away in droves from his Cornish Chief Inspector. No, Miss Rampling it must be, the reading public demanded it. He was wedded to the old bat as if by holy matrimony.
The reminder of matrimony brought a smile to his lips, a smile of the kind so accurately described by Ruthven as reptilian. Sir Adrian paused in his work, literally hugging his flabby girth with glee.
Sir Adrian felt he had a lot to smile about that day. The current book was going swimmingly-he was discovering that a roman á clef was much easier going than his usual fictional scampers down the too-familiar High Street and through the rectory of Saint Edmund-Under-Stowe with the sprightly Miss Rampling. He wondered if maybe he should adopt this method for future books. He sat tapping his pen, contemplating with serpentine relish the long list of his enemies, many long dead. At the age of seventy, Sir Adrian viewed with some regret the diminishing ranks of those he viewed as his opponents, most of them older mentors who had had their kindnesses to Sir Adrian repaid with his own peculiar brand of ruthless, childish spite.
Still, there was his family, he thought cheerfully. Yet he surveyed this field with some bafflement. Not one of them worth a tinker’s damn. Only Ruthven even approached being worthy of the vast fortune Sir Adrian had amassed, for while George, if untalented, was certainly ruthless (which quality Sir Adrian admired above all others), only Ruthven possessed the perseverance necessary to turn the pitiless streak he had learned at Sir Adrian’s knee into vast pots of gold. As for the younger two-not worth mentioning. That his youngest son had turned into a drunken, poncy, fourth-rate actor was a family disgrace-more so for the feebleness of his acting talent than for his ponciness or his drinking, vices Sir Adrian was willing to tolerate because of their upper-class overtones. Sarah he dismissed with two words-fat cow, then amended that in his mind to, stupid fat cow-unaware of any irony as he absentmindedly contemplated his own vast girth spilling over the rope of his smoking jacket.
They think all they’ve got to do is while away their time until I die, he thought. Cookbooks and revivals of deservedly neglected plays and art gallery openings. He made a snorting sound that cannot effectively be rendered into English, and was turning once again to his manuscript when he heard a tapping at the door of his study. Quickly, Sir Adrian gathered the scattered sheets and shoved them under the ink blotter on his desk.
“Come.”
The door edged open to admit a blondish young man in the indeterminate middle years between thirty-five and forty-five. Slight of build, he still somehow exuded an American robustness that Sir Adrian found extremely tedious at the best of times. He was often to be observed prancing, as Sir Adrian put it, around the vast grounds of the estate, engaged in the pointless American pastime they called power walking. Sir Adrian predicted direly that the young man would not live to see his fiftieth birthday if he didn’t learn to relax, take up smoking, and knock back a few ales at the local.