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“We met this morning in Mr. Gregson’s office. I proposed that you be invited to join the firm as a full partner. I’m glad to say the motion was passed unanimously.”

Paul pulled his head up in amazement.

Ives’ voice dropped almost out of hearing with avuncular confidential smugness. “We all feel you deserve it, Paul.” With an effort he lifted himself to his feet and shuffled around the desk, hand outstretched, beaming.

In the night he re-read the New York interview with the psychiatrist; he had bought a copy for himself at the stationery store on Seventy-second Street with the same feeling he recalled from boyhood when he’d bought forbidden pulp adventure magazines: the furtive haste, the fumbled coins.

The psychiatrist was uncomfortably close to the truth in his summation. To what extent were the rest of his speculations valid?

What kind of a monster am I?

He studied himself in the mirror. His face seemed haggard; there were unhealthy pouched blisters under his eyes.

“… about as much effect on the total crime picture as you’d get by administering two aspirin tablets to a rabid wolf.” Well, that was wrong. He’d had a staggering effect on the city. It was in all the media. It was the only topic of conversation. Cops were stating publicly that they applauded the vigilante. And in today’s Post, a story about a Puerto Rican boy—an addict with a lengthy arrest record—found stabbed to death in an alley beside a school in Bedford-Stuy-vesant. It added strength to the news item three days ago about a man found murdered by three .22-caliber bullets on East Ninety-seventh Street—a man who had served two terms for armed robbery; he’d been found with an automatic pistol in his pocket. The newspapers were speculating: Has the vigilante’s .32 become too hot to handle—has he traded it in? But these killings were not Paul’s doing; people were getting on the bandwagon.

Have I done enough? It made him think of countless cowboys in countless Westerns who only wanted to hang up their guns.

That was no good. It wasn’t a horse-opera with all the bad guys dead in the last reel. They were still out there.

They would always be out there. You couldn’t stop them all. But that was no excuse for giving up. The important thing—the only thing—was knowing you weren’t going to give up. Perhaps there were no victors, perhaps there were only survivors; perhaps in the end it would gutter out like the noxious stub of a used-up candle. Perhaps it was all solipsism and none of it mattered to anyone but himself. But what difference did that make?

He called Jack. “Did you talk to them today?”

“Yes. No change. I think we’re going to have to learn to live with it, Pop.”

“I guess we are.”

After he hung up he got into his reversible jacket and picked up his gloves. Touched the gun in his pocket and checked the time—eleven-ten—and left the apartment.

21

From the trees of Central Park he looked across 110th Street at the shoddy stores and tenements. Addicts probably used half of them as shooting galleries.

The cold wind drove right through him; he tucked his face toward his shoulder against it and stared into Harlem. Traffic moved in desultory spurts through the lights.

He moved along inside the park at the edge of the timber. The lights of the taller buildings moved along with him, just beyond the treetops. He stepped out onto Fifth Avenue and crossed northward with the light and began to walk east along 111th Street, across Madison Avenue and on along the dark foul-smelling block to the barricade which the stone-butted, elevated tracks made on Park Avenue. It was like the Berlin Wall, he thought.

He turned north into the ghetto with the solid railway wall to his right and the brooding slum tenements at his left shoulder. He had never been in this area by night; he had only been through it a few times in his life by day, and then only in cars or on the train. It had the air of a foreign city, it didn’t have the feel of New York: the buildings were squat and low, there was no bustly traffic, he saw no pedestrians. Not even drunks slept on the steps here; they probably knew it meant sure suicide. It was the antithesis of Times Square and yet the doomed sense of evil was the same. The icy wind made it seem darker; the occasional snowflake drifted on the swaying air; his heels echoed on the pavements and cobblestones and he imagined himself a last survivor searching the streets of a dead abandoned city.

He saw them in silhouette on the rooftop of a four-story corner tenement: the shifting shadows of a group of people—three or more, he couldn’t tell how many. They kept coming over to the edge and canting themselves outward to look downtown. They reminded him of commuters in subway stations leaning out from the platform to see if the lights of the train were coming into the tunnel. That made him realize what these were looking for: the same thing—a train.

He’d heard about this game. A vicious and dangerous one.

He moved close to the wall into the deeper shadows and slipped toward the corner. He stopped before he reached it; stayed out of the pool of corner lamplight, kept to the shadows, fixed his attention on the rooftop beyond the T-intersection. He thought he heard the distant rumbling of the train but perhaps it was only the hum of the city.

He watched them on the rooftop and began to single them out as individuals. Teen-age boys, at least three of them, and there was one girl who appeared at intervals. They seemed to be making trips to and from the roof parapet and he realized they were crossing the roof to pick things up, bringing the things over to the edge and stacking them there.

Ammunition.

Faintly he heard their nasal laughter.

From this low angle they seemed terribly far above him but it was only a real distance of some seventy feet—the width of the street and half the height of the building if you measured it as a right triangle; Paul’s line of vision formed the hypotenuse.

He had never shot anyone at quite such a long range; he remembered hearing it was difficult to shoot accurately at a steep upward angle. It would have to be done with care.

At least four of them; he had to take that into account too. He felt in his jacket pocket for the spare cartridges and counted them with his fingers—ten. Add to those the five in the cylinder of the revolver. Not much to waste; three shots per target, no more.

He eased closer to the corner and looked around. The spiderwork of a fire escape clung to the side of the opposite building. He thought about that but decided it would be too risky; they could see him if he went to cross the street.

Then he had another idea. He faded back into the shadows and waited.

The train approached. He saw the three boys lift objects in their hands and brace their feet against the low parapet that ran around the edge of the roof. The racket increased and when Paul turned his head he saw the lights of the train rushing along the top of the stone wall. The ground began to shake under him. The train came parallel with him and he saw heads at windows; he swiveled his glance to the rooftop and they were starting to lift and throw their missiles: bricks and chunks of cement, some of them so heavy the boys could hardly lift them and heave. The big ones fell short but there was a thundering rattle of bricks thudding the roof and sides of the train and Paul heard the tinkle of shattered glass. Had it hit someone inside the train?

Another window rattled. A brick bounced off the side of the train and pulverized itself in the middle of the street. The girl on the roof was throwing things too now; Paul counted them carefully and was satisfied there were only the four.

A crash of glass; he was sure he heard an outcry from the last car; then the train had gone, its rumble hanging in its wake.