Two youths: Levi’s, scraggy hair down to their shoulders, acned faces. Coming toward him with their thumbs hooked in their belts. Looking for trouble. Come get some, then.
They went right past without even glancing at him; he caught a waft of conversation: “...a bummer, man, a real down. Worst fucking movie ever made...”
Two kids on their way home from a movie. Well, they shouldn’t dress like hoodlums; it was asking for trouble.
The twilight had gone completely, behind the high monoliths of Central Park West; the light was failing quickly. He walked along the path with a light traffic of theater-bound taxis sliding through the crosstown loop beside him. A blatant homosexual with two huge hairy dogs on leashes went past him with an arch petulant expression. Two elderly couples strolling, guarded by a leashed Doberman. Three young couples, smartly dressed, hurrying past him, obviously late for a curtain at Lincoln Center.
A cop on a scooter, his white helmet turning to indicate his interest in Pauclass="underline" every solitary pedestrian was suspect. Paul gave the cop a straight look. The scooter buzzed away.
He stopped midway across the park and sat down on a bench and watched people walk by until it got to be wholly night-dark. In his pocket, sweat lubricated the handle of the gun in his fist. He got up and continued his walk.
Central Park West. He turned north a block and cut across on Seventy-third because you weren’t too likely to get mugged on Seventy-second, it was too crowded. Columbus Avenue. Now the dark long block to the Amsterdam-Broadway triangle.
Nothing. He crossed the square and glanced up Broadway. That was the bar where he’d listened to the beer-drinker complain about welfare-niggers. Seventy-fourth, a block from here — that was where the kid with the knife had come at him from behind. Try it again now.
Carol... It was too much to bear.
Seventy-third and West End Avenue. He stood under the street light looking downtown toward his apartment building two blocks south. Nothing sinister between here and there. Damn. Where the hell are you?
Getting chilly.
But he turned uptown instead. Went up to Seventy-fourth and crossed back to Amsterdam Avenue. Midway along the block — he even recognized the flight of stone stairs where he’d half-collapsed after the kid had run away. He had the block to himself again tonight but no one came at him.
Amsterdam: he walked around the corner and uptown with longer strides. Up into the West Eighties. Mixed neighborhoods now, stately co-ops shouldering against tenements. He had never walked here at night before. The sense of urban ferment was too strong: dark kids on front steps, old people at windows.
Feet getting tired now. Colder too. He reached an intersection and checked the sign: Eighty-ninth and Columbus. He turned west.
Two youths on the curb — Puerto Ricans in thin windbreakers. Okay, come on. But they only watched him go past. Do I look too tough? What’s the matter with you, don’t I look like an easy mark? You only pick on women?
Now that’s unfair. Get hold of yourself. They’re probably as honest as you are.
Riverside Drive. A party was going on in one of the apartments overhead: the wind blew gusts of rock music to him; a paper cup came fluttering down from the open window — the excretum of civilized pleasures. Half a block farther down, three young men were loading suitcases into a Volkswagen — the standard stagger system: one carrying bags out, another going in for another load, the third guarding the car. It’s insane. No one should have to. He crossed the Drive and went along to the stairs.
Down into Riverside Park.
The trees were flimsy against the lights. Traffic rushed along the Henry Hudson. He moved through the paths, past the playground, along the slopes. A copse of ragged smog-stunted trees; here the darkness had the viscosity of syrup and he suddenly felt an atavistic twinge: You’re in here, I can feel you. Watching me, waiting for me. Come on then. But he penetrated the trees and no one was there. On along the path: the end of the park up ahead, the steps up to the Drive, Seventy-second Street not far beyond. He thought with savage sarcasm, All right, it’s a poor night for hunting. But you’ll come after me again, won’t you.
He was cold clear through; his feet were sore. He went straight for the steps. It was only a few blocks to the apartment.
Approaching the steps he caught a tail-of-the-eye movement imperfectly and then the soft insinuating voice:
“Hey, wait a minute.”
Paul stopped. Turned.
A tall man, very tall. Thin to the point of emaciation, stooped. Clad in a thin jacket too short at the wrists. A hollow death’s-head, shoulders that twitched nervously. The hair was either pale red or blond. The knife was a fixed-blade hunting-knife, wicked in the dimness. “You got any money on you, buddy?”
“I might.”
“Hand — hand it over.” The knife came up two inches; the empty left hand beckoned. The junkie licked his upper lip like a cat washing itself, and ventured toward Paul.
“This is it, then,” he breathed.
“What? Hey, gimme the money, man.”
“You’re going to get in a lot of trouble.”
A quick pace forward. The junkie loomed, hardly beyond arm’s length. “Hey, I don’t want to cut you. Now hand it over and beat it, huh?” The voice was a nervous whine but maybe that was the dope in him, or the lack of it; the knife was steady enough, blade-up, the fist locked around it in a way that showed he knew how to use it.
Don’t talk to him. Just do it.
“Man, the money!”
He took it out of his pocket and pulled the trigger three times and the junkie stumbled back: his hands clutched the wounds, trying to hold the blood in, and the skull-face took on an expression of pained indignation rather than anger. He caromed off the iron railing and fell on his side without using his arms to break his fall. Paul was ready to fire again but the junkie didn’t move.
Drunk with it he stumbled into the apartment and stood sweating, quivering in every rigid limb, needles in his legs; soaked in his own juices.
“Uh-huh,” he said. “Uh-huh, uh-huh.”
16
There was no mention in the Times. The Daily News had two brief paragraphs on page ten: PAROLEE SLAIN IN R’SIDE PARK. “Thomas Leroy Marston, 24, was found shot to death last night in Riverside Park. Marston had been released from Attica State Penitentiary two weeks ago on parole after serving forty-two months of a five-year sentence for grand larceny.
“At his sentencing three years ago Marston admitted he had been a heroin addict. Police refused to guess whether his death was connected with drugs. Marston was shot three times by a small-caliber revolver. The assailant, or assailants, have not been apprehended.”
The police were looking for him. It was only to be expected. They weren’t likely to find him. It was easy to read between the lines in the News. The police were theorizing that Marston had tried to double-cross a dope pusher and the pusher had shot him. Fine; let them drag some of the pushers off the streets for questioning.
But he was going to have to be more careful in the future. He had made several mistakes; half the night he had sat in the living room with the gun on the table in front of him, coolly assessing the events. There were several mistakes, mainly of omission. He had not stopped to make sure Marston was dead. He had not disguised himself in any way; if there had been an eyewitness he would have been too easily identified. He had come straight home and it was possible the doorman, if ever questioned, might remember the time of Paul’s arrival.