Damon Runyon
Delegates at Large
When it comes on summer, and the nights get nice and warm, I love to sit on the steps in front of the bank at Forty-eighth Street and Seventh Avenue, where a guy can keep himself cool. Many other citizens are fond of sitting on the bank steps with me, and usually we sit with our coats off, speaking of this and that.
Sometimes you can see very prominent citizens sitting with me on the bank steps, including such as Regret, the horse player, and old Sorrowful, the bookie, and Doc Daro and Professor D. and Johnny Oakley and The Greek, and often strangers in the city, seeing us sitting there and looking so cool, stop and take off their coats and sit down with us, although personally if I am a stranger in the city I will be a little careful who I sit down with no matter how hot I am. Well, one night I am sitting on the bank steps with Big Nig, the crap shooter, and a guy by the name of Skyrocket, who is nobody much, when all of a sudden I notice three guys standing on the sidewalk taking a very good long gander at me, and who are these guys but certain characters from Brooklyn by the name of Harry the Horse, and Spanish John and Little Isadore, and they are very hard characters indeed.
In fact, these characters are so hard that I am glad that none of the depositors of the bank can see them standing there, as such a scene is just naturally bound to make any depositor nervous. In fact, it makes me more nervous than somewhat, and I am by no means a depositor. But of course I do not let on to Harry the Horse and Spanish John and Little Isadore that I am nervous, because they may get the idea that I am nervous about them and take offense.
Well finally I say hello to them, and they all say hello right back, and I can see that they are not inclined to take offense at me, but then they start looking at Big Nig and Skyrocket in such a way that I can see they are taking offense at Big Nig's face and at Skyrocket's too, and personally I do not blame them, at that, as these are faces such as may give offense to anybody.
Furthermore, Big Nig and Skyrocket can see that these Brooklyn characters are taking offense at their faces and in practically no time Big Nig and Skyrocket are walking briskly up Forty-eighth Street. Then Harry the Horse and Spanish John and Little Isadore take off their coats and sit there with me quite a while, with nobody saying much of anything, and I am wondering what these characters are doing in this neighborhood, because they know they are by no means welcome along Broadway or anywhere else in town for that matter, when finally Harry the Horse speaks as follows:
"Well," Harry says, ''we are going out West tomorrow. Yes," he says, "we are going away out to Chicago, but," he says, "do not ask us to call on anybody in Chicago for you, as we will be very busy while we are there."
Now it happens I do not know anybody in Chicago for them to call on, and if I do know anybody there I will just as soon think of sending them a bottle of prussic acid as to ask Harry the Horse and Spanish John and Little Isadore to call on them, but naturally I do not mention such an idea out loud. And although I am dying to know why they are going to Chicago, of course I do not ask them, as such a question is bound to be regarded as inquisitive by these characters. So I only say I hope and trust that they will have a very pleasant journey to Chicago and that they will return safe and sound, although I am secretly hoping they never return at all, because if there are any citizens this town can spare it is Harry the Horse and Spanish John and Little Isadore, and especially Harry the Horse.
In fact, the chances are that Brooklyn, where Harry resides, will be glad to pay him a bonus to move away from there, because he is always carrying on in such a way as to give Brooklyn a bad name, while Spanish John and Little Isadore are no boost to the borough, either. But Spanish John and Little Isadore only do what Harry tells them, and what Harry tells them is generally something that causes somebody plenty of bother.
There is no doubt that Harry the Horse has a wild streak in him and he is very mischievous, and is always putting Spanish John and Little Isadore up to such tricks as robbing their fellow citizens of Brooklyn and maybe taking shots at them, and sometimes Harry the Horse personally takes a shot or two himself. Naturally, this practice is most distasteful to the citizens of Brooklyn, who are very fond of peace and quiet.
Well, anyway, Harry the Horse and Spanish John and Little Isadore sit on the bank steps with me quite a while. Finally however, they get up and put on their coats and shake hands with me and say they hope to see me when they get back from Chicago, and then they go away, and I do not hear of them again for several weeks.
Now one hot night I am again sitting on the steps with a number of prominent citizens, when who comes along but Little Isadore, and he motions me to follow him up the street. It is the first time I ever see Little Isadore without either Harry the Horse or Spanish John and when I join him, naturally I ask him about the others, and Little Isadore speaks to me as follows:
"Harry is in a hospital in Chicago," Little Isadore says. "Spanish John is out there waiting for him to get well. I come back home," Little Isadore says, "to raise some scratch to pay Harry's hospital fees.
"He is all bunged up. It comes of mixing in politics with a doll," he says. "Maybe you will like to hear the story."
Naturally I say I will be greatly pleased to hear it, so we walk around to Mindy's restaurant, and Little Isadore orders up a sirloin steak smothered in onions, and while he is eating this steak he begins to talk.
Well (Little Isadore says), we go to Chicago all right the day after we last see you, and we go to Chicago by special invitation of some very prominent parties out there. I will mention no names, but these parties are very prominent indeed, especially in beer, and they invite us out there to take care of a guy by the name of Donkey O'Neill, as it seems this Donkey O'Neill is also in beer in opposition to the prominent parties I speak of.
Naturally, these parties will not tolerate opposition, and there is nothing for them to do but to see that Donkey O'Neill is taken care of. But of course they do not wish him to be taken care of by local talent, as this is a very old-fashioned way of transacting such matters, and nowadays when anybody is to be taken care of in any town it is customary to invite outsiders in, as they are not apt to leave any familiar traces such as local talent is bound to do.
So the prominent parties in Chicago get in touch with Angie the Ox, in Brooklyn, and Angie speaks so highly of Harry the Horse and Spanish John and me that we get the invitation, which anybody will tell you is a great honor. Furthermore, six G's and all expenses go with the invitation, and this is by no means alfalfa.
We go to Chicago by the Twentieth Century train, and it is a nice trip generally, except that while we are in the club car playing pinocle Harry the Horse gets to looking at a doll with more interest than somewhat. Now, it is by no means like Harry the Horse to look at a doll. In fact, in all the years I am associated with Harry the Horse, socially and in business, he never before looks at a doll more than once, or maybe twice, because he claims that all dolls are more or less daffy.
But I will say that the doll in the club car is worth looking at, and anybody can see that she has plenty of class, although personally I like them with legs that are not quite so spindly. She is by no means a real young doll, being maybe twenty-five or twenty-six, and anybody can see that she knows what time it is.
Furthermore, she is very stylish, and even if Harry the Horse is a guy who gives dolls a tumble this is about the last doll you will figure him to tumble, because she looks as if she may be such a doll as will holler for the gendarmes if anybody as much as says boo to her.