When I got home the phone was ringing. It was a Unitarian Minister from San Francisco who was trying to put together some kind of Lennon memorial in Golden Gate Park, needed some help. I thought he was calling to ask me to come speak or something – deliver a eulogy. I started saying that, sorry, much as I'd like to I just couldn't make it, I had fence to fix and kids' Christmas programs to attend and so forth… but he said, oh no, he wasn't wanting that kind of help.
"What is it you need, then?" I asked.
"I need some organizational help," he said. "I've never done anything like this before. I need to find out about permits and the like. So I was wondering if you might know how I could get in touch with Chet Helms? The guy who did all those big be-ins? You happen to have Chet Helms's phone number anywhere?"
Many such memorable scenes from the last decade and a half of our onreeling epic have been underscored by Beatles music: "With a Little Help from My Friends" was playing when Frank Dobbs and Houlihan and Buddy helped hold my acified atoms together one awful night. During my six-month sojourn in the outer reaches of the California penal system, I used a Beatles record as my mantra, a litany to lead me safely through the Bardo of Being Busted. The record was "All You Need Is Love." I listened to it so many times that I came to count the number of times the word "love" is used in the mix. It was 128 times, as I recall.
Now, as I run my eyes over these three ragged runes of Christmastime in the Eighties, looking at them for whatever message or augury they might offer, I cannot help but view them to the accompaniment of Guru Lennon's musical teachings.
The lesson learned from Bible Bill and his ilk is simple. I already had it pat: Don't encourage a bum. Attention is like coke to these bottomless wraiths – the more they get the more they want.
The epiphany taught by the visitation of John the Groupie is simple enough on the surface: Don't forget the Magical Summer of Love in the Chilly Season of Reagan. I think even John the Limey would have agreed with this interpretation.
What complicates the lesson is that in its wake washes up the third apparition.
This final visitor is still a mystery to me. I knew how to deal with Bible Bill. I know now how I should have dealt with John the Groupie. But I still don't know what to do about my third phantasm, the Ghost, I fear, of Christmases to Come: Patrick the Punk.
He was on the road alongside my pasture, shuffling along in army fatigues and jacket and carrying a khaki duffel over his shoulder. I was headed to town to pick up some wiring and exchange a video tape. When I saw him I knew there was no place he could be headed but mine. I stopped the Merc and rolled down the window.
"Mr. Deboree?" he said.
"Get in," I said.
He tossed the duffel in the back and climbed in beside me, heaving an unhappy sigh.
"Fuckin Christ, it's cold. I didn't think I'd make it. My name is Patrick."
"Hi, Pat. How far have you come?"
"All the way from New York State on a fuckin Trailways bus. Took every nickel I had. But fuck, you know? I mean I had to split. That East Coast-shit, all they want to do is fuck you over or suck you dry. I'm dry, Mr. Deboree. I'm broke and I'm hungry and I haven't been able to sleep in three days from this fuckin poison oak."
He was only a few years past voting age, with a soft unblinking stare and a gray mold of first whiskers on his chin. The whole right half of his face was covered with white lotion.
"How'd you get poison oak?"
"Running through the woods from this murderous old bitch in Utah or Idaho or someplace." He dug a Camel out of a new pack and stuck it in his swollen mouth. "She thought I was trying to rip off her fuckin' pickup."
"Were you?"
He didn't even shrug. "Hey, I was terminally drug with that fuckin' bus. Who can sleep with all that starting and stopping? Bums and winos, maybe, but not me."
I still hadn't resumed driving. I realized I didn't know what to do with him. I didn't like having him in the car with me – he stank of medicine and nicotine and sour unvented adrenaline, of rage – and I didn't want to let him stroll onto my place.
"I came to see you, Mr. Deboree," he said without looking at me. He seemed in a kind of shock. The Camel just hung there.
"What the hell for? You don't know me."
"I've heard you help people. I'm fucked and sucked dry by those vampires, Mr. Deboree. You've got to help me."
I started to drive, away from the farm.
"I never read Sometimes a Cuckoo Nest, but I seen the flick. I did read what you said in the Whole Earth Catalogue about believing in Christian mercy. Myself, I'm an antagnostic, but I believe everybody has a right to believe in mercy. And I need some, Mr. Deboree, you can fuckin believe that! I'm no wino bum. I'm intelligent. I've got talent. I had my own little C & W group and was doing real good for a while, but then, them fuckin vampires – I mean, man, you know what they -?"
"Never mind. I don't want to hear. It'll just depress me. If you'll promise to spare me your tale of woe I'll buy you lunch in town."
"Lunch isn't what I had in mind, Mr. Deboree."
"What exactly did you have in mind?"
"I'm an artist, not a mooch. An experienced singer/songwriter. I need a job with a good little country-and-western group."
O, dear God, I thought, as if I knew a country-and-western group, or as if any group would want to take on this whey-faced zombie. But I kept quiet and let him ramble on in general about the shitty state of everything, about all the fuckin psychedelic sellouts and nut-cutting feminist harpies and brain-crippling shrinks and mother-raping bulls who run this black fuckin world.
It was a week or so after the Lennon killing, a day yet before the winter solstice, so I tried to listen to him without comment. I knew he came as a kind of barometer, a revelation of the nation's darkening spiritual climate. Still, I also knew that, as black as it might be, the Victory of the Young Light could always be expected after the darkest time, that things would get better again, and I told him so. He didn't look at me, but I saw the side of his mouth move to make a smile, or a sneer. The expression was unpleasant, like an oyster lifting a corner of a slimy lip from a cold cigarette, but it was the first that had crossed his puffy puss and I thought maybe it was a hopeful sign. I was wrong.
"Get better? With seventy percent of the nation voting for a second-rate senile actor who thinks everybody on welfare should be castrated? Hell, I been on welfare! Food stamps too. It's the only way a legitimate artist can survive without selling out to the fuckin vampires. Fuck Jesus, if you knew the rotten shit I been through, with that bastard bus driver and that trigger-happy bitch in Idaho and now this fuckin poison oak -"
"Listen to me, punk," I said, gently. For I figured that anybody who doesn't have anything better to do than travel 4,000 miles to try to get a fat old bald retired writer who he hasn't even read to get him a job as a singer in a country-and-western band that doesn't even exist is in dark straits indeed; so I decided to give him the benefit of some of my stock wisdom. "Don't you know you got to change your mind? That the way you're thinking, tomorrow is gonna be worse than today? And next week worse than this and next year worse than last? And your next life – if you get another one – worse than this one… until you're going to simply, finally, go out?"
He leaned back and looked out the window at the passing Oregon puddles. "Mister, I don't give a fuck," he said.
So I gave him three bucks and let him off at a Dairy Queen, told him to get something to eat while I did my shopping. For the first time his eyes met mine. They were pewter gray, curiously large, with lots of white showing all the way around the pupil. To certain oriental herbalists, the white of the eye showing beneath the pupil means you are what they call sanpaku, "a body out of balance and bound for doom." I concluded that Patrick's curious eyes must indicate a kind of ultra-sanpaku, something beyond just being doomed.