Once, when evoking his past, Dostoevsky recalled how, even before he had learned to read, 'I used to spend the long winter evenings before going to bed listening ... agape with ecstasy and terror as my parents read aloud from the novels of Ann Radcliffe.' This queen of Gothic mystery thrillers was Dostoevsky's memorable initiatrix to literature, and he never forgot the lessons he absorbed from her during those long winter evenings. His own novelistic technique, as Leonid Grossman pointed out long ago in a classic study, was modelled both on Ann Radcliffe and her successors, especially French ones, who catered to the popular taste for suspense, mystery and narrative surprise. Dostoevsky was the only Russian writer of his stature to employ these Gothic devices, and he was severely rapped over the knuckles for the 'vulgarity' of doing so (a sniffish and snobbish critical tradition that has been regrettably carried into our own day by Vladimir Nabokov). But Dostoevsky, who unlike his rivals wrote for a living, paid no attention to his detractors, and we should be grateful that he shrugged them off. For Demonsis not only a novel that deals with some of the profoundest issues of the modern world, and indeed of human life - it is also a riveting page-turner, a great read, a thriller par excellence that is impossible to put down.
Joseph Frank
Joseph Frank is Professor Emeritus in Comparative Literature from Princeton University and Professor Emeritus in Slavic and Comparative Literature from Stanford University. He has just completed a highly acclaimed five-volume study of Dostoevsky's life and work. The second volume, Dostoevsky: The Years of Ordeal,won the National Book Critics Circle Award in Biography in 1985.
Select Bibliography
Edward Wasiolek, The Notebooks for ''The Possessed',tr. Victor Terras, University of Chicago Press, 1968. Not easy reading, but an indispensable document, not only for Demonsbut for Dostoevsky as a whole. In developing Stavrogin, he raises fundamental issues about all his work.
W. J. Leatherbarrow, ed., Dostoevsky's The Devils, A Critical Companion,Northwestern University Press, 1999. Four English Slavists (the editor, D. C. Offord, M. V.Jones, R. M. Davison) have collaborated on this recent and excellent group of studies devoted to the novel. They treat in turn of the book's relation to Dostoevsky's biography, the context of contemporary ideas, the problem of narration and narrative technique, and the role of Stepan Trofimovich. The volume also contains selections from the relevant correspondence, and a valuable annotated bibliography.
Nancy A. Anderson, The Perverted Ideal in Dostoevsky's The Devils,Peter Lang, N.Y., 1997. The only book in English devoted to Demons,a well-balanced and well-informed study.
Konstantin Mochulsky, Dostoevsky, His Life and Work,tr. Michael A. Minihan, Princeton University Press, 1967. Originally published by an émigré scholar in 1947, who was strongly influenced by the religious aspects of Russian Symbolism, the book still retains its value. The chapters on Demons(17 and 18) are a very good synthesis.
Joseph Frank, Dostoevsky: The Miraculous Years, 1865-1871,Princeton University Press, 1995. The volume of my own five-volume study of Dostoevsky that deals with Demons.Chapters 21, 23-25 develop the ideas in my introduction.
Irving Howe, 'Dostoevsky: The Politics of Salvation', in Politics and the Novel,Horizon Press, 1957, 51-75. A perceptive study, one of the best brief treatments.
Jacques Catteau, 'Le Christ dans le miroir des grotesques (Les Demons)',in Dostoevsky Studies 4(1983), 29-36. A suggestive analysis of characters in the novel as distorted Christ-images.
Philip rahv, 'Dostoevski in the The Possessed', in Essays in Literature and Politics, 1932-1972,Houghton Mifflin, 1978, 107-28. An early political reading, which had a great deal of influence.
Philip Pomper, Sergei Nechaev,Rutgers University Press, New Brunswick, N.J., 1979. A sober study of the flamboyant revolutionary so important for Demons.
By the same author, The Russian Revolutionary Intelligentsia,Harlan Davidson, Inc., 1993. A good, brief introduction to the ideological world within which Dostoevsky wrote.
Chronology
DATE
AUTHOR'S LIFE
LITERARY CONTEXT
1823
Born in Moscow.
1823-31
Pushkin: Evgeny Onegin.
1825
1830
Stendhaclass="underline" Le Rouge el le Noir.
1833-7
At school in Moscow.
1834
Family purchases estate of Darovoe.
Pushkin: The Queen of Spades.
1835
Balzac: Le Père Goriot.
1836
Gogoclass="underline" The Government Inspector.
1837
Death of mother.
Enters St Petersburg Academy of Military Engineering.
Dickens: Pickwick Papers.
Death of Pushkin in duel.
1839
Death of father, assumed murdered by serfs.
Stendhaclass="underline" La Chartreuse de Parme.
1840
Lermontov: A Hero of Our Time.
1841
Death of Lermontov in duel.
1842
Gogoclass="underline" Dead Soulsand The Overcoat.
1844
Graduates, but resigns commission in order to pursue literary career.
1845
Completes Poor Folk- acclaimed by the critic Belinsky.
1846
Publication of Poor Folkand The Double.
1847
Breaks with Belinsky. Joins Petrashevsky circle. 'The Landlady', 'A Novel in Nine Letters', 'A Petersburg Chronicle'.
Herzen: Who isto Blame?Herzen leaves Russia. Goncharov: An Ordinary Story.
1848
'A Faint Heart' and 'White Nights'.
Death of Belinsky. Thackeray: Vanity Fair.
1849
Netochka Nezvanova.Arrested and imprisoned in Peter-and-Paul fortress. Mock execution. Sentenced to hard labour and Siberian exile.