AFTERWORD
This has been a very involved book, and I could not have done it alone. There are dozens of people to thank, from composers and authors who have provided inspiration over the years to the editor and agent who have helped me secure this opportunity. There are eight people who deserve special mention, however: Marco Palmieri, the editor at Pocket Books who gave me the chance, Jennifer Jackson, the agent who took me on, and the six tolerant souls who read the pre-submission draft and gave me some very helpful comments-Frances Maxwell, Trudy A. Goold, Arlene Marks, Gordon Brown, David Marks, and Dennis McKiernan.
Somehow, though, I never figured that I'd start my professional writing career with a Diablo book. But here I am, and proud to be here.
The world of Diablo is one of those magical places that grabs you. The game itself was a dungeon romp, with some nice side-quests to keep things interesting. When everybody was playing cooperatively, the multiplayer game was the best I'd ever seen. But it wasn't even the multiplayer game play that stood out the most; rather, it was the incredible and vast mythology behind the world.
The Diablo mythos is an epic one. It is a world where the forces of Heaven and Hell war on the mortal plane, and where mankind stands with them is never entirely clear. It is a deeply religious mythology, based on the war between Satan and God in the Anglo-Saxon book of Genesis. And, as such, it is a background where one can deal with moral, philosophical, and theological issues.
To be quite blunt, it is a joy to be able to write in this wonderful, but extremely dark realm. Unlike many other licensed worlds, where so little is left to the imagination that an author feels fettered, this one is wondrous and terrifying, with plenty of nooks and crannies to explore.
And, to be the author of the very first piece of Diablo fiction is an immense honor. Along with that honor, however, comes a deep responsibility. The first author must set a tone for the overall series, filling out bits and pieces of the world where necessary, and maintaining both the terror and wonder. The first story must present the world in such a way that the reader wants to come back, no matter who is telling the story.
I have tried to make this the best book possible, and I think it is one I can be proud of. I hope that those who read this will want to return once more to this amazing world where demons and angels walk among mortal men.
Robert B. Marks
September 2000