“I can’t—” She pinched the bridge of her nose, trying to hold back her anger. This was the only theory she’d actually had, but she’d dismissed it as too absurd. And here it was, alive in front of her. “A pipeline? You think this painting shows the location of a pipeline between here and the mainland—a magical, waterproof one that would stand up to any pressure?” Simone relaxed and looked up, made herself chuckle. Marina chuckled with her, which answered that question—Marina didn’t believe, but she had no problem selling fantasies. Sorenson did not look amused.
“It’s real,” Sorenson said forcefully. “Or one of them is. The government tunnel was never finished—they didn’t have the budget, they were too busy airliftin’ monuments from DC to Salt Lake City. But private corporations—several of them—all tried to take advantage of New York’s soon-to-be offshore status. Private companies funded by millionaires and defense contractors, like C-Rail. I’ve seen the records: These tunnels were all built, or at least started. But the waters rose faster than they thought. None of the tunnels were made really ready. But some are just waitin’ under the waves. Almost ready. And the American government ain’t the only one lookin’.” Sorenson took this moment to gesture fiercely at his chest with one hand, as though he were being martyred. “There are more unsavory sorts who would love to get their hands on a passage like that, finish it up, use it for the black market. That Mr. Ryan for one. Can you imagine? Or this deCostas fellow, making it an EU property? Or even the Khans—then it would be a private, family-owned tunnel. You may be friends with Caroline, but do you know her parents?” Simone shrugged. She’d shaken their hands once or twice. Sorenson furrowed his eyebrows. “Vicious, greedy, power-hungry. And others that are worse. We all know each other, and we’re all lookin’ for a workin’ tunnel. There were over a dozen started. I think at least one of them is in near-workin’ condition. We could finish it and connect the drowned city to the mainland. No more day trips to the Appalachian Islands, hopin’ your ship doesn’t snag on a building, and then another day by maglev train to the mainland proper. No more rickety planes that can’t hold cargo. No more storms makin’ shipping unsafe and a bad investment. The mainland could extend its reach—we could get building supplies out here within days. Extra military could be sent to control a crisis and not get here a week too late. We could set up more missionaries, rebuild the city, make it part of the mainland. Think of how good that would be for the city.”
Simone pursed her lips. She and Sorenson had very different ideas of what “good for the city” meant. She didn’t want New York to become like the mainland, with its decency laws and dress codes. And if they were easily connected, that’s exactly what would happen.
“I don’t know if it’s real or not,” Marina said, sounding bored. “But that’s what the painting shows. So if it is real, I could understand its value. We can’t use traditional imaging techniques to just map the ocean floor around the city. Too much debris—cameras, sensors, and even echo-devices all get clogged and useless within moments. But a map? A map is easy.”
Simone shook her head, looking down.
“Someone killed Henry for a fairy tale,” she said.
“Not a fairy tale,” Marina said. “A dream. People are always killing for dreams.”
“Linnea killed Henry,” Sorenson said. “She double-crossed him so she wouldn’t have to split the money.”
“Everyone keeps telling me that,” Simone said.
“You don’t believe it?” Sorenson asked. Simone shrugged.
“Lot of people want this painting, like you said. Even more than I knew about, it sounds like. Why haven’t people been searching for it before now?”
“No one knew it existed,” Marina said, rolling her eyes. “Reinel gave the painting to the couple he painted. That was what he always did. Usually they sold it, or their kids did, but this one was never in a museum. It was in someone’s home, for decades. They probably didn’t realize what they had.” She looked down, splayed out her hand, and glanced over her nails. “You think Henry had the painting and it was stolen. But I don’t think so. It’s not a small painting.”
“He didn’t have it with him,” Simone said. “But maybe a key.”
Marina shrugged and walked back to the window. Sorenson sat down.
“I pray for Henry,” Sorenson said after a moment, “and his murder was an awful thing. But I’m not askin’ you to find out who killed him. I just want you to find Linnea. I’ll pay you well if you can get me my paintin’.”
“You want me to make sure you get the painting and Linnea doesn’t run off with it, you mean.”
“That’s exactly what I mean,” Sorenson said in a near growl.
“Fine. I’m already looking for her anyway.”
“Good. My receptionist has those release forms for deCostas. You can bring him by again whenever you want. She also has the code for the stairs now. I don’t expect to see you again until you have the paintin’. I’ve wasted enough time and money on this.”
“Fine by me, preacher man,” Simone said, turning to go.
“Nice meeting you, Simone,” Marina called out musically. Simone didn’t turn around, but she could feel Marina waggling her fingers at her in a wave goodbye. She took the elevator down, ignoring the people still gathered outside the Mission. Her mind was elsewhere. There was someone else she wanted to see.
SHE FOUND TRIXIE OUTSIDE Paradise on the bridge in front of the gangplank. She was standing in front of a large metal barrel with a fire in it. She had on an oversized knitted sweater, and her arms were crossed tightly around her chest, like she was cold. Around her, the fog was thick, and she looked alone in the world. Simone walked up to her slowly, respectfully. Trixie looked up at her, then back at the flames.
“They wouldn’t let me burn it on the ship,” she said, half explaining the fire, half complaining. Simone looked closely at the barrel. It was filled with trash, but on top was a heap of bright red yarn, burning down into black, ashy strands. “I thought I should burn it. That seems like the right thing to do, right?” She looked anxiously at Simone. Simone nodded. Trixie looked back at the flames. “Right. We buried him yesterday. Well, we poured what was left of him into the ocean. That’s what burial is here, I guess.”
“You’re not from here?”
“No, I was born on the mainland. I married young. My first husband, he used to hit me. A lot.” Trixie rubbed her hands up and down her shoulders as if trying to warm up. “And then I met Frank. We fell in love, but divorce is illegal, so we just ran off. We stopped here and acted like we were married; no one questioned it. We did pretty good for a while.” Trixie smiled, her eyes on the fire. “Had Henry, had a family. Frank got sick—one of those weird diseases that popped up when the Mercury ice melted. And now Henry is gone, too.” She stopped rubbing her arms to tuck a stray hair behind her ear. Then she crossed her arms again, staring at the fire.
“I’m sorry.”
“Don’t be sorry for me,” Trixie said, taking a thin glass bottle of liquor from her sweater pocket. She took a long drink from it. “I don’t need pity. I don’t need anything, I guess. Just a fire and a drink.” She pointed her chin at the fire, looked into it, and smiled faintly. “What do you need?”
“I know why Henry was killed. It was for a painting. Well, the myth of the painting, really.”
“I don’t care,” Trixie said flatly. Simone nodded. They watched the fire in silence. It popped and made sounds like crinkled cellophane, and it smelled heavy with chemicals and dust. “I wasn’t totally honest, last time we talked. I didn’t tell you something.”