“When you do a good job, do you like to be acknowledged?”
Orson locked the freezer and walked across the room. Prostrating himself on the bed, he stretched his arms into the air and yawned. Then he lay back on top of the red fleece blanket and stared into the wall.
“I get like this after they’re gone,” he said. “An empty place inside of me. Right here.” He pointed at his heart. “You couldn’t imagine it. Famous writer. I mean absolutely nothing. I’m a man in a cabin in the middle of a desert, and that’s it. The extent of my existence.” He kicked off his boots, and grains of sand spilled onto the stone. “But I’m more than what’s in that freezer,” he said. “I own what’s in that freezer. They’re my children now. I remember every birth.” I sat down and leaned back against the splintery logs. “After a couple days, this depression will subside, and I’ll feel normal again, like anyone else. But that’ll pass, and I’ll get a burning where the void is now. A burning to do it again. And I do. And the cycle repeats.” He looked at me with dying eyes, and I tried not to pity him, but he was my brother.
“Do you hear yourself? You’re sick.”
“I used to think so too. A tenet of stoicism advises to live according to your nature. If you try to be something you aren’t, you’ll self-destruct. When I accepted my nature, violent as it is, I made peace with myself. Stopped hating myself and what I do. After a kill, I used to get much worse than this. I’d contemplate suicide. But now I anticipate the depression, and that allows me to take the despair and sense of loss in stride.” His spirits improved as he analyzed himself. “I actually feel better having you here, Andy. It’s quite surprising.”
“Maybe your depression stems from guilt, which should be expected after murdering an innocent woman.”
“Andy,” he said, his voice brightening, a sign that he’d changed the subject. “I wanna tell you something that struck me when I read your first novel, which was good, by the way. They don’t deserve the criticism they get. They’re much deeper than slasher stories. Anyway, when I finished The Killer and His Weapon, I realized that we do the same thing.”
“No. I write; you kill.”
“We both murder people, Andy. Because you do it with words on a page, that doesn’t exonerate what’s in your heart.”
“People happen to like the way I tell crime stories,” I said. “If I had the chops to write literary fiction, I’d do that.”
“No, there’s something about murder, about rage, that intrigues you. You embrace that obsession through writing. I embrace it through the act itself. Which of us is living according to his true nature?”
“There’s a world of difference between how our obsessions manifest themselves,” I said.
“So you admit you’re obsessed with murder?”
“For the sake of argument. But my books don’t hurt anyone.”
“I wouldn’t go that far.”
“How do my books kill?”
“When I read The Killer and His Weapon, I didn’t feel alone anymore. Andy, you know how killers think. Why they kill. When it came out ten years ago, I was confused and terrified of what was happening in my mind. I was homeless then, spending my days at a library. I hadn’t acted on anything, but the burning had begun.”
“Where were you?”
He shook his head. “City X. I’ll tell you nothing about my past. But every word in that book validated the urges I was having. Especially my anger. I mean, to write that protagonist, you had to have an intimate knowledge of the rage I lived with. And of course you did—” he smiled—“my twin. Unfortunately, I didn’t have the tool of writing to channel that rage, so people had to die. But your book …it was inspiring. It’s kind of funny when you think about it. We both have the same disease, only yours makes you rich and famous, and mine makes me a serial murderer.”
“Tell me something,” I said, and he sat up on one arm. “When did this start?”
He hesitated, rolling the idea around in his head. “Eight years ago. Winter of nineteen-eighty-eight. We were twenty-six, and it was the last year I was homeless. I usually slept outside, because I didn’t leave the library until nine, when it closed, and by then the shelters were full.
“If you wanted to survive a cold night on the street, you had to go where the fires were—the industrial district, near these railroad tracks. It was an unloading zone, so there was plenty of scrap wood lying around. The homeless would pile the wood in oil drums and feed the fires until morning, when libraries and doughnut shops reopened.
“On this particular night, the shelters were full, so when the library closed, I headed for the tracks. It was a long walk, two miles, maybe more. Whole way there, I just degenerated. Became furious. I’d been getting this way a lot lately. Especially at night. I’d wake myself cursing and screaming. I was preoccupied with pain and torture. I’d run these little scenarios over and over in my mind. It was impossible to concentrate. Didn’t know what was happening to me.
“Well, I got down to the tracks, and there were fires everywhere, people huddled in tight circles around them. I couldn’t find a place near a fire, so I sat down on the outskirts of one, people sleeping all around me, under cardboard boxes, filthy blankets.
“I was getting worse inside. Got so angry, I couldn’t sit still, so I got up and walked away from the fire. Came to the edge of the crowd, where the people were more spread out. It was late, near midnight. Most everyone was sleeping. The only conscious ones were by the fires, and they were too drunk and tired to care about anything. They just wanted to keep warm.
“There were these train cars close by that hadn’t been used in years. I was standing near one when I saw a man passed out in the gravel. Didn’t have anything to keep warm. I stared at him. He was a black man. Squalid, old, and small. It’s funny. I remember exactly what he looked like, right down to his red toboggan hat and ripped leather jacket. Just like you vividly remember the first girl you’re with. He smelled like a bottle of Night Train. It’s how they made it through the night.
“Nobody was paying attention to anything but the fire, and since he was drunk, I grabbed his feet and dragged him behind the train car. He didn’t even wake up. Just kept snoring. Adrenaline filled me. I’d never felt anything like it. I searched for a sharp piece of scrap wood, but I thought if I stabbed him, he’d have a noisy death.
“When I saw the rock, I smiled. So fitting. It was about the size of two fists. I turned the man gently over onto his stomach. Then I pulled off his hat and dashed the back of his head out. He never made a sound. I had an orgasm. Was born again. I left the body under the train car and tossed the rock into a river. Who’d give a shit about a dead homeless man? I walked the streets all night, bursting with limitless energy. Never slept a wink, and that was the beginning.
“The one thing I didn’t expect was for the burning to return so soon. Two days later, it was back, stronger than it had ever been, demanding another fix.”
Orson rolled onto his back and stared up at the ceiling. I felt nauseated.
“I’m gonna lock you in your room now, Andy, so I can get some sleep.”
“My God. Don’t you have any remorse?” I asked.
Orson turned over and looked at me. “I refuse to apologize for what I am. I learned a long time ago that guilt will never stop me. Not that I wasn’t plagued by it. I mean, I had …I still do have a conscience. I just realize it’s futile to let it torment me. The essential thing you have to understand about a true killer is that killing is their nature, and you can’t change something’s nature. It’s what they are. Their function. I didn’t ask to be me. Certain chemicals, certain events compose me. It’s out of my control, Andy, so I choose not to fight it.”
“No. Something is screaming inside you that this is wrong.”
He shook his head sadly and muttered Shakespeare: “‘I am in blood/Stepped in so far, that should I wade no more,/Returning were as tedious as go o’er.’”