Soft Construction with Boiled Beans Premonition of Civil War (1936), 79 de Kooning, Willem, 156, 181, 184 de Watteville, Annette (wife of Balthus) Balthus’s tribute to, in Balthus in his Own Words, 119
marriage to Balthus, 114, 116, 119, 127, 135
model for La jupe blanche (Balthus), 119
Degas, Eduoard, 184 Delacroix, Eugene, 143, 162 depression, 5, 6, 98, 140 Bellmer, 87 postpartum, 26 collecting and, 62 Cornell, 145-6, 149, 157-9, 176 developmental trauma, 26, 81 Dijkstra, Bram, 103, 191, 194 Dinnerstein, Dorothy, 187 discourse analysis
and creative potential, 10 distortion, 22, 74 Dix, Otto, 77 doll, dolls, 78, 79, 80-99
in constructions of Cornell, 147, 151, 176,180
Memories of the Doll Theme (Bellmer) 80, 84, 86, 90-1
transitional objects, 6, 41, 51, 77, 80, 98, 99
in Sons and Lovers, 96 Winnicott and, 96-97
See also effigies, female Don Juan, Don Juanism, 26, 32, 63, 124, 188
Picasso, Maria (mother of Pablo), postpartum depression of, 28 dualism, of psyche, 4 evolution, evolutional biology, 6, 7 Duchamp, Marcel, 67, 162, 178 Brides, 79
Ego,ego-splitting, 80, 86, 157, 186, 188 Dutton, Donald G., 89, 102, 193 effigies, female, 101 n3, 105 Eluard, Nush, 41, 74 Eluard, Paul, 48, 90, 155 Ernst, Max, 101, 155, 163 eroticism,
of Baladine 114
of Balthus 107, 118, 119, 121, 123, 135
of Bellmer 79, 87, 90, 94, 98 of Cornell 160 of Picasso 34, 41, 54 Fairbairn, Ronald, 34, 186, 188 false self, 32, 33, 35 fantasy, fantasies, 3, 11, 21,109, 190 Balthus, 114, 116, 118, 125, 131 Bellmer, 80, 82, 87, 107 bondage fantasy, 86 Cornell, 146, 147, 155-6, 160, 175 enriching, healing, 99, 150, 166, 175 fantasy leaders, 59-60, 64, 189-90, 191
group fantasies, 21 95, 181, 183 heterosexual men, of, 5 infantile, 16
perversion and 81,85-86, 110 fascism, fascist, 46, 191 female body, 121, 184
Bellmer’s strategy of attack on, distortion of 84, 86, 105 Picasso’s repugnance for, 44, 45 father
emulation of, 95 fathering
rejection by father, 89, 102, 193 feminine, 66, 184, 186 feminization, 89 fetishism, 98
French, Marilyn, 183, 184 Fonagy, Peter, 22, 193 Freud, Sigmund, 3, 11, 33, 63, 65, 68, 94, 97, 133 n27 gardens, 159
Gedo, Mary (biographer of Picasso), 25-6, 30-1, 52-3, 55, 68 n13 Gedo, John (biographer of Picasso), 57 gender, gender identification, 36, 64, 90, 110, 112, 114, 118, 183 Germany, 20th century
gynophobia and, 95 Gilmour, David G., 73, 185, 186 Gilot, Franjoise (wife of Picasso), 37, 41, 43, 46, 49-52, 56 girls, idealization of, 106 Gouel, Eva, 37, 38, 40, 41 Grosz, George, 77 Guernica (Picasso), 32, 46, 64 Hefner, Hugh, 59, 73 Holmes, Jeremy, 8, 22 Huffington, Arianna (biographer of Picasso), 31, 32, 42, 47, 54, 59, 66 hypersexuality, 55 identity diffusion, 89 Ideta, Setsuko, marriage to Balthus, 119 image making
containers for anxiety, 91, 92 imagery, images,11, 14, 20, 21, 23, 26, 34, 55, 59, 61,77, 124-5, 181 abusive, 7, 182 anxious, 127, 181 archetypal, 171 Christian, 61, 172
Cornell, in works of 139, 142, 167, 169
Madonna imagery, 1, 31 misogynistic, 98
nature, in paintings of Balthus, 118 religious, 41,131 windows, 114
of women, 1, 2, 25, 30, 32 39, 42, 57, 67, 191
insane, art of the
Messchersmidt’s distortions of human head, 79
Richard Dadd’s magical fairyland, 79 Jocasta mothering, 186 Jukes, Adam, 187, 188, 189, 193 n14 Jung, Carl, 3, 25, 33, 55, 62, 99, 166, 172, 174
Kafka, Franz and father, 48
Khokhlova ,Olga (wife of Picasso), 37, 40, 41, 42, 45, 49, 50 Klein, Melanie, 161, 187 Kusama, Yayoi (friend of Cornell), 156 La Poupee (Bellmer), 77 Lacan, Jacques, 46, 48, 65, 126 Lagut, Irene, 41, 74 landscapes, 61, 98, 118, 120, 130, 169 Laporte, Genevieve, 51, 56, 64, 67, 69, 70, 73, 74. See also Picasso.
Lawrence, D.H., 96, 102, 108, 155 Leclerq, Lena
Balthus and, 126 Lederer, Wolfgang, 185 Leonardo da Vinci, Freud’s study of, 1 Lespinasse, Gaby, 40, 69 libido, libido theory, 186 Loewald, Hans, 185
Lord, James (biographer of Dora Maar), 48, 58
Lolita (Nabakov), 79, 106, 125, 169 Lopez, Don Jose Ruiz (Picasso’s father) 27, 29, 67
Maar, Dora, 37, 41, 51, 58, 63, 70, 185 biography of, James Lord, 48, 58 childhood, 46
MacGregor-Hastie, Roy (biographer of Picasso), 44, 45
Madonna, Madonna imagery, 1, 31
Magritte, Rene, 150, 163, 181
Main, Mary, 9, 11, 14, 22, 23, 67, 187, 190
male friendships, 29
male dominance, 32, 33, 47, 183
Marquis de Sade
influence on Bellmer, 94, 111, 113,
115
masochism, 46, 82 memoirs, 56, 108, 132, 135 Miles, Rosalind, 184, 193 Minotaur, 32, 43, 45, 48, 50, 51, 71, 72 misogyny, 103 n43, 183, 185-91 Picasso, 28, 54, 62, 66
Bellmer 78, 97 Mitrani, Nora
biography of Bellmer, 83, 86. See also Bellmer
Money, John, 109, 132 mood regulation,19, 21,29, 33, 62, 98, 167, 156, 170, 174, artists, and, 17
collecting and, 135, 148, 169, 179 music as regulator, 112, 142, 147, 155, 162, 164, 166, 168, 171, 177 Cornell’s boxes and, 140 Moore, Marianne (friend of Cornell) 147, 159, 171
mother-infant behavior, 6, 7, 11, 12, 20, 28, 29, 30
Strange Situation test and, 4 mothering
abrupt loss of, 7 of avoidant children, 13.
Bellmer and, 85
Cornell and, 139
Don Juanism and 189,193
Balthus and, 129
Picasso, 28, 31, 57
styles13, 183.See also child-rearing,
parenting
Murphy, Sara, 40, 41, 115 Woman in White, 40 music as repair. See mood regulation Naguschewski, Ursula (cousin of Bellmer), 82, 90, 93, 111
introduction of doll photographs to Surrealists by, 90 narcissism,14, 25, 26, 35 Balthus and 131
of Bellmer, 83, 95, 102, 107, 123, of Picasso, 25-6, 34-6, 48, 50-1, 57-8, 62, 65-6, 69
nature
as healer, 145, 173 as mood regulator, 16, 17
Nazi, 94, 97
O’Brian, Patrick (biographer of Picasso), 29, 67n11, 73n113 Oates, Joyce Carol, 108, 132n7 object relations, 5, 34, 185 obsession, 2
of Bellmer 92, 95 of Balthus, 106, 107, 127, 135 of Cornell 147, 148-9, 151, 173 obsessive-compulsive behavior, 62 Oedipus, oedipal, 3, 26, 183, 35 Bellmer and 81, 87, 95 hypermasculinity and 186 negative, 113, 185 Picasso and 35, 65
and Stoller’s theory of perversion, 81 Olivier, Fernande, 37, 56, 69, 74. See also Picasso organization inner life, 190 pacifism, 64
parenting. See also child-rearing, mothering, 186 patriarchy, 183
Parmelin, Helene (biographer of Picasso), 52, 75
pedophilia, 79, 105, 107, 108-9, 114, 124, 130-32
John Money on, as a“love map” 109 parenting of pedophiles, 109 as personality organization, 109 personality organization
dismissing, 7, 9, 10, 13, 90, 139, 146, 156, 177, 179
fearful, 8, 10, 13, 26, 95, 157 in avoidant adults, 13 pedophilia, as a, 109 Picasso, Claude (son), 163, 171 perversion, 77, 80, 81, 82, 83, 110, 112 and past trauma, 110 Picasso, Marina (granddaughter), 43, 53, 56, 57, 72
Picasso, Pablo,
and Balthus, 125 biographers of
Gedo, Mary and Patrick. 25-6, 30-1, 52-3, 55, 57, 68 n13 Huffington, Arianna, 31, 32, 42, 47, 54, 59, 66
MacGregor-Hastie, Roy, 44, 45 O’Brian, Patrick, 29, 31 Parmelin, Helene, 52, 75 art, motivations for, 61 thoughts on, 60 birth, 28
childhood, 25, 28 comparison with Balthus, Bellmer, Cornell, 1,2, 4, 5, 10, 21, 181, 183, 191
Les Demoiselles d’Avignon,
deformation in 36, 37, 44, 68n22 and Francoise Gilot, 49-52, Woman-Flower, 49, 50 father, 27, 29, 32, 67 inner life of, 34, 172 innovations of, 33 and Olga Khokhlova, 41-2 Portrait of the Artist’s Wife,