To be addible, qualities had to have sufficient similarity. Otherwise, how could human sense take two superimposed sensations of a color and say one was a more intense version of the color than the other? What made one green more intense than another - to the senses? Increase in intensity had to be a form of addition.
"It could be in the axon collaterals of the Ox's high-speed convergence fibers," Bickel said.
Flattery sank back on his heels, waiting for the stimulant to work on Prudence.
Bickel's right, he thought. If you superimposed a sufficiently rapid convergence of sense data, that itself could be interpreted as intensification. One of the images would contain more bits than the other.
But bits of what? All this didn't account for the way data overlapped in the human consciousness... awareness...
Flattery looked up at Bickel and Timberlake. They appeared lost in their own thoughts.
Prudence said: "Fmmmsh."
Almost automatically, Flattery put a hand to her temple, checking her pulse.
When I search my memory, Flattery thought, I find data separated against a background. Whatever that background is, consciousness operates against it. That background is what gives consciousness its size and reference - its dimension.
"The Ox's sense organs were modeled on ours but with a wider range," Timberlake said.
Bickel nodded. "The differences," he said. And he remembered the nightmare quality of those superimposed and merging globes of radiation.
"How about all that contact with the hybernating humans and livestock in the tanks?" Timberlake asked. "Has any woman ever carried that many... children... in just that way?"
"If consciousness results from combining sensations," Bickel said.
"Of course it does!" Timberlake said.
"Very likely;" Bickel said. "And it can receive and discriminate across the entire radiation spectrum. You can't say it hears or sees or smells... or feels. Those are just different forms of radiation."
"And the combinations could produce strange sense qualities, ones we can't even visualize," Timberlake said.
"They do," Bickel whispered, remembering.
"But it's dead," Flattery said. "It... refused to live." He looked up at them while still keeping a check on Prudence's return to consciousness.
"It's not like a human, though," Bickel said. "If we can find the answer - why it turned itself off - why it sent us this message..."
"You'd turn it back on?" Flattery asked.
"Wouldn't you?" Timberlake demanded.
"Are you forgetting how it turned vicious?" Flattery asked. "You were there with me... trapped."
We're playing a kind of blind man's bluff, Bickel thought. We know something's out there - something useful and something dangerous. We grope for it and try to grasp it and describe it, but Raj is right. We don't know if what we get will be the useful thing or the monster - the tool or the Golem.
"But it'll go beyond our consciousness, beyond our abilities," Timberlake said.
"Exactly," Flattery said.
"It contains an infinite progression of shades of consciousness, all within that new form of awareness," Bickel said. "We've built a kind of ultimate alien here. Raj's question is as good as yours. Should we turn it on? Can we turn it on?"
Prudence reached up, groping, pushed Flattery's hand away from her head. She tried to sit up. Flattery helped her.
"Easy now," he said.
She put her hand to her throat. How sore her throat felt. She had been absorbing the conversation around her for several minutes, remembering. She remembered there had been a train of thought, frantic efforts to raise Bickel on the intercom and communicate with him. She remembered the effort and the urgency, but the precise reason for abandoning her post and rushing off to try to tell Bickel eluded her.
"We have to weed false information out of our minds," Bickel said. "We're assuming a totally conscious robot, all of its activity directed by consciousness. That cannot be, unless every action is monitored simultaneously."
His words aroused a vague sense of anger in Prudence. He kept skirting the... what was that thought?
"Would it have the illusion that it's the center of the universe?" Timberlake asked.
"No." Bickel shook his head, remembering: "The universe has no center." That's what it had said to him.
This was a coding problem contained in the concept of you and the concept of...f identity. Bickel nodded to himself. Are you aware? Am I aware? He looked at the others.
The object and its surround.
A moment of intense despair overcame him. He felt like groaning.
"Life as we know it," Timberlake said, "started evolving some three thousand million years ago. When it got to a certain point, then consciousness appeared. Before that, there was no consciousness... at least in our life form. Consciousness comes out of that unconscious sea of evolution." He looked at Bickel. "It exists right now immersed in that universal sea of unconsciousness."
As though Timberlake's words had released a dam, Prudence remembered the train of thought so urgent it had forced her to abandon her post to go in search of Bickel.
Determinism at work in a sea of indeterminism! And she held the mathematical key to the problem. That was the train of thought. She had been trying to narrow down a new definition, mathematically stated, of quantum probability. She had sensed a three-dimensional grid forming in her awareness and a probing beam of consciousness focusing into that grid.
Again, she felt that enormous increment of consciousness and the memory of that sudden knowledge - she had pushed her body's chemistry beyond a balance point. She remembered how the darkness had engulfed her just as the mathematical beauty, the simplicity of the thought had spread itself out in her mind.
Everything depended on the origins of impulses and the reflection of them. It was a field of reflections - and this held the key to the sensation of consciousness.
We construct consciousness this way.
Our bodies take us part of the way and then the identity takes over.
Identity... an illusion... an assumption.
But that was just a working tool... like a navigator assuming his position on a boundless sea... assuming his position on a chart - an assumption on an assumption, symbol of symbols. Assuming such a position, even assuming a position which he knew to be wrong, the navigator could work his way mathematically to a close approximation of his correct position.
Approximation.
Particles or waves - it was not important which, but it was important whether the assumption worked.
Her entire conceptual process took no more than an eye blink of time but it produced a flare of awareness which filled her with energy.
There was no doubt at all where this flare of awareness pointed - at the AAT system. For a moment, she held the entire complex of the AAT system in her mind, manipulating the continuous interlocking pattern with her symbological grid. It was so simple. The AAT was a four-dimensional continuum, a piece of space-time geometry subject to considerations of curvature, duration-over-distance and particle/wave transfer through a multiplicity of sensor-traverse lines.
To the human nervous system, an instrument designed for the job, nothing could be simpler than visualizing and manipulating such a four-dimensional spiderweb - once the nature of the spiderweb was understood.
"John," she said, "the Ox isn't the instrument of consciousness; it's the AAT, the manipulator of symbols. The Ox circuits are merely something this manipulator can use to stand up tall, to know its own dimensions."
"The object and its surround," Bickel whispered. "Subject and background, grid and map... consciousness and unconsciousness!"
"The Ox is the unconscious component," she said, "a machine for transferring energy."