Rickards said: 'We're not using Holmes. The Met say the system is fully committed at present, and anyway we've got our own computer. Not that there's much data to feed in. The press and public know about Holmes, of course. I get that at every press conference. "Are you using the Home Office special computer, the one named after Sherlock Holmes?" "No," I say, "but we're using our own." Unspoken question: "Then why the hell haven't you caught him?" They think that you've only got to feed in your data and out pops an Identikit of sonny complete with prints, collar-size and taste in pop music'
'Yes,' said Dalgliesh, 'we're so sated now with scientific wonders that it's a bit disconcerting when we find that technology can do everything except what we want it to.'
'Four women so far and Valerie Mitchell won't be the last if we don't catch him soon. He started fifteen months ago. The first victim was found just after midnight in a shelter at the end of the Easthaven promenade, the local tart, incidentally, although he may not have known or cared. It was eight months before he struck again. Struck lucky, I suppose he'd say. This time a thirty-year-old schoolteacher cycling home to Hunstanton who had a puncture on a lonely stretch of road. Then another gap, just six months, before he got a barmaid from Ipswich who'd been visiting her granny and was daft enough to wait alone for the late bus. When it arrived there was no one at the stop. A couple of local youths got off. They'd had a skinful so weren't in a particularly noticing mood but they saw and heard nothing, nothing except what they described as a kind of mournful whistling coming from deep in the wood.'
He took a gulp of his coffee, then went on: 'We've got a personality assessment from the trick-cyclist. I don't know why we bother. I could have written it myself. He tells us to look for a loner, probably from a disturbed family background, may have a dominant mother, doesn't relate easily to people, particularly women, could be impotent, unmarried, separated or divorced, with a resentment and hatred of the opposite sex. Well, we hardly expect him to be a successful, happily married bank manager with four lovely kids just coming up to GCE or whatever they call it now. They're the devil, these serial murders. No motive -no motive that a sane man can understand anyway – and he could come from anywhere, Norwich, Ipswich, even London. It's dangerous to assume that he's necessarily working in his own territory. Looks like it, though. He obviously knows the locality well. And he seems to be sticking now to the same MO. He chooses a road intersection, drives the car or van into the side of one road, cuts across and waits at the other. Then he drags his victim into the bushes or the trees, kills and cuts back to the other road and the car and makes his getaway. With the last three murders it seems to have been pure chance that a suitable victim did, in fact, come along.'
Dalgliesh felt that it was time he contributed something to the speculation. He said: 'If he doesn't select and stalk his victim, and obviously he didn't in the last three cases, he'd normally have to expect a long wait. That suggests he's routinely out after dark, a night worker, mole-catcher, woodman, gamekeeper, that kind of job. And he goes prepared; on the watch for a quick kill, in more ways than one.'
Rickards said: 'That's how I see it. Four victims so far and three fortuitous, but he's probably been on the prowl for three years or more. That could be part of the thrill. "Tonight I could make a strike, tonight I could be lucky." And, by God, he is getting lucky. Two victims in the last six weeks.'
'And what about his trademark, the whistle?'
'That was heard by the three people who came quickly on the scene after the Easthaven murder. One just heard a whistle, one said it sounded like a hymn and the third, who was a church woman, claimed she could identify it precisely, "Now the Day is Over". We kept quiet about that. It could be useful when we get the usual clutch of nutters claiming they're the Whistler. But there seems no doubt that he does whisde.'
Dalgliesh said:'
"Now the day is over / Night is drawing nigh / Shadows of the evening / Fall across the sky".
It's a Sunday-school hymn, hardly the kind that gets requested on Songs of Praise, I should have thought.'
He remembered it from childhood, a lugubrious, undistinguished tune which, as a ten-year-old, he could pick out on the drawing-room piano. Did anyone sing that hymn now, he wondered? It had been a favourite choice of Miss Barnett on those long dark afternoons in winter before the Sunday school was released, when the outside light was fading and the small Adam Dalgliesh was already dreading those last twenty yards of his walk home where the rectory drive curved and the bushes grew thickest. Night was different from bright day, smelt different, sounded different; ordinary things assumed different shapes; an alien and more sinister power ruled the night. Those twenty yards of crunching gravel where the lights of the house were momentarily screened were a weekly horror. Once through the gate to the drive he would walk fast, but not too fast since the power that ruled the night could smell out fear as dogs smell out terror. His mother, he knew, would never have expected him to walk those yards alone had she known that he suffered such atavistic panic, but she hadn't known and he would have died before telling her. And his father? His father would have expected him to be brave, would have told him that God was God of the darkness as He was of the light. There were after all a dozen appropriate texts he could have quoted. 'Darkness and light are both alike to Thee.' But they were not alike to a sensitive ten-year-old boy. It was on those lonely walks that he had first had intimations of an essentially adult truth, that it is those who most love us who cause us the most pain. He said: 'So you're looking for a local man, a loner, someone who has a night job, the use of a car or van and a knowledge of Hymns Ancient and Modern. That should make it easier.'
Rickards said: 'You'd think so, wouldn't you.'
He sat in silence for a minute then said: 'I think I'd like just a small whisky now, Mr Dalgliesh, if it's all the same to you.'
It was after midnight when he finally left. Dalgliesh walked out with him to the car. Looking out across the headland Rickards said: 'He's out there somewhere, watching, waiting. There's hardly a waking moment when I don't think of him, imagine what he looks like, where he is, what he's thinking. Susie's ma is right. I haven't had much to give her recently. And when he's caught, that'll be the end. It's finished. You move on. He doesn't, but you do. And by the end you know everything, or think you do. Where, when, who, how? You might even know why if you're lucky. And yet, essentially, you know nothing. All that wickedness, and you don't have to explain it or understand it or do a bloody thing about it except put a stop to it. Involvement without responsibility. No responsibility for what he did or for what happens to him afterwards. That's for the judge and the jury. You're involved, and yet you're not involved. Is that what appeals to you about the job, Mr Dalgliesh?'