Выбрать главу

"No."

"As I thought. I am bereft." He stood up, and she got to her feet as well. The important thing with Gregory, as with all beautiful wild animals, was to never take your eyes off him. "Will you let me tell you one last thing?"

"I don't see how I can stop you."

"I don't think they want you dead yet, although I think soon they will. No, I think they want you frightened, and alone, so that you will do what they say. I don't think they understand what a silly hope this is."

"They don't know me," she said.

For just a moment, there was something other than the wolf in those beautiful eyes. "That is entirely their loss," he said, and the comic-opera Russian was gone. "Take care. I've done as much as I can for you without inconveniencing my own plans."

That was as much truth as she could ever hope to expect. She inclined her head slightly. He bowed his a fraction less.

And then he left.

She sank down on the couch, not bothering to lock the door after him—there didn't seem much point—and thought about things one more time.

Sometime in the middle of it, unexpectedly and without drama, her body simply decided that it had had quite enough of the stress, and sent her into a deep and dreamless sleep. She didn't know how long it lasted—not long enough for morning to arrive, at any rate—and she woke to the insistent electronic tones of a ringing phone.

It was Manny.

The anthrax culture was positive, and Jazz was on her way over.

Lucia was dressed when Jazz arrived, and was putting her hair up in a ponytail to keep it out of her face. It was a practical habit she'd developed over the years, a sort of ritual for going into battle. And she knew it was a battle now, whether that was likely to be obvious or not. She had just put on her shoulder holster when the bell rang.

"No way," Jazz said flatly when Lucia opened the door. "You've got to be fucking kidding. You think you're actually going somewhere, other than to the hospital? Manny called, didn't he? You were supposed to pack a bag."

"Sit. I have things to tell you."

Jazz didn't, but Lucia wasn't in any mood to wait for compliance. She started with the red envelope on the counter— Simms's creepy note of gratitude—and saw a flash of genuine irritation come over Jazz's face. Of course. She's the one who pulled the trigger. Why would he thank me?

But when comment came, it wasn't about the details. "I got one, too," Jazz said. "Courier brought it. You wouldn't believe the full-out paranoid lockdown that went into effect when Manny saw the van drive up."

Lucia could only imagine, and shook her head in wonder.

Jazz was still frowning at her. "Look, that doesn't explain you being out of bed and ready to rumble, okay? If there's any work that needs to be done, I'm doing it. Not you. You're flat on your back for the duration, getting good IV antibiotics. Doctor's orders."

"Not yet. I've got things to tell you—"

"Sit. Down."

Lucia put up her hands and sat. And truthfully, she hadn't slept well, or woken up that way, either. She still felt hot and sore, but at least the tickle in the back of her throat had died to a memory, and her lungs seemed clear. Surely she'd be worse, if this was going to go badly.

"Jazz," she said. Her partner brushed shag-cut blond hair back from her eyes and bustled around the kitchen, bitching about overpriced, overcomplicated appliances. Her black T-shirt was tucked in and clung to her curves; whether Jazz recognized it or not, she had a gorgeous, elegant line to her. Broad shoulders, curving hips, a not inconsiderable bustline. More than that, she just looked…strong. Strong and—now that she'd abandoned the ill-fitting men's flannel shirts and baggy jeans—female, without being in the least feminine.

"This thing's broken," Jazz said mutinously, staring at the high-tech coffeemaker. Jazz preferred one-button models. Lucia was reasonably certain that hers could navigate a spacecraft to Mars, if adequately programmed.

"No, it isn't," she said. "It's just temperamental. Jazz, I need you to listen to me for a minute."

Her partner paused in the act of spooning grounds into the filter. "Yeah?"

"Something happened last night."

"McCarthy brought you home." Jazz snapped the filter basket shut and punched buttons. Nothing happened. She slapped the coffeemaker with an open palm, frowning. Lucia sighed, got up and pressed the right button. The machine began a soft chuffing. "Yeah, I know. You can skip the details."

"No. No, Ben—didn't stay. He just saw me home. Something else happened."

"What?"

"I had an unexpected visitor."

That drew Jazz's total attention. "Here? I mean, I know it's not Manny's Fortress of Solitude, but it's got ambassadorial security. Who?"

How could she explain it, exactly? "It was someone I once knew. His name is Gregory Valentin Ivanovich—"

"I remember the name. You saw it in the files about the Cross Society."

Lucia blinked. "What?"

"The first day we were in Borden's office, and you jimmied the lock on his file drawer. Ivanovich's name was on a list of people employed by the Cross Society. You said he was somebody you recognized."

She barely remembered it. Jazz, it seemed, had a rare gift for memory. "Gregory came to warn me that the Cross Society means to set us up. Set you up, I mean. This morning."

Jazz took it with a shocking lack of surprise, and a shrug. "I don't doubt it," she muttered, and came to sit next to Lucia. "I'm not exactly a good little soldier. I mean, come on. Wouldn't they rather have people who follow orders, in something this complicated? You start knowing too much—"

"You start questioning the right and wrong of things. Like we've already done."

"Like Borden does, too." Jazz frowned at the coffee-maker, which didn't really deserve it, since it was doing its job. "That's why you're strapped? Because you think our buddies at the red envelope factory are out to get me?"

"Yes."

"L., I've been assuming that from the very beginning," she said. "Makes no difference if one of your oh-so-mysterious ex-boyfriends shows up to point a spotlight at it."

Lucia smiled wearily. "The only difference is that he was very precise about it being this morning."

"You trust this guy?"

She considered that very carefully. "In certain specifics, yes. And I think he was telling me the truth as he knew it."

Jazz raised her eyebrows. "Huh. That sounds not very convincing." She looked toward the coffeemaker, which had started filling the carafe. "That thing have a sensor so you can take the pot out and it won't pee all over the burner?"

"Yes."

"Figures." Jazz filled two cups and put the carafe back in place. The machine continued its puffing, hissing work. She carried the cups over and handed Lucia one. "Listen to me, okay? I don't care what kind of doomful signs of the apocalypse are on the horizon. You're going into the hospital and you're going to rest. End of story. Now go take off the gun and pack your bag. Consider me forewarned. You know for damn sure I'm always forearmed."

Lucia eyed the time. It was going on 9:00 a.m. now, and Gregory had been quite specific. Morning. Assuming he had been truthful, and that came down to her instincts.

"I'll stay with you until noon," she said. "No negotiations, chica. I mean it. I'm not letting you run around un-chaperoned. Three hours won't make any difference. They can strap me to the bed and give me whatever they want this afternoon."

"Lucia…"

Jazz, she saw, was close to exasperation. Lucia reached across and captured her hand. Jazz's fingers were slack with surprise.

"You shot someone yesterday," Lucia said. "The second man in a few weeks."