And then they were on familiar ground. Jack had not seen his cell until this very morning, but he had lived in it for a very long time and knew the quality of the air, the sound of it, the scent of it. Jack’s body odor had seeped into the stone around them and the dirt under them had absorbed his fluids, had drunk them up until he was a part of that place and it of him. He felt as though he could almost reach out and control the walls of the tunnel, bend them to his will as he would any limb of his body.
He motioned for Cinderhouse to take Griffin’s body into the cell, Jack’s own cell, and he finally leaned back against the wall as he watched Cinderhouse fasten the old iron shackles about Griffin’s legs and wrists. Griffin’s shattered leg hung uselessly. Jack smiled to think that Griffin’s skin was being stained by Jack’s blood. When Cinderhouse was done, Jack pushed himself off the wall and put a hand on the bald man’s shoulder.
“You’ve done well, my Peter. Now wait for me out there.” He gestured to the black tunnel outside the cell.
Cinderhouse went quietly out and was swallowed by the dark. Jack listened until he was sure that Cinderhouse was out of earshot. Then he leaned close to Griffin’s hanging head. When he spoke, his voice was the slightest of whispers.
“Can you hear me in there?” He licked Griffin’s earlobe, bit gently on the flesh. “Surely some part of you can hear me. I know you. I didn’t know what you looked like until now, but I know the smell of you, your foul breath. You have been delivered unto me as I knew you would be. You are the first. I will bring the others here. But for now, I will let you rot, hanging from these chains as I did for so long. I will let you stew in your own sour sweat, let you fear every approaching sound lest it be me. And I will return. I will do wonderful things to you. I will transform you as I have transformed so many others and, with your last breath, you will thank me as they thanked me. Wait for me now.”
Jack stepped away, feeling stronger, feeling mighty in his righteousness. He held up the lantern and let its light shine on the black walls that no longer held any power to cage him. He walked away from the cell and found Cinderhouse in the darkness and led him away through the passages, across the rivers and the graveyards and the ancient silent city streets.
Up and back to London.
16
Fiona knocked lightly on Claire’s bedroom door and waited until she heard Claire answer before she turned the knob and entered. The room was dark, only a single candle on the windowsill to dispel the shadows. Or perhaps the tiny flame was there to serve as a beacon for Walter, to bring him back safely. Claire was curled under an old off-white coverlet that was pulled up under her chin. Her blond hair glowed vivid orange in the candlelight, and the pillowy folds of the coverlet were grooved with deep purple bruises.
“Constable Winthrop is settled in now,” Fiona said. “He ate all the biscuits we had in the place. And he drank three cups of tea with milk. It’ll be a wonder if he can stand up from the chair.”
“He ate them all? All the biscuits?”
“I think so.”
“I was saving those.”
“I’m sorry.”
“No, it’s fine,” Claire said. She laughed. “I wasn’t really saving the biscuits. I suppose I’m just put out that we have a policeman underfoot and it’s the wrong one.”
“Yes,” Fiona said. “Why couldn’t they have sent Mr Hammersmith? We know him already. We would have felt completely safe with him right away.”
“I was talking about my husband. He’s a policeman, too.”
“Of course he is!” Fiona covered her mouth and turned to leave. “I’m so sorry.”
“Don’t go,” Claire said.
“I have things. I should do them.”
“Would you bring me a glass of water before you leave?”
“Of course.”
Fiona kept her eyes down and let her long hair fall across her face. She was a slender, pale girl with a calm demeanor and an inexpressive face. The youngest Kingsley girl had grown up without a mother. She had spent much of her childhood helping her father at his work in order to be close to him. She had walked around countless crime scenes with him, observing the bodies of murder victims, sketching the placement of their limbs, and making note of their wounds, a junior coroner’s assistant. Until the day Dr Kingsley decided that the morgue might not, after all, be the best environment for his daughter. He had sent her away, asked her to assist Claire until a permanent housekeeper could be found. But it was not the sort of work Fiona enjoyed.
She went to the washstand, where a ceramic cup sat next to a pitcher of water that had gone room temperature over the course of the night. Fiona noticed that the pail of dirty water from the morning’s stand-up wash was still sitting on the floor under the table. She wondered if she was supposed to empty it. Her duties in the Day household were still unclear, and it sometimes frustrated her that she didn’t know exactly what Claire wanted from her aside from simple companionship. She filled the cup and carried it to the bed, put it in Claire’s waiting hand.
“We ought to interview housekeepers again,” Fiona said. “And cooks. Cooks especially.”
“Oh, I know,” Claire said. “It’s just, I have no energy for it. We already know how hopeless it all is.” She took a long drink of water. Some of it dribbled down her chin and soaked into the coverlet.
They had had miserable luck in trying to find someone appropriate to help around the house. For some reason, the only women to apply for any position were horrible. On two separate occasions, they had hired a woman despite their misgivings, and both women had failed to return after their first days’ work. It really did seem like they were doomed to make do without help.
“So,” Claire said, “tell me about Sergeant Hammersmith. You seem terribly attached to the idea of him.”
Fiona felt herself blush. Her gaze fell on the coverlet, and she noticed a long squiggly seam of red thread. She bent and focused on it. In the shivering light of the candle, the red threads looked like letters and words, like a long sentence that progressed down the side of the coverlet from top to bottom and around its corner.
“What’s this?”
Claire set the water cup on the bedside table and pulled the coverlet down, bunched the side of it in her hands, and pulled it closer to her face. She smiled.
“Those,” she said, “are the names of everybody-of every woman, at least-in my family, going back for, oh, simply generations. More than a hundred years. Perhaps even more than two hundred years.”
“Their names? You mean your grandmother’s name?”
“And her grandmother. Look, here’s my mother’s name stitched in there.”
Claire pulled her feet up and Fiona sat on the edge of the bed.
“And, look, beside it there. .” Fiona said.
“My name,” Claire said. “My mother added my name to this when I was born. It’s a sort of record of the family, passed down from daughter to daughter.”
Fiona could see the pride in Claire’s face as she read the names of her ancestors, all marching side by side down the sturdy white fabric. How many generations of housekeepers had carefully washed the heirloom? And how long since it had been cleaned? A thought occurred to Fiona, and she smiled at Claire, her eyes wide.
“If your baby is a girl. .”
“It can’t happen.”
“Mr Day wants a boy?”
“No, no, I mean I’m rubbish at sewing. I could never ruin this old thing by stitching it up with some illegible clump of a name. Future generations would look at it and say, ‘What went wrong over here?’ And my great-great-great-granddaughter would say, ‘Oh, well, that’s where Claire Day, the infamously bad seamstress, destroyed everything.’ And besides, you’re avoiding the question about our dear Mr Hammersmith. I suppose he is rather handsome, isn’t he? Or he would be if you could somehow get him in a clean shirt every once in a while.”