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(Holds out stereopticon. Looks through it, whistles, snorts, moves eyebrows, etc. Offers stereopticon to SOPHIE.) Ankles, knees, it’s all there out in the open.

SOPHIE

Some other time, Irving, when I’m not in a rush. (Pushes him back into his apartment.) And...

25. SOPHIE POV IRVING.

SOPHIE

...we’ll curl up on your davenport and titillate each other.

IRVING

(As door is closing.) Oh

26. IRVING POV SOPHIE.

IRVING

...you devil you, you... (Door closes.) FADE OUT

27. FADE IN. SOPHIE, in her apartment. Medium shot of lamp being placed on a shelf. Dolly back to reveal SOPHIE’S apartment. It is basically Victoriana. It is loaded with erotic, suggestive and downright pornographic this and that. As we watch she goes around the apartment dusting, cleaning, etc.

28. SOPHIE in medium close-up. She undresses a Barbie doll and a Ken doll, arranges them in the missionary posture.

SOPHIE

Enjoy yourselves, kids. (She picks up a Little Brother doll, tweaks its cock playfully, sets it down. Then she picks up a Raggedy Ann doll and cuddles it. Music cue of mandolin playing “Those Were The Days.”)

29. Close on SOPHIE’S face. She is looking and remembering. DISSOLVE:

30. Same close-up as 29, but now SOPHIE is a thirteen-year-old, stereotyped of course. Quasi Fauntleroy outfit on. Big rouge marks on her cheeks. Pigtails, etc. Fade out “Those Were The Days” and fade in “The Good Ship Lollipop.” Pull back to see SOPHIE in Central Park near the swings in the playground. Music drops and SOPHIE begins humming “Good Ship Lollipop,” cuddling doll, etc.

31. Long shot of SOPHIE. Suddenly in frame appears the back view of a DIRTY OLD MAN. He begins to walk toward her. He is wearing a smarmy raincoat. He is humming a nothing sort of tune to himself in a deep, deep voice. As he gets closer to her, her singing and humming gets louder. SOPHIE notices him.

32. Shot of DOM POV SOPHIE. She stops humming, and watches the DOM approach. His humming gets louder. He stops.

DOM

Why, hello, little one! What a pretty doll.

33. Close-up SOPHIE. She’s listening, but saying nothing.

34. Same as #32.

DOM

...and what a pretty little doll you are. What’s your name, my dear? (Two beats.) What’s the matter, cat got your tongue?

35. Same as #33. SOPHIE still looking. She sticks out her tongue and gives a Bronx cheer.

DOM

(OC) Ahhhh, yes...

36. Two-shot. Dolly around to wind up in a two-shot favoring the DOM.

DOM

...perfectly lovely.

SOPHIE

(Little voice throughout.) I’m not supposed to talk to strange men.

DOM

(Shot favoring him here.) That’s no problem, my dear. There’s nothing strange about me, is there?

37. Pan down DOM’S body from head to crotch. Hold two beats on his crotch.

38. Close-up on SOPHIE as she reacts.

SOPHIE

Well...

DOM

If you’ll come with me for a little walk.

39. Two-shot favoring DOM.

DOM

...my sweet, I’ll give you a lollipop. (Whips five hundred and thirty-six lollipops from his pocket immediately, and just as quickly returns them.)

40. Close-up SOPHIE as she reacts.

SOPHIE

Well...

41. Tracking shot of SOPHIE and DOM walking through the park.

DOM

What’s your name, my dear?

SOPHIE

It’s Sophie.

DOM

Sophie. What a pretty name.

SOPHIE

I think it sucks. (At this point they pass the camera and the camera pans as they pass.)

42. Tracking from the front. Two-shot.

DOM

And how old are you, Sophie?

SOPHIE

I’m thirteen.

DOM

Thirteen!

SOPHIE

Is that bad?

(During the DOM’S next line, we let them pass the camera and pan with them to get a two-shot from the rear. We see that the DOM’S hand is on SOPHIE’S ass.)

DOM

It’s fortunate for both of us, my dear, that I’m not the least bit superstitious. DISSOLVE:

43. Interior of the DOM’S furnished room. We begin our shot on typical children’s-style drawing on the wall. It is obscene but is still obviously done by a child. Hold this for two beats and then pullback and pan to a two-shot of SOPHIE and the DOM.

SOPHIE

When am I going to get my lollipop?

DOM

First my dear, you’d better take off all your clothes...

44. Medium shot of DOM POV SOPHIE. He is stroking his crotch but catches himself doing it and stops.

DOM

...you wouldn’t want to drool all over your pretty dress.

45. Close-up SOPHIE. Pullback after her line to have a medium shot POV DOM.

SOPHIE

Now I’ve heard everything. (She takes off all her clothes. Intercut shots of the DOM’S face.)

SOPHIE

Well?

46. Two-shot.

DOM

First I’ll have some candy for myself, you little angel. (He puts her on the bed while speaking.)... Such a lovely little thing. Aren’t these delightful? Scoops of ice cream with cherries on top. (He works his way down her body with appropriate oohs and ahs, then stations himself between her legs. He is, of course, still fully dressed.) My God, that’s a pretty one!

SOPHIE

It’s the only one I’ve got.

DOM

What an aroma! Cinnamon crumpets, maraschino cherries, mink musk...

SOPHIE

Are you going to eat it or write a poem about it? (A good question, which he proceeds to answer with eager tongue.)

47. Close on DOM eating SOPHIE. Intercut with shots of her face as she delivers the lines.

SOPHIE

A genuine dirty old man. You don’t know what a hassle it is to find a dirty old man these days. The hours I’ve spent in that stupid park, dragging that dumb doll around. And all I saw were cops and muggers... that feels wonnnnnddeeerfuuuulllll... I’ve tried to do it myself but I couldn’t ever reach... When I think of all the years I’ve wasted playing hopscotch and kick the can... Johnnie on the pony wasn’t too bad, but stilllllllll... The camera stays on SOPHIE’S face for the rest of this.

SOPHIE

(Half singing, half talking as she gets closer to orgasm.)

ON THE GOOD SHIP...

LOLL — EE — POP...

WHAT A GREAT TRIP...

OH... DON’T STOP...

MAYBE HE’S A BUM...

BUT I THINK HE’S GONNA... MAKE...

ME... CCUuuMMMMMMM! (And she does just that.)