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"So?"

"Don't you see? Dominance without injury is precisely the relationship of the females to the males in a Falki village. As males they have to submit to that; apparently they have to do so as neuters, too, if someone is able to take the proper role."

Eldjarn was looking bewildered. "You mean they think we're females?"

"No, of course not. But the pattern is the same, and patterns are very important in genetically governed behavior. In this case the pattern is even stronger because it's reinforced every time the neuter changes back to male-he doesn't outgrow or discard it at any point in life. Saiko's triggered whatever instinct or state of mind goes with the pattern, and I don't think the neuters have any real choice in their response.

As long as no one shoots at them again, they should remain submissive to us."

That last, at least, Eldjarn understood completely. "Well, that's great. Soon as we can get some more of those martial-arts guys in to show their stuff at some of the other villages, we should have all the territory we need to work with." He chuckled. "It's fitting, you know, that it should be old Love-and-kisses Saiko who wound up finally bringing peace to the planet."

"Yes," I said shortly and turned away. It was no use trying to explain Saiko's feelings to Eldjarn; his dominance-oriented military mind would find Saiko even more incomprehensible than the Falkren. He wouldn't understand that Saiko's goal was peace with dignity and honor for all sides, not the peace of complete capitulation. He wouldn't understand the shame Saiko felt at having used his "gentle" martial art-however unknowingly-to provide a beachhead for human domination over a planetful of intelligent beings. And he would never understand what disgrace and loss of face could mean to Saiko's sense of honor.

And yet, despite all this, Saiko's philosophy of peace remained unshaken. I had talked to him often this past week, and through all his pain I had never seen even a glimpse of cynicism or despair or disbelief in the path he had chosen. A philosophy that strong, it seemed to me, was worth careful study-and my interest was not purely on a professional level. Tomorrow morning, at 0600 sharp, Saiko is going to give me my first training in Aikido.

interest was not purely on a professional level. Tomorrow morning, at 0600 sharp, Saiko is going to give me my first training in Aikido.

THE EVIDENCE OF THINGS NOT SEEN

Omens.

There are men in space today who'll tell you, in all apparent sincerity, that every major star ship disaster is preceded by an omen of one kind or another. I suppose most of those who say that don't really believe it, but I have seen crewers walk off a ship half an hour before launch because they thought a rash of snafus in the countdown checks meant the ship would disappear into a cascade point somewhere in the near future. Superstitious nonsense, of course, and I can prove it-because the day the Aura Dancer lifted for the last time was just as smooth and trouble-free as polished teflene.

I mean that; and for a struggling tramp starmer like the Dancer that's a minor miracle all in itself.

Wilkinson and Sarojis had the cargo stowed away twenty minutes ahead of schedule, Matope ran a complete check of the Dancer's systems without finding a single malfunction that Baroja's overly stuffy tower controllers could frown at; and Matope's success meant Tobbar was available to welcome our handful of passengers aboard, a task which traditionally falls to a ship's captain but which I've almost always successfully avoided. About the only thing that could remotely have been considered a problem was that Alana Keal, my second-in-command, nearly missed the boat.

She buzzed in about fifteen minutes before our scheduled lift, and I do mean buzzed. All the worry and guilt on her face couldn't mask the fact that she'd just been through some very serious celebrating with some old friends and was running a good two points above cruise velocity. "Sorry I'm late, Pall," she apologized with the slight breathlessness of having come from the hatchway to the bridge at a dead run.

"Did you have to drop us in the lift pattern?"

"No, I was going to give you another five minutes before I called the tower, I told her as she slid into her chair.

"They'd have had your head," she said, keying for a systems check. "You're supposed to give them twenty minutes' notice of a delay.

"Life is tough all over," I shrugged, watching her fingers skate over the keys. For a moment I considered telling her all the pre-lift checks had been done, but changed my mind. Alana was the serious type who insisted on pulling her own share of the load, and there was no point making her feel any worse about her tardiness. Not that she was really feeling bad now, but it would eventually catch up with her. "So... how did the Angelwing take the news that they had a new captain?"

She laughed, a sparkling splash of sound we heard all too seldom aboard ship. "The funny thing is that they really do have one. Old Captain Azizi's finally retired, and Lenn Grandy's been promoted."

"Ah." The name was vaguely familiar; one of Alana's fellow junior officers during the year she'd been on the Angelwing. "I presume you compared notes on which of you got the captaincy first?"

"Oh, we tried, but we ran into the usual simultaneity problems. He probably made it first, though."

"Well, I bet you look better in the captain's uniform than he does."

She glanced a smile up at me. "Why, thank you, Pall. Maybe sometime this trip you can stay with me during a cascade point and see for yourself."

She glanced a smile up at me. "Why, thank you, Pall. Maybe sometime this trip you can stay with me during a cascade point and see for yourself."

"They're not clock-watchers-Cunard's just very touchy about keeping their liners on schedule," she protested. But she obediently got to her feet and headed for the door. "Just remember, I've got first cascade point duty in four hours."

"We'll see if you're up to it," I called after her, a line that permitted me to be basically honest while still avoiding an argument. Physically, she'd certainly be up to doing the point by then. But emotionally- Emotionally, she would still be carrying the warm glow of the celebration and the triumph of a "captaincy" which, though purely imaginary, was in another sense very real.

And I had no intention of letting cascade point duty ruin that for her quite so quickly.

Four hours later I was alone on the bridge, and ready for the first cascade point.

The Dancer was quiet. All her sensors and control surfaces had been shut down, all electronics including the computer put into neutral/standby mode. The crewers and passengers were shut down, too, the sleepers Kate Epstein had administered guaranteeing they would all doze blissfully unaware through the point. They were ready, the Dancer was ready; and postponing the inevitable gained nothing for anyone.

Lifting the safety cover, I twisted the field generator knob... and watched as the cascade pattern began to fill up the room.

Someone early in the Colloton Drive's history, I'd once heard, had described the experience as being like that of watching some exotic and rapid-growing crystal, and there'd been times I could see it myself on almost that high of an intellectual level. The first four images that appeared an arm's length away were quickly joined by the next set, perfectly aligned with them, and then by the third and fourth and so on, until I was at the center of an ever-expanding horizontal cross of images.

Images, of course, of me.

Land-bound philosophers and scientists still had lively arguments as to what the effect "really" was and what the images "really" represented, but most of us who saw them regularly had long since come to our own conclusions, minus the fine details. The Colloton Drive puts us into a different kind of space... and somehow it links us through to other realities. The images stretching four ways toward infinity were hints of what I would be doing in each of those universes.