Дизайн для реального мира

^{___. and Watson, Wilfred. From Cliche to Archetype. New York: Viking 1}

^{___. and Fiore, Quentin. The Medium Is the Message.}

^{Middlesex: Penguin, 1971.}

^{___. and Parker, Harley. Through the Vanishing Point.}

^{New York: Harper & Row, 1968.}

^{___. and Papanek, Victor). Verbi-voco- Visual Explorations.}

^{New York: Something Else Press, 1967.}

^{___. and Fiore, Quentin. War and Peace in the Global Village.}

^{New York: Bantam, 1968.}

^{Mannheim, Karl. Ideology and Utopia.}

^{London: Routledge & Kegan Paul, 1966.}

^{Mehling, Harold. The Great Time Killer. New York: World, 1962.}

^{Mesthene, Emmanuel G. Technological Change.}

^{Cambridge, Massachusetts: Harvard University Press, 1970.}

^{Molnar, Thomas. The Decline of the Intellectual.}

^{New York: Meridian, 1961.}

^{Myrdal, Jan and Kessle, Gun. Angkor: An Essay on Art and Imperialism.}

^{London: Chatto & Windus, 1971.}

^{O'Brian, Edward J. The Dance of the Machines. New York: Macaulay, 1929.}

^{Packard, Vance. The Hidden Persuaders. Middlesex: Penguin, 1970.}

^{___. The Status Seekers. Middlesex: Penguin, 1971.}

^{___. The Wastemakers. Middlesex: Penguin, 1970.}

^{Palm, Goran. As Others See Us. Indianapolis: Bobbs-Merrill, 1968.}

^{Reich, Charles A. The Greening of America. Middlesex: Penguin, 1972.}

^{Repo, Satu (ed.). This Book is About Schools.}

^{New York: Pantheon Books, 1970.}

^{Riesman, David. Faces in the Crowd.}

^{New Haven, Connecticut: Yale University Press, 1952.}

^{___. Individualism Reconsidered. New York: Free Press, 1954.}

^{___. The Lonely Crowd, rev. ed. New Haven, Connecticut:}

^{Yale University Press, 1950.}

^{Rosenberg, Bernard, and White, David M. Mass Culture.}

^{New York: Free Press, 1957.}

^{Roszak, Theodore. The Making of a Counter Culture.}

^{London: Faber, 1971.}

^{Ryan, Willima. Blaming the Victim . Orbach & Chambers, 1971.}

^{Snow, C.P. The Two Cultures : And a Second Look.}

^{Cambridge: Cambridge University Press, 1963.}

^{Thomson, Denys. Discrimination and Popular Culture.}

^{Middlex: Pengiun, 1970.}

^{Toffler, Alvin . The Culture Consumers . New York: St. Martin’s, 1964.}

^{Veblen, Thorstein. The Theory of the Leisure Class.}

^{London: Alien & Unwin, 1971.}

^{Wagner, Geoffrey. Parade of Pleasure: A Study of Popular Iconography}

^{in the USA. London: Derek & Verschoyle , 1954.}

^{Walker, Edward L., and Heyns, Roger W. An Anatomy for Conformity .}

^{London: Brooks-Cole, 1968.}

^{Warshow, Robert. The Immediate Experience.}

^{New York: Doble-day, 1963.}

^{Yong, Wayland. Eros Denied: Sex in Western Society.}

^{London: Corgi, 1968.}

^{Дизайн и различные культуры}

^{Austin, Robert, and Ueda, Koichiro. Bamboo. Tokyo: Weatherhill, 1978.}

^{Belo, Jane. Traditional Balinese Culture.}

^{New York: Columbia University Press, 1970.}

^{Benrimo, Dorothy. Camposantos.}

^{Fort Worth, Texas: Amon Carter Museum, 1966.}

^{Beurdeley, Jean-Michel. Thai Forms. Freiburg". Office du Livre, 1979.}

^{Bhagwati, Jagdish. The Economics of Underdeveloped Countries.}

^{London: Weidenfeld & Nicholson, 1966.}

^{Carpenter, Edmund. Eskimo. Toronto: University of Toronto Press, 1959.}

^{Cavarrubias, Miguel. Bait. New York: Knopf, 1940.}

^{___. Mexico South. New York: Knopf, 1946.}

^{Cordry, Donald, and Cordry, Dorothy. Mexican Indian Costumes.}

^{Austin: University of Texas Press, 1968.}

^{Gushing, Frank Hamilton. Zuni Fetishes.}

^{Flagstaff, Arizona: KG Editions, 1966.}

^{de Bermudez, Graciela Samper (ed.). Artesanias de Colombia.}

^{Bogota: Litografia Arco, 1978.}

^{Dennis, Wayne. The Hopi Child. New York: Science Editions, 1965}

^{DePoncins, Contran. Eskimos. New York: Hastings House, 1949.}

^{Eliade, Mircea. Shamanism: Archaic Techniques of Ecstasy.}

^{London: Routledge & Kegan Paul, 1964.}

^{Gardi, Ren6. African Crafts and Craftsmen.}

^{New York: Van Nostrand Reinhold, 1969.}

^{___. ArchitecturesansArchitecte. Bern: Buchler&Co., 1974.}

^{Glynn, Prudence. Skin to Skin: Eroticism in Dress.}

^{London: George Alien & Unwin, 1982.}

^{Grass, Antonio. Animates mitologicos. Bogota: Litografia Arco, 1979.}

^{___. Diseno Precolumbina Colombiano. Bogota: Museo del Oro, 1972.}

^{Harris, Marvin. Cultural Materialism. New York: Random House, 1979.}

^{Harrison, Paul. Inside the Third World. Middlesex: Penguin, 1979.}

^{___. The Third World Tomorrow. Middlesex: Penguin, 1980.}

^{Heineken, Ту, and Heineken, Kyoko. Tansu: Traditional Japanese Cabinetry.}

^{Tokyo: Weatherhill, 1981.}

^{Herrigel, Eugen. Zen in the Art of Archery.}

^{London: Routledge & Kegan Paul, 1953.}

^{Hiler, Hilaire. From Nudity to Raiment. London: W. & G. Foyle Ltd., 1930.}

^{Hokusai. One Hundred Views of Mount Fuji.}

^{New York: Frederik Publications, 1958.}

^{Kasba 64 Study Group. Living on the Edge of the Sahara.}

^{The Hague: Government Publishing Office, 1973.}

^{Kwamiys, Takeji. Katachi: Japanese Pattern and Design in Wood,}

^{Paper and Clay. New York: Abrams, 1967.}

^{Jenness, Diamond. The People of the Twilight.}

^{Chicago: University of Chicago Press, Phoenix, 1959.}

^{Kakuzo, Okakura. The Book of Tea. Tokyo: Turtle, 1963.}

^{Kitzo, Harumichi. Cha-No-Yu. Tokyo: Shokokusha, 1953.}

^{___ .Formation of Bamboo. Tokyo: Shokokusha, 1958.}

^{___ .Formation of Stone. Tokyo: Shokokusha, 1958.}

^{Kubler, Geerge. The Shape of Time.}

^{New Haven, Connecticut: Yale University Press, 1962.}

^{Lee, Sherman E. The Genius of Japanese Design. Tokyo: Kodansha, 1981.}

^{Leppe, Markus. Vaivaisukot. Helsinki, Finland: Werner Soderstrom, 1967.}

^{Liebow, Elliot. Tally's Corner. Boston: Little, Brown, 1967.}