Дизайн для реального мира

^{Linton, Ralph. The Tree of Culture. New York: Knopf, 1955.}

^{Lip, Evelyn. Chinese Geomancy. Singapore: Times Books International, 1979-}

^{Lopez, Oscar Hidalgo. Manual de construction con bambu.}

^{Bogota: National University of Colombia, 1981.}

^{McPhee, Collin. A House in Bali. New York: John Day, 1946.}

^{Music in Bali. New Haven, Connecticut: Yale University Press, 1966.}

^{Malinowski, Bronislaw. Magic, Science and Religion.}

^{New York: Anchor, 1954.}

^{___. Sex and Repression in Savage Society.}

^{London: Routledge & Kegan Paul, 1927.}

^{Manker, Ernst. People of Eight Seasons: The Story of the Lapps.}

^{New York: Viking, 1964.}

^{Mead, Margaret. Coming of Age in Samoa. Middlesex: Penguin, 1971.}

^{__. Cultural Patterns and Technological Change. New York: Mentor, n.d.}

^{__. Growing up in New Guinea. Middlesex: Penguin, 1970.}

^{__. Male and Female. Middlesex: Penguin, 1970.}

^{___. Sex and Temperament. New York: Morrow, 1935.}

^{Meyer, Karl. Teotihuacan. Milan: Mondadori, 1973.}

^{Michener, James A. Hokusai Sketchbooks. Tokyo: Tuttle, 1958.}

^{Mookerjee, Ajit. TantraArt. New Delhi, India: Kumar Gallery, 1967.}

^{Mowat, Parley. People of the Deer. New York: Pyramid, 1968.}

^{Nicolaisen, Johannes. Ecology and Culture of the Pastoral Tuareg.}

^{Copenhagen: National Museum of Copenhagen, 1963.}

^{Oka, Hideyuki. How to Wrap Five Eggs. New York: Harper & Row, 1967.}

^{Ortega у Gasset, Josft. The Dehumanization of Art. Translated by Weyl.}

^{Princeton, New Jersey: Princeton University Press, 1948.}

^{Ortiz, Alfonso. The Tewa World: Space, Time, Being,}

^{& Becoming in a Pueblo Society.}

^{Chicago: University of Chicago Press, 1969.}

^{Page, Susanne, and Page, Jake. Hopi. New York: Abrams, 1982.}

^{Pianzola, Maurice. Brasil Barroco. Rio de Janeiro: Edicao Funarte, 1980.}

^{Ramseyer, Urs. The Art and Culture of Bali.}

^{Oxford: Oxford University Press, 1977.}

^{Reichard, Gladys A. Navajo Religion: A Study of Symbolism.}

^{Princeton, New Jersey: Bollingen Series,}

^{Princeton University Press, 1950.}

^{Richards, Audrey I. Hunger and Work in a Savage Tribe.}

^{New York: Meridian, 1964.}

^{Rodman, Selven. Popular Artists of Brazil.}

^{Old Greenwich: Devin-Adair, 1977.}

^{Roediger, Virginia More. Ceremonial Costumes of the Pueblo Indians.}

^{Berkeley: University of California Press, 1961.}

^{Rudofsky, Bernard. Architecture without Architects.}

^{New York: Museum of Modern Art, 1964.}

^{___. Are Our Clothes Modern? Chicago: Paul Theobald, 1949.}

^{___. Behind the Picture Window. New York: Oxford University Press 10}

^{___. The Kimono Mind. London: Gollancz, 1965.}

^{___. The Prodigious Builders. New York: Harcourt Brace Jovanovich 197}

^{___. Streets for People. New York: Doubleday, 1969.}

^{___. The Unfashionable Human Body. New York: Doubleday, 1971.}

^{Saunders, E. Dale. Mudra: A Study of Symbolic Gestures in Japanese Buddhist}

^{Sculpture. London: Routledge & Kegan Paul, 1960.}

^{Schafer, Edward H. The Golden Peaches of Samarkand:}

^{A Study of Tang Exotics. Berkeley: University of California Press, 1963.}

^{___. Tu Wan's Stone Catalogue of Cloudy Forest. Berkeley:}

^{University of California Press, 1961.}

^{Scully, Vincent. Pueblo: Mountain, Village, Dance.}

^{New York: Viking Press, 1975.}

^{Sesoko, Tsune. The I-Ro-Ha of Japan. Tokyo: Cosmo Corporation, 1979.}

^{Spencer, Robert F. The North Alaskan Eskimo: A Study in Ecology}

^{and Society. Washington, D.C.: Smithsonian Institution Press, 1969.}

^{Spies, Walter, and de Zote, Beryl. Dance and Drama in Bali.}

^{London: Faber, 1938.}

^{Suzuki, Daisetz T. Zen and Japanese Culture.}

^{London: Routledge & Kegan Paul, 1959.}

^{Sze, Mai-Mai. The Too of Painting. 2 vols.}

^{London: Routledge & Kegan Paul, 1957.}

^{Tange, Kenzo, and Gropius, Walter. Katsura:}

^{Tradition and Creation in Japanese Architecture.}

^{New Haven, Connecticut: Yale University Press, 1960.}

^{Tange, Kenzo, and Kawazoe, Noboru. Ise: Prototype of Japanese Architecture.}

^{Cambridge, Massachusetts: M.I.T. Press, 1965.}

^{Thiry, Paul and Mary. Eskimo Artifacts: Designed for Use.}

^{Seattle: Superior Publishing Co., 1977.}

^{Valladares, Clarival and do Prado. Artesanato brasileiro.}

^{Rio de Janeiro: Edicao Funarte, 1980.}

^{Vazquez, Ramirez. Mexico: The National Museum of Anthropology. Lausanne:}

^{Helvetica Press, 1968.}

^{Viezzer, Moema. Si mepermiten hablar...}

^{Bolivia: underground pamphlet, 1977.}

^{Wagley Charles. Welcome of Tears : The Tapirape Indians of Central Brazil.}

^{New York; Oxford University Press, 1977.}

^{Watts, Alan R. Beat Zen, Square Zen and Zen.}

^{San Francisco: City Lights, 1959-}

^{___. The Joyous Cosmology. New York: Pantheon Books, 1962.}

^{___. Nature, Man and Woman. New York: Pantheon Books, 1958.}

^{Wichmann, Siegfried. Japonisme. New York: Harmony Books, 1981.}

^{Wyman, Leland C. (ed.~).Beautyway:ANavajo Ceremonial. Princeton,}

^{New Jersey: Bollingen Series, Princeton University Press, 1957.}

^{Yee, Chiang. The Chinese Eye. New York: Norton, 1950.}

^{__. Chinese Calligraphy. London: Methuen, 1954.}

^{Yoshida, Mitsukuni, et al. Japan Style. Tokyo: Kondansha, 1981.}

^{Книги и публикации дизайнеров и других авторов}

^{Akerman, Nordal. Kan Vi Krympa Sverige?}

^{Stockholm: Raben & Sjogren, 1980.}

^{Brecht, Bertolt. Gesammelte Werke.}

^{Frankfurt, Germany: Suhr-kamp Verlag, 1967.}

^{Cleaver, Eldridge. Sou! on Ice. London: Jonathan Cape, 1969.}

^{___. Eldridge Cleaver: Post-Prison Writings and Speeches.}

^{London: Jonathan Cape, 1969.}

^{Debray, Regis. Revolution in the Revolution. Middlesex: Penguin, 1968.}

^{Deshusses, Jerome. The Eighth Night of Creation.}