Дизайн для реального мира

^{New York: The Dial Press, 1982.}

^{Dow, Alden B. Reflections. Midland, Michigan: Northwood Institute, 1970.}

^{Fanon, Frantz. The Wretched of the Earth. Middlesex: Penguin, 1967.}

^{Fischer, Ernst. The Necessity of Art: A Marxist Approach.}

^{Middlesex: Pelican, 1964.}

^{Freire, Paulo. Cultural Action for Freedom. Middlesex: Penguin, 1972.}

^{___. Educacao como Prdtica da Liberdade. Sao Paulo: P. P. C, 1967.}

^{.__• Pedagogy of the Oppressed. Middlesex: Penguin, 1972.}

^{Frisch, Bruno. Die Vierte Welt: Modell einer neuen Wirklichkeit.}

^{Stuttgart: DVA, 1970.}

^{Gardner, John. On Moral Fiction. New York: Basic Books, 1977.}

^{Gonzales, Xavier. Notes About Painting. New York: World, 1955.}

^{Greene, Herb. Mind & Image: An Essay on Art and Architecture.}

^{Lexington: University Press of Kentucky, 1976.}

^{Greenough, Horatio. Form and Function.}

^{Washington, D.C.: privately published, 1811.}

^{Guevara, Che. Bolivian Diary.}

^{London: Cape & Lorrimer 1968}

^{___. Guerrilla Warfare. Middlesex: Penguin, 1969.}

^{Harris, Marvin. Cultural Materialism: The Struggle for a Science of Cult}

^{New York: Random House, 1979.}

^{Kennedy, Robert F. Го Seek a Newer World.}

^{London: Michael Joseph, 1968.}

^{Koestler, Arthur. Arrow in the Blue. London: Hutchinson, 1969.}

^{___. Dialogue with Death. London: Hutchinson, 1966.}

^{___. The Invisible Writing. London: Hutchinson, 1969.}

^{___. Scum of the Earth. London: Hutchinson, 1968.}

^{Laing, R.D. The Politics of Experience. Middlesex: Penguin, 1970.}

^{Mailer, Norman. The Armies of the Night. Middlesex: Penguin, 1970.}

^{___. Miami and the Siege of Chicago. Middlesex: Penguin, 1971.}

^{Mao Tse-tung. Collected Writings. 5 vols. Peking:}

^{Foreign Language Press, 1964.}

^{___. On Art and Literature. Peking: Foreign Language Press, 1954.}

^{___. On Contradiction. Peking: Foreign Language Press.}

^{___. On the Correct Handling of Contradictions among the People.}

^{Peking: Foreign Language Press, 1957.}

^{Marcuse, Herbert. Das Ende der Utopie. Berlin: Maikowski, 1967.}

^{___. One-Dimensional Man. London: Routledge & Kegan Paul, 1964.}

^{Marin, John. The Collected Letters of John Marin.}

^{New York: Abelard-Schuman, n.d.}

^{Miller, Henry. My Bike and Other Friends.}

^{Santa Barbara, California: Capra Press, 1978.}

^{Myrdal, Jan. Confessions of a Disloyal European.}

^{London: Chatto & Windus, 1968.}

^{___. Report from a Chinese Village. Middlesex: Penguin, 1967.}

^{___. Samtida. Stockholm: Norstedt, 1967.}

^{Perlman, Janice E . The Myth of Marginality:}

^{Urban Poverty and Politics in Rio de Janeiro.}

^{Berkeley: University of California Press, 1976.}

^{Richards, M.C. Centering: In Pottery, Poetry and the Person.}

^{Middletown, Connecticut: Wesleyan University Press, 1964.}

^{Saarinen, Eliel. Search for Form. Detroit: Kennikat Press, 1970.}

^{Safdie,Moshe. Beyond Habitat.}

^{Cambridge, Massachusetts: M.I.T. Press, 1970.}

^{___. For Everyone a Garden. Cambridge, Massachusetts: M.I.T. Press, 1974.}

^{___. Form and Purpose. Boston: Houghton Mifflin Co., 1982.}

^{St. Exupery, Antoinede. Bekenjitnis einer Freundschaft Dusseldorf,}

^{Germany: Karl Rauch, 1955.}

^{___. Garnets. Paris: Gallimard, 1953.}

^{___. Flight to Arras. Middlesex: Penguin, 1967.}

^{___. Freiden OderKrieg? Diisseldorf, Germany: Karl Rauch, 1957.}

^{___. Gebete der Einsamkeit. Diisseldorf, Germany: Karl Rauch, 1956.}

^{___. Lettres a Vamie inventee. Paris: Plon, 1953.}

^{___. Lettres a so mere. Paris: Gallimard, 1955.}

^{___. lettres dejeunesse. Paris: Gallimard, 1953.}

^{___. The Little Prince. Middlesex: Penguin, 1970.}

^{___. NightFlight. Middlesex: Penguin, 1939.}

^{___. A Sense of Life. New York: Funk & Wagnalls, 1965.}

^{___. Wind, Sand and Stars. Middlesex: Penguin, 1971.}

^{___. The Wisdom of the Sands. New York: Harcourt, Brace, 1952.}

^{Servan-Schreiber, Jean Jacques. The American Challenge.}

^{London: Hamish Hamilton, 1968.}

^{___. The World Challenge. New York: Simon & Schuster, 1981.}

^{Shahn, Ben. The Shape of Content. Cambridge, Massachusetts:}

^{Harvard University Press, 1957.}

^{Soleri, Paolo. Arcology: The City in the Image of Man.}

^{Cambridge, Massachusetts: M.I.T. Press, 1970.}

^{Sontag, Susan. On Photography.}

^{New York: Farrar, Straus and Giroux, 1977.}

^{Sullivan, Louis H. The Autobiography of an Idea. Chicago: Peter Smith, 1924.}

^{___. Kindergarten Chats. Chicago: Scarab Fraternity, 1934.}

^{Thoreau, Henry David. Walden and Essay on Civil Disobedience.}

^{London: Dent.}

^{Van Gogh, Vincent. The Complete Letters of Vincent Van Gogh}

^{in Three Volumes. London: Thames & Hudson, 1958.}

^{Weiss, Peter. Notizen zum Kulterellen Leben in der Demokratischen Republik}

^{VietNam. Frankfurt, Germany: Suhrkamp Verlag, 1968.}

^{Wills, Philip. Free as a Bird. London: John Murray, 1973.}

^{___. On Being a Bird. London: David & Charles, 1977.}

^{___. Where No Birds Fly. London: Newnes, 1961.}

^{Wright, Frank Lloyd. Autobiography.}

^{New York: Duel, Sloane & Pearce, 1943.}

^{___. The Disappearing City. New York: William Farquhar Payson, 1932}

^{___. The Living City. New York: Horizon, 1958.}

^{___. The New Frontier: Broadacre City. Springreen, Wisconsin:}

^{Taliesin Fellowship Publication, vol. 1, no. 1, October, 1940.}

^{___. A Testament. New York: Horizon, 1957.}

^{___. When Democracy Builds. Chicago: University of Chicago Press, 1945.}

^{Wright, Olgivanna Lloyd. The Shining Brow. New York: Horizon, 1958.}