Schumacher, E. F. Good Work. New York: Harper & Row, 1979.
Vignelli, Massimo, and Vignelli, Leila. Design: Vignelli.
New York: Rizzoli, 1981.
Промышленный дизайн
Aluminum Company of America. Design Forecast No. 1&.N0. 2.
Pittsburgh: Aluminum Company of America, 1959, 1960.
Beresford, Evans J. Form in Engineering Design.
Oxford: Clarendon Press, 1954.
Black, Misha. Australian Papers. Melbourne: Trevor Wilson, 1970.
Braun-Feldweg, Wilhelm. Industrial Design Heute.
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___. Normen und Formen Industrieller Produktion.
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Chase, Herbert. Handbook on Designing for Quantity Production.
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The Design Collection: Selected Objects.
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Doblin, Jay. One Hundred Great Product Designs.
New York: Rein-hold, 1969.
Drexler, Arthur. Introduction to Twentieth Century Design.
New York: Museum of Modern Art, 1959.
___. The Package. New York: Museum of Modern Art, 1959.
Dreyfuss, Henry. Designing for People.
New York: Simon & Schus-ter, 1951.
Eksell, Olle. Design = Ekonomi. Stockholm: Bonniers, 1964.
Ekuan, Kenji. Industrial Design Lectures. Melbourne: Trevor Wilson, 1973.
Farr, Michael. Design in British Industry.
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Friedman, William. Twentieth Century Design: U.S.A.
Buffalo, N.Y.: Albright Art Gallery, 1959.
Functie en Vorm: Industrial Design in the Netherlands.
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Gestaltende Industrieform in Deutschland.
Diisseldorf, Germany: Econ, 1954.
Gloag, John. Self Training for Industrial Designers.
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Hiesinger, Cathryn В., and Marcus, George H. (eds.). Design Since 1945.
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Jacobson, Egbert. Basic Color. Chicago: Paul Theobald, 1948.
Johnson, Philip. Machine Art. New York: Museum of Modern Art, 1934.
Latham, Richard. Industrial Design Lectures.
Melbourne: Trevor Wilson, 1972.
Lippincott, J. Gordon. Design for Business. Chicago: Paul Theobald, 1947-
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Lucie-Smith, Edward. AHistory of Industrial Design.
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Noyes, Eliot F. Organic Design. New York: Museum of Modern Art, 1941.
Pevsner, Nikolaus. An Enquiry into Industrial Art in England.
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___. Pioneers of Modern Design. Middlesex: Penguin, 1970.
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Van Doren, Harold. Industrial Design, id ed. New York: McGraw-Hill, 1954.
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Кроме того при подготовке этой книги мной были использованы материалы следующих журналов:
Architectura Cuba (Cuba)
Arkkitehti-Lehti (Finland) Aspen (U.S.A.)
China Life (Peking) Craft Horizons (U.S.A.)
Der Spiegel (Germany) Design (England)
Design & Environment (U.S.A.)
Design in Australia (Australia)
Design Quarterly (U.S.A.)
Design Studies (England)
Designcourse (U.S.A.)
Designer (England)
Designscape ( New Zealand)
Domus (Italy)
Dot Zero (U.S.A.)
Draken (Sweden)
Environment (U.S.A.)
Form ( Sweden)
Form (Germany)
Form & Zweck (German Democratic Republic)
Graphis (Switzerland)
IDEA (Japan)
IDSA Journal (U.S.A.)
Industrial Design (U.S.A.)
Journal of Creative Behavior (U.S.A.)
Kaiser Aluminum News (U.S.A.)
Kenchiko Bunko (Japan)
Mimar: Architecture in Development (Singapore)
Mohilia (Denmark)
Modo (Italy)
Newsweek (U.S.A.)
Ornamo (Finland)
Ottagono (Italy)
Start (Yugoslavia)
Stile Industrie (Italy)
Sweden NOW (Sweden)
Time (U.S.A.)
Ulm (Germany)
&/ sdo (Helsinki and Stockholm)
А также информация из следующих источников:
All Things Considered (U.S.A.)
BBC (England)
CBC (Canada)
NBC (U.S.A.)
CBS (U.S.A.)
ABC (U.S.A.)
ABC (Australia)
PBS (U.S.A.)
Associated Press
United Press International
Виктор Папанек
П17 Дизайн для реального мира / Пер. с английского. -
М.: Издатель Д. Аронов, 2004. – 416 с; ил. ISBN 5-94056-007-5
Книга всемирно известного американского дизайнера и педагога В. Папанека о задачах и роли дизайнера в современном мире, об этике дизайна о новых принципах и методах проектирования, о дизайне как универсальном виде человеческой деятельности, интегрирующем в себе самые разные знания, а также о новой системе подготовки дизайнеров. Книга переведена более чем на двадцать языков, на русском языке издана впервые.