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He was interrupted by a loud pop from the large round-screened TV. A white dot appeared in the center of the screen, and expanded outward to resolve itself into a black-and-white picture.

Of Gabriela Donohue.

She didn’t wear the clothes she had on at the park. Now she wore an elaborate dress, something with a scooped neckline lined with embroidery and flaring long sleeves that spread out over the tabletop they rested on. Her hair was longer than before, was twined into a single braid and brought over her shoulder to hang in front. It had to be a wig or hair extenders. She stared straight into the screen, her expression concerned. Behind her was a wall of large, irregular stones.

She looked great. Harris felt his heart trying to break out through his breastbone. “Gaby! Are you okay?”

She glanced at him with a curious expression, dismissed him instantly, looked at Doc. “They’re coming to kill you, Doc. And some man you have here.” Her American-­heartland accent was gone; she spoke with the same mid-Atlantic accent he’d heard on Jean-Pierre, Alastair and Doc.

“Who is?” Doc asked.

“I don’t know, but they are close. I’ve only just heard. Don’t waste time talking to me. We’ll talk later.” She raised a hand as if to wave good-bye.

Harris found his voice: “Gaby, wait. Are you okay, honey?”

He would have said more, but she looked at him as though he were some stranger babbling at her on a street corner. She finished her motion, gesturing good-bye to Doc. The screen went blank, the image contracting down to a white dot. The set crackled with static electricity.

Harris found that he had to sit down again.

She couldn’t even admit that he existed.

Harris glared up at Doc . . . and was startled to see that a gun had appeared in the man’s grip. It was a monstrous automatic pistol, bigger than any he’d ever seen, and seemingly made of copper or bronze. Harris glanced nervously at the others, but they were in motion, moving across the room toward several wall cabinets.

A sudden bang! nearly deafened Harris and he felt a shock in the soles of his feet. Not twenty feet away, just in his peripheral vision, a black spike sprang up out of the floor, throwing splinters of wood up as it emerged.

Harris felt Doc’s hand close on the collar of his jacket. Doc yanked him backwards and casually hurled him ­behind the big TV set. The impact didn’t seem to hurt his leg. He scrambled up to kneel behind the set and could see that the spike in the floor was now pouring out black fluid, a steady stream in all directions like a lawn sprinkler.

And then they were there—men, appearing as suddenly as though they’d been there all along and he’d only just noticed them. There were a dozen of them, wearing dull red suits, holding big firearms that looked like tommy guns made of brass. Each man stood half a dozen feet from the spike in the floor, facing outward from that center point.

Doc shouted, “Surrender, or—”

They opened fire, short sprays of flame erupting from the muzzles of their weapons. All around Doc, things shattered and exploded: books blew off the tops of tables, colored glass beakers disintegrated in spectacular sprays of glittering debris, impacts rocked the case of the television Harris crouched behind. The roar of the weapons hammered at Harris’ ears, deafening him. Harris crouched lower, hugging the wall, and looked around for a doorway out, a heavier piece of furniture to get behind, even something heavy to throw.

Doc sensed rather than saw the explosive lines of gunfire converging on him. He dived away—hurled his body under an adjacent table and past it, rolled beneath a third. The bullets sought him out, but he lashed out with a boot and toppled the table, making a shield of its top.

He saw the table shudder under the impact of gunfire. This was bad, very bad. His people had handguns, the enemy had autoguns, and the odds were more than two to one against him. He had to divert the invaders until Alastair and Jean-Pierre could get to their heavy artillery.

For speed, rely on simplicity. Was that a memory of his father’s voice, or of his own voice when he taught? He didn’t know. He set the gun down and found the small box of matches in his pocket. Out of his sight, men were shouting, firing, maybe advancing.

There was no time to figure out links of contagion; therefore, it had to be similarity. He struck the match. He breathed the smoke and felt the life of the fire ­beneath it; then he tossed the match over the shuddering tabletop, toward his enemies. Go, little fire. Find your kin.

For a brief moment, he was with the match as it flew, the fire atop it precariously alive. Hungry to feed, it sought out the food Doc had promised it. It flew past the startled face of a gunman, sensed the burner on the table ­beyond, and with the last of its vitality reached the simple scientific device.

The knob on the burner twisted and bright new fire a half-dozen feet high leaped into the air. The red-suited gunman nearest the table edged away from the sudden eruption of heat.

Doc struck another match. Now, big fire, do as your little brother does. He touched the flickering flame to the skin on his arm.

Harris saw the Bunsen burner on the table flare up in spontaneous combustion and saw Doc burn himself with the match. It made no sense.

But the flame from the burner bent as though it were hinged and struck one of the gunmen in the back, igniting his suit coat. The man yelled, spun around to confront his tormenter, and the wash of living fire struck him across his face; he screamed again as his hair and hat ignited.

It was a moment’s distraction for the battery of men firing against Doc’s associates; they glanced at their burning comrade, their faces angry, confused.

Doc popped up from behind his table and fired twice with that big pistol. One of the red-suited men jerked and fell, spraying more gunfire into the floor as he collapsed. Another staggered back, the deeper red of blood staining the arm of his coat. And all the while, the living fire reached out, hungrily straining to touch another of the red-suited men.

Harris spotted Alastair crouching beside one of the wall cabinets. The doctor had gotten it open; inside hung pistols, a sword that looked like an ornate fencing weapon, and a submachine gun much like the ones the red-suited men carried. Alastair, daring, reached up to grab the big gun. Bullets plowed into the case around him but he snatched the weapon down.

Jean-Pierre and Noriko were nowhere to be seen.

Then he saw the woman; on the far side of the attacking men, she popped up from behind a table like a lightning-fast jack-in-the-box. She held a sword in a two-handed grip, the blade back over her shoulder, and lunged at the nearest man, whose back was to her. She swung the blade at him, blindingly fast, but missed; she immediately ducked out of sight again.

No—she didn’t miss. Harris saw a thin red line appear on the man’s neck. The red-suited man fell over. Impossibly, horribly, his head separated from his body and the two parts seemed to fall in slow motion. Arterial spray from the neck hit the ceiling as if fired from a water-sprinkler, then tracked down the wall as the body hit the floor. The head hit, rolled a few yards, and fetched up against a stool.

Most of the men were fanning out and away from the aggressive burner flame but concentrating their fire on Doc, keeping him pinned down. Two were hosing down another, distant, toppled table, perhaps where Jean-Pierre was. But one, armed with a revolver instead of a sub­machine gun, seemed to be intent on an object he held in one hand; it looked like an old-fashioned volt-meter with a black plastic case. He waved it around, then pointed it more or less in Harris’ direction . . . and looked straight at Harris. He smiled.