“Listen, now, that was all just flowers, as they say, what comes next will make you gasp.
“It was the NEP then, and a thousand rubles were worth a kopeck. Vassily Afanasievich went down with the cow, got two bags of money—kerenki, they were called, ah, no, sorry—lemons, they were called lemons—got drunk, and went sounding off about his riches all over Nagornaya.
“I remember, it was a windy autumn day, the wind tore at the roof and knocked you off your feet, the locomotives couldn’t make it uphill, the wind was so against them. I see an old woman, a wanderer, come down the hill, the wind tearing at her skirt and kerchief.
“The wanderer walks up, groaning, clutching her stomach, asking to come inside. We put her on the bench—ohh, I can’t, she yells, I can’t, it’s stomach cramps, it’s the death of me. And she begs us, take me to the hospital, for Christ’s sake, you’ll be paid, I won’t stint on money. Daddy hitched up Udaloy, put the old woman on the cart, and drove to the zemstvo hospital, ten miles from the railway line.
“After a time, maybe long, maybe short, Auntie Marfusha and I went to bed, we hear Udaloy neighing under the window and our own cart driving into the yard. It was a bit early for that. So. Auntie Marfusha lit a lamp, threw on a bed jacket, and, not waiting for daddy to knock, lifted the latch.
“She lifts the latch, and there’s no daddy on the doorstep, but a stranger, a dark and scary muzhik, and he says: ‘Show me,’ he says, ‘where the money for the cow is. I took care of your husband in the forest,’ he says, ‘but I’ll spare you, woman, if you tell me where the money is. And if you don’t tell, you know what’ll happen, don’t blame me. You’d better not dawdle. I’ve got no time to hang around.’
“Oh, saints alive, dear comrades, what a state we were in, put yourselves in our position! We tremble, more dead than alive, can’t speak from fright, such a horror! First of all, he’s murdered Vassily Afanasievich, he says so, cut him down with an axe. Secondly, we’re alone in the house with a robber, we’ve got a robber here, it’s clear he’s a robber.
“Here, obviously, Auntie Marfusha went right off her head, her heart broke for her husband. But we had to hold out, not show anything.
“Auntie Marfusha started by throwing herself at his feet. Have mercy, she says, don’t destroy us, I have no idea about this money, what are you talking about, it’s the first I hear of it. But the cursed fellow wasn’t so simple as to be handled just by talk. And suddenly the thought popped into her head how to outwit him. ‘Well, all right,’ she says, ‘have it your way. The cash,’ she says, ‘is down below. I’ll open the trapdoor, and you,’ she says, ‘can go down.’ But the devil sees through her cleverness. ‘No,’ he says, ‘it’s your house, you hunt it up. Go yourself,’ he says. ‘Whether it’s down below or on the roof, as long as I get the money. Only,’ he says, ‘remember, don’t try to cheat me, tricks go down bad with me.’
“And she to him: ‘Good heavens, don’t be so suspicious. I’d gladly go, but I’m too clumsy. Better,’ she says, ‘if I stand on the top step and hold the light for you. Don’t be afraid, for your assurance I’ll send my daughter down with you’—me, that is.
“Oh, saints alive, dear comrades, think for yourselves what I felt when I heard that! Well, I thought, that’s it. My eyes went dim, I felt I was falling, my legs gave way under me.
“But again the villain wouldn’t be played for a fool, he looked at the two of us out of the corner of his eye, squinted, twisted his whole mouth and bared his teeth, meaning, there’s no way you’re going to trick me. He saw she didn’t care about me, so I wasn’t her own blood, and he grabbed Petenka with one hand, and with the other opened the trapdoor—‘give me light,’ he says, and with Petenka he goes down the ladder into the cellar.
“And I think Auntie Marfusha was already balmy then, didn’t understand anything, was already touched in the head. As soon as the villain went down below with Petenka, she slammed the lid, that is, the trapdoor, back in place and locked it, and started moving a heavy trunk onto it, nodding to me, help, I can’t do it, it’s too heavy. She moved it, and sat herself down on the trunk, overjoyed, fool that she was. Just as she sat down on the trunk, the robber started shouting from inside, and there was a bang-bang under the floor, meaning you’d better let me out, or I’ll finish off your Petenka right now. We couldn’t make out the words through the thick boards, but the sense wasn’t in the words. He roared worse than a beast of the forest, to put fear into us with his big voice. Yes, he shouts, now it’ll be the end of your Petenka. But she doesn’t understand a thing. She sits and laughs and winks at me. Shout away, every dog has his day, but I’m sitting on the trunk and the key’s clutched in my fist. I try to get at Auntie Marfusha this way and that. I shout in her ear, push her, want to dump her off the trunk. We must open the trapdoor and save Petenka. Too much for me! Could I do anything against her?
“So he beats on the floor, he beats, time goes by, and she sits on the trunk rolling her eyes and doesn’t listen.
“After a while—oh, saints alive, oh, dear saints alive, the things I’ve seen and suffered in my life, but I don’t remember any such horror, all my life long I’ll hear Petenka’s pitiful little voice—Petenka, that angelic little soul, crying and moaning from underground—he just bit him to death, the fiend.
“Well, what am I to do, what am I to do now, I think, what am I to do with the half-crazed old woman and this murderous robber? And time’s going by. I only just thought it when I heard Udaloy neighing outside the window, he was standing there hitched up all the while. Yes. Udaloy neighed as if he wanted to say, come on, Tanyusha, let’s gallop off quickly to some good people and ask for help. I look out, it’s already getting light. Have it your way, Udaloy, I think, thanks for the suggestion—you’re right, let’s run for it. And I only just thought it when, hah, I hear, it’s like somebody’s talking to me again from the forest: ‘Wait, Tanyusha, don’t rush, we’ll handle this matter differently.’ And again I’m not alone in the forest. Like a cock singing out something I knew, a familiar engine whistle called to me from below, I knew this engine by its whistle, it was always standing in Nagornaya under steam, it was called a pusher, to push freight trains up the hill, but this was a mixed train, it went by every night at that time—so I hear the familiar engine calling me from below. I hear it and my heart leaps. Can it be, I think, that I’m out of my mind like Auntie Marfusha, since a living creature and a speechless machine talk to me in clear Russian language?
“Well, why stand thinking, the train was already close, there was no time to think. I grabbed the lantern, because it still wasn’t very light, and rushed like mad to the tracks, swinging the lantern back and forth.
“Well, what more can I say? I stopped the train, thanks to its being slowed down by the wind, well, simply speaking, it was creeping along. I stopped the train, the engineer I knew, he stuck himself out the window of his cabin, asked something; I didn’t hear what he asked on account of the wind. I shout to the engineer, the railway post’s been attacked, there’s been murder and robbery, the robber’s in the house, do something, comrade uncle, we need urgent help. And as I was saying it, Red Army soldiers got out of the cars onto the tracks one after another, it was a military train, the soldiers came down the tracks, said: ‘What’s the matter?’—wondering what the story was, why the train had been stopped in the forest on a steep hill at night.