There must have been four dozen different things like that. In the old days, back when I started as a day-maid, you’d hear a lot of bitching about Vera Donovan down at the general store. The Donovans entertained a lot, all through the fifties they had a lot of house-help, and usually the one bitching loudest was some little girl who’d been hired for part-time and then got fired for forgetting one of the rules three times in a row. She’d be tellin anyone who wanted to listen that Vera Donovan was a mean, sharp-tongued old bat, and crazy as a loon in the bargain. Well, maybe she was crazy and maybe she wasn’t, but I can tell you one thing—if you remembered, she didn’t give you the heat. And my way of thinking is this: anyone who can remember who’s sleepin with who on all those soap opera stories they show in the afternoon should be able to remember to use Spic n Span in the tubs and put the welcome mats back down facin the right way.
But the sheets, now. That was one thing you didn’t ever want to get wrong. They had to be hung perfectly even over the lines—so the hems matched, you know—and you had to use six clothespins on each one. Never four; always six. And if you dragged one in the mud, you didn’t have to worry about waitin to get something wrong three times. The lines have always been out in the side yard, which is right under her bedroom window. She’d go to that window, year in and year out, and yell at me: “Six pins, now, Dolores! You mind me, now! Six, not four! I’m counting, and my eyes are just as good now as they ever were!” She’d—
What, honey?
Oh bosh, Andy—let her alone. That’s a fair enough question, and it’s one no man would have brains enough to ask.
I’ll tell you, Nancy Bannister from Kennebunk, Maine—yes, she did have a dryer, a nice big one, but we were forbidden to put the sheets in it unless there was five days’ rain in the forecast. “The only sheet worth having on a decent person’s bed is a sheet that’s been dried out-of-doors,” Vera’d say, “because they smell sweet. They catch a little bit of the wind that flapped them, and they hold it, and that smell sends you off to sweet dreams.”
She was full of bull about a lot of things, but not about the smell of fresh air in the sheets; about that I thought she was dead right. Anyone can smell the difference between a sheet that was tumbled in a Maytag and one that was flapped by a good south wind. But there were plenty of winter mornins when it was just ten degrees and the wind was strong and damp and comin from the east, straight in off the Atlantic. On mornins like that I would have given up that sweet smell without a peep of argument. Hangin sheets in deep cold is a kind of torture. Nobody knows what it’s like unless they’ve done it, and once you’ve done it, you never ever forget it.
You take the basket out to the lines, and the steam comes risin off the top, and the first sheet is warm, and maybe you think to y‘self—if you ain’t never done it before, that is—“Aw, this ain’t so bad.” But by the time you’ve got that first one up, and the edges even, and those six pins on, it’s stopped steaming. It’s still wet, but now it’s cold, too. And your fingers are wet, and they’re cold. But you go on to the next one, and the next, and the next, and your fingers turn red, and they slow up, and your shoulders ache, and your mouth is cramped from holdin pins in it so your hands are free to keep that befrigged sheet nice and even the whole while, but most of the misery is right there in your fingers. If they’d go numb, that’d be one thing. You almost wish they would. But they just get red, and if there are enough sheets they go beyond that to a pale purple color, like the edges of some lilies. By the time you finish, your hands are really just claws. The worst thing, though, is you know what’s gonna happen when you finally get back inside with that empty laundry basket and the heat hits your hands. They start to tingle, and then they start to throb in the joints—only it’s a feelin so deep it’s really more like cryin than throbbin; I wish I could describe it to you so you’d know, Andy, but I can’t. Nancy Bannister there looks like she knows, a little bit, anyway, but there is a world of difference between hangin out your warsh on the mainland in winter and hangin it out on the island. When your fingers start to warm up again, it feels like there’s a hive of bugs in em. So you rub em all over with some kind of hand lotion and wait for the itch to go away, and you know it don’t matter how much store lotion or plain old sheep-dip you rub into your hands; by the end of February the skin is still going to be cracked so bad that it’ll break open and bleed if you clench a hard fist. And sometimes, even after you’ve gotten warm again and maybe even gone to bed, your hands will wake you up in the middle of the night, sobbin with the memory of that pain. You think I’m jokin? You can laugh if you want to, but I ain’t, not a bit. You can almost hear em, like little children who can’t find their mammas. It comes from deep inside, and you lie there and listen to it, knowin all the time that you’ll be goin back outside again just the same, nothin can stop it, and it’s all a part of woman’s work no man knows about or wants to know about.
And while you were goin through that, hands numb, fingers purple, shoulders achin, snot leakin off the end of y’nose and freezin tight as a tick to your upper lip, she’d more often than not be standin or sittin there in her bedroom window, lookin out at you. Her forehead’d be furrowed and her lips drawed down and her hands workin on each other—all tensed up, she’d be, like it was some kind of complicated hospital operation instead of just hangin sheets out to dry in the winter wind. You could see her tryin to hold herself back, to keep her big trap shut this time, but after awhile she wouldn’t be able to no more and she’d throw up the window and lean out so that cold east wind streamed her hair back, and she’d howl down, “Six pins! Remember to use six pins! Don’t you let the wind blow my good sheets down to the corner of the yard! Mind me, now! You better, because I’m watching, and I’m counting!”
By the time March came, I’d be dreamin of gettin the hatchet me n the hunky used to chop up kindling for the kitchen stove (until he died, that is; after that I had the job all to myself, lucky me) and hittin that loudmouth bitch a good lick with it right between the eyes. Sometimes I could actually see myself doin it, that’s how mad she made me, but I guess I always knew there was a part of her that hated yellin down that way as much as I hated hearin it.
That was the first way she had of bein a bitch —not bein able to help it. It was really worse for her than it was for me, specially after she’d had her bad strokes. There was a lot less warshin to hang out by then, but she was just as crazy on the subject as she’d been before most of the rooms in the house were shut off and most of the guest-beds stripped and the sheets wrapped in plastic and put away in the linen closet.
What made it hard for her was that by 1985 or so, her days of surprisin folks was through—she had to depend on me just to get around. If I wa‘ant there to lift her out of bed and set her in her wheelchair, in bed she stayed. She’d porked up a lot, you see—went from a hundred and thirty or so in the early sixties to a hundred and ninety, and most of the gain was that yellowish, blubbery fat you see on some old people. It hung off her arms and legs and butt like bread-dough on a stick. Some people get thin as jerky in their sundown years, but not Vera Donovan. Dr. Freneau said it was because her kidneys weren’t doin their job. I s’pose so, but I had plenty of days when I thought she put on that weight just to spite me.