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With each section the group passed through, their apprehension grew, hysteria beginning to rise and bore through that self-protecting emotional barrier.

The carnage was everywhere, no area, no passageway, no room unblemished. It was a journey through a nightmare, a pilgrimage into Hades. And with each step, each turn of the corridor, the atrocity grew worse, for the dead became legion.

At one stage, Kate moaned, Why? Why weren't they protected? There must have been weapons.

There must have been a guard force, an army of sorts...'

The question was soon answered, for they had come to an inner core of the enormous complex.

They were at a T-junction, the corridor extending left and right, disappearing into a curve, suggesting that the shelter's centre was circular. The door directly ahead was set at least five feet back into the wall and they wondered if this was an indication of the wall's thickness. In front of the broad, metal door was a small desk mounted into the floor itself, an elaborate but compact console on its surface. There were two cameras set in the corners of the alcove and a range of

various coloured push-buttons set on one side. The sliding door had been jammed open by two bodies, and from what was left of their clothing, it was obvious they had been army personnel.

Culver stopped to pick up a lightweight weapon, a snub-nosed machine gun. 'A MAC II,' he told the others. 'An Ingram. I've seen them before.' He pointed it back along the corridor, warning his companions to stand clear, and pulled the trigger. It clicked empty. 'Pity,' he sighed, and dropped the weapon to the floor.

"What is this place?' Fairbank asked, looking through the jammed door.

Dealey was pressing the buttons of the small desk console, glancing at the door as he did so. 'Nothing appears to be operating,' he remarked, 'apart from the lighting and ventilation. The systems have either been shut down or destroyed.'

'Answer the question,' Culver told him.

This place? This is the operation centre for the shelter. If you like, it contains the vital organs of the whole complex. The generator and boiler rooms, communications and cypher, living quarters for, er, certain persons, the War Room itself. A refuge within a refuge, if you like.'

‘You said living quarters. You mean there's an elite among the elite?' Culver had asked the question.

'Of course. I don't think I need tell you who would be among that special group.'

Culver shook his head.

Kate clutched at him. 'I think we should leave, and I think we should leave now!

There will be weapons inside,' Dealey said quickly. 'And there may be other survivors.'

'As well as the vermin that did all this?'

They've gone, I'm sure of it. We've had no sight of them since we entered the shelter. I think we can assume they did their worst here, then moved on ...'

To fresh pastures,' Fairbank finished for him.

That may be exactly the case.'

'But how did they get into here in the first place?' Culver was perplexed. 'How could they possibly have infiltrated such an installation? It makes no sense.'

'Perhaps we'll find the answer inside.' Dealey went to the gap between door and wall. He disappeared through it, not waiting for a reply.

The others looked at each other and it was Fairbank who shrugged, then followed. 'What've we got to lose?' he said.

Kate reluctantly allowed herself to be helped through by Culver, gingerly stepping over the torn bodies that had prevented the door from closing. Inside, the smell of death was almost choking, even though it was old and had lost much of its pungency.

And it was inside, among the human corpses with missing limbs, many headless, organs gouged out, that they found the dead rats.

Now they sat in the vast, circular War Room, exhausted both mentally and physically, each of them trembling, their eyes shifting constantly, never relaxing their vigilance. They all clutched weapons in their laps, wrested from fingers that seemed unwilling to release their grip even though the guns had not managed to save them. Two of the group held Ingrams, which seemed to have been the standard arms for military personnel inside the shelter, while Kate and Dealey had pistols, 9mm Brownings; Ellison had managed to find a

Sterling submachine gun from the armoury - it was a weapon he had grown fond of after his earlier acquaintanceship.

They were on a balcony overlooking row upon row of matt black benches, each containing six or seven separate working units, all of which were complete with television monitors, computers, telephones, teleprinters and switching consoles. Giant screens in the curving walls dominated, even though they were blank. One had been punctured by bullet holes. Dealey had told them that when live, the screens would have shown different areas of the world, indicating nuclear strikes and strategic deployment of military task forces. A particular screen was kept solely for visual contact with Allied Heads of State and their executives, the pictures to have been beamed from satellites unless atmospheric conditions interfered, in which case contact would be maintained through cable. The ceiling lamps were recessed and subdued, each section of the benches having individual built-in lighting. Around the walls and below the screens were various other pieces of machinery, including a bank of computers and television screens. A coffee machine, dated by comparison to the hardware around it, lent the only touch of humanity. Just off the War Room was a tiny television studio containing the bare essentials for broadcasting (which included a soft-upholstered armchair and loose, deep blue drapes as a backdrop, all presumably designed to give an air of calm, even comfortable, authority). Who the hell would be sitting in front of their TV sets while the world around them had been reduced to smouldering ashes was anybody's guess. The studio, they assumed, was for broadcasting to the nation, for quite near them on the balcony was another camera, angled towards the long control table they now sat at; this was obviously used for televised conversations with the

Allies. Next to the television studio was a conference room, its walls and ceiling soundproofed. This was probably where the more 'delicate' decisions concerning the future of the human race would have been discussed and made. There were many other rooms and corridors leading off from the main concourse, the War Room itself the hub of a concrete-walled wheel, but as yet they had not investigated any of these, nor did they feel inclined to. They had seen enough.

The early Christians might well have suffered similar massacres in their own Roman arenas, mauled then torn apart by animals for the gratification of their rulers' bloodlust, but could even those occasions have been on such a grand scale? This modern arena below was almost overflowing with human remains, as though a large number of the holocaust survivors had fled here when the rodent invasion had begun, perhaps still believing that their leaders would now save them from this new, unforeseen disaster. They had been wrong. Nothing could save them from the fury of these mutant beasts, not even the rapid-fire weapons of the soldiers. How could it be so? How many, just how many, rats could have caused such massive slaughter? And how could they have got inside the top-security shelter?

It was Alex Dealey, looking weary and dispirited, all trace of pomposity gone, outweighed by adversity, who attempted to supply the answers. He was slumped in a swivel chair, leaning forward over the long table before them, one hand on his forehead, shielding his closed eyes.