Nothing invited them there in the look of that house, but they were now in such a forbidding waste that shelter had to be found; they were all among edges of rock as black as the night and hard as the material of which Cosmos was formed, at first upon Chaos' brink. The sound of their climbing ran noisily up the mountain but no sound came from the house: only the shadows moved more swiftly across a room, passed into other rooms and came hurrying back. Sometimes the shadows stayed and seemed to peer; and when the travellers stood and watched to see what they were they would disappear and there were no shadows at all, and the rooms were filled instead with their wondering speculation. Then they pushed on over rocks that seemed never trodden by man, so sharp were they and slanting, all piled together: it seemed the last waste, to which all shapeless rocks had been thrown.
Morano and these black rocks seemed shaped by a different scheme; indeed the rocks had never been shaped at all, they were just raw pieces of Chaos. Morano climbed over their edges with moans and discomfort. Rodriguez heard him behind him and knew by his moans when he came to the top of each sharp rock.
The rocks became savager, huger, even more sharp and more angular. They were there in the dark in multitudes. Over these Rodriguez staggered, and Morano clambered and tumbled; and so they came, breathing hard, to the lonely house.
In the wall that their hands had reached there was no door, so they felt along it till they came to the corner, and beyond the corner was the front wall of the house. In it was the front door. But so nearly did this door open upon the abyss that the bats that fled from their coming, from where they hung above the door of oak, had little more to do than fall from their crannies, slanting ever so slightly, to find themselves safe from man in the velvet darkness, that lay between cliffs so lonely they were almost strangers to Echo. And here they floated upon errands far from our knowledge; while the travellers coming along the rocky ledge between destruction and shelter, knocked on the oaken door.
The sound of their knocking boomed huge and slow through the house as though they had struck the door of the very mountain. And no one came. And then Rodriguez saw dimly in the darkness the great handle of a bell, carved like a dragon running down the walclass="underline" he pulled it and a cry of pain arose from the basement of the house.
Even Morano wondered. It was like a terrible spirit in distress. It was long before Rodriguez dare touch the handle again. Could it have been the bell? He felt the iron handle and the iron chain that went up from it. How could it have been the bell! The bell had not sounded: he had not pulled hard enough: that scream was fortuitous. The night on that rocky ledge had jangled his nerves. He pulled again and more firmly. The answering scream was more terrible. Rodriguez could doubt no longer, as he sprang back from the bell-handle, that with the chain he had pulled he inflicted some unknown agony.
The scream had awakened slow steps that now came towards the travellers, down corridors, as it sounded, of stone. And then chains fell on stone and the door of oak was opened by some one older than what man hopes to come to, with small, peaked lips as those of some woodland thing.
"Senores," the old one said, "the Professor welcomes you."
They stood and stared at his age, and Morano blurted uncouthly what both of them felt. "You are old, grandfather," he said.
"Ah, Senores," the old man sighed, "the Professor does not allow me to be young. I have been here years and years but he never allowed it. I have served him well but it is still the same. I say to him, 'Master, I have served you long ...' but he interrupts me for he will have none of youth. Young servants go among the villages, he says. And so, and so ..."
"You do not think your master can give you youth!" said Rodriguez.
The old man knew that he had talked too much, voicing that grievance again of which even the rocks were weary. "Yes," he said briefly, and bowed and led the way into the house. In one of the corridors running out of the hall down which he was leading silently, Rodriguez overtook that old man and questioned him to his face.
"Who is this professor?" he said.
By the light of a torch that spluttered in an iron clamp on the wall Rodriguez questioned him with these words, and Morano with his wondering, wistful eyes. The old man halted and turned half round, and lifted his head and answered. "In the University of Saragossa," he said with pride, "he holds the Chair of Magic."
Even the names of Oxford or Cambridge, Harvard or Yale or Princeton, move some respect, and even yet in these unlearned days. What wonder then that the name of Saragossa heard on that lonely mountain awoke in Rodriguez some emotion of reverence and even awed Morano. As for the Chair of Magic, it was of all the royal endowments of that illustrious University the most honoured and dreaded.
"At Saragossa!" Rodriguez muttered.
"At Saragossa," the old man affirmed.
Between that ancient citadel of learning and this most savage mountain appeared a gulf scarce to be bridged by thought.
"The Professor rests in his mountain," the old man said, "because of a conjunction of the stars unfavourable to study, and his class have gone to their homes for many weeks." He bowed again and led on along that corridor of dismal stone. The others followed, and still as Rodriguez went that famous name Saragossa echoed within his mind.
And then they came to a door set deep in the stone, and their guide opened it and they went in; and there was the Professor in a mystical hat and a robe of dim purple, seated with his back to them at a table, studying the ways of the stars. "Welcome, Don Rodriguez," said the Professor before he turned round; and then he rose, and with small steps backwards and sideways and many bows, he displayed all those formulae of politeness that Saragossa knew in the golden age and which her professors loved to execute. In later years they became more elaborate still, and afterwards were lost.
Rodriguez replied rather by instinct than knowledge; he came of a house whose bows had never missed graceful ease and which had in some generations been a joy to the Court of Spain. Morano followed behind him; but his servile presence intruded upon that elaborate ceremony, and the Professor held up his hand, and Morano was held in mid stride as though the air had gripped him. There he stood motionless, having never felt magic before. And when the Professor had welcomed Rodriguez in a manner worthy of the dignity of the Chair that he held at Saragossa, he made an easy gesture and Morano was free again.
"Master," said Morano to the Professor, as soon as he found he could move, "master, it looks like magic." Picture to yourself some yokel shown into the library of a professor of Greek at Oxford, taking down from a shelf one of the books of the Odyssey, and saying to the Professor, "It looks like Greek"!
Rodriguez felt grieved by Morano's boorish ignorance. Neither he nor his host answered him.
The Professor explained that he followed the mysteries dimly, owing to a certain aspect of Orion, and that therefore his class were gone to their homes and were hunting; and so he studied alone under unfavourable auspices. And once more he welcomed Rodriguez to his roof, and would command straw to be laid down for the man that Rodriguez had brought from the Inn of the Dragon and Knight; for he, the Professor, saw all things, though certain stars would hide everything.
And when Rodriguez had appropriately uttered his thanks, he added with all humility and delicate choice of phrase a petition that he might be shown some mere rudiment of the studies for which that illustrious chair in Saragossa was famous. The Professor bowed again and, in accepting the well-rounded compliments that Rodriguez paid to the honoured post he occupied, he introduced himself by name. He had been once, he said, the Count of the Mountain, but when his astral studies had made him eminent and he had mastered the ways of the planet nearest the sun he took the title Magister Mercurii, and by this had long been known; but had now forsaken this title, great as it was, for a more glorious nomenclature, and was called in the Arabic language the Slave of Orion. When Rodriguez heard this he bowed very low.