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"It is a most fair offer," said the young man.

"I could not bear that you should be disappointed of your encounter," Rodriguez said, "by this spirit of Hell that has got itself clothed in fat and dares to usurp the dignity of man."

"It is a right fair offer," the young man said again.

"Rest yourself, senor," said Rodriguez, "while I take off my shoe," and he indicated his kerchief which was still on the ground.

The stranger sat down a little wearily, and Rodriguez sitting upon the dust took off his left shoe. And now he began to think a little wistfully of the face that had shone from that balcony, where all was dark now in black shadow unlit by the moon. The emptiness of the balcony and its darkness oppressed him; for he could scarcely hope to survive an encounter with that swordsman, whose skill he now recognised as being of a different class from his own, a class of which he knew nothing. All his own feints and passes were known, while those of his antagonist had been strange and new, and he might well have even others. The stranger's giddiness did not alter the situation, for Rodriguez knew that his handicap was fair and even generous. He believed he was near his grave, and could see no spark of light to banish that dark belief; yet more chances than we can see often guard us on such occasions. The absence of Serafina saddened him like a sorrowful sunset.

Rodriguez rose and limped with his one shoe off to the stranger, who was sitting upon his kerchief.

"I will bandage my right eye now, senor," he said.

The young man rose and shook the dust from the kerchief and gave it to Rodriguez with a renewed expression of his gratitude at the fairness of the strange handicap. When Rodriguez had bandaged his eye the stranger returned his sword to him, which he had held in his hand since his effort to beat Morano, and drawing his own stepped back a few paces from him. Rodriguez took one hopeless look at the balcony, saw it as empty and as black as ever, then he faced his antagonist, waiting.

"Bandage one eye, indeed!" muttered Morano as he stepped up behind the stranger and knocked him down for the third time with a blow over the head from his frying-pan.

The young hidalgo dropped silently.

Rodriguez uttered one scream of anger and rushed at Morano with his sword. Morano had already started to run; and, knowing well that he was running for his life, he kept for awhile the start that he had of the rapier. Rodriguez knew that no plump man of over forty could last against his lithe speed long. He saw Morano clearly before him, then lost sight of him for a moment and ran confidently on pursuing. He ran on and on. And at last he recognised that Morano had slipped into the darkness, which lies always so near to the moonlight, and was not in front of him at all. So he returned to his fallen antagonist and found him breathing heavily where he fell, scarcely conscious. The third stroke of the frying-pan had done its work surely. Rodriguez' fury died down, only because it is difficult to feel two emotions at once: it died down as pity took its place, though every now and then it would suddenly flare and fall again. He returned his sword and lifted the young hidalgo and carried him to the door of the house under which they had fought.

With one fist he beat on the door without putting the hurt man down, and continued to hit it until steps were heard, and bolts began to grumble, as though disturbed too early from their rusty sleep in stone sockets.

The door of the house with the balcony was opened by a servant who, when he saw who it was that Rodriguez carried, fled into the house in alarm, as one who runs with bad news. He carried one candle and, when he had disappeared with the steaming flame, Rodriguez found himself in a long hall lit by the moonlight only, which was looking in through the small contorted panes of the upper part of a high window. Alone with echoes and shadows Rodriguez carried the hurt man through the hall, who was muttering now as he came back to consciousness. And, as he went, there came to Rodriguez thoughts between wonder and hope, for he had had no thought at all when he beat on the door except to get shelter and help for the hurt man. At the end of the hall they came to an open door that led into a chamber partly shining with moonlight.

"In there," said the man that he carried.

Rodriguez carried him in and laid him on a long couch at the end of the room. Large pictures of men in the blackness, out of the moon's rays, frowned at Rodriguez mysteriously. He could not see their faces in the darkness, but he somehow knew they frowned. Two portraits that were clear in the moonlight eyed him with absolute apathy. So cold a welcome from that house's past generations boded no good to him from those that dwelt there today. Rodriguez knew that in carrying the hurt man there he helped at a Christian deed; and yet there was no putting the merits of the case against the omens that crowded the chamber, lurking along the edge of moonlight and darkness, disappearing and reappearing till the gloom was heavy with portent. The omens knew. In a weak voice and few words the hurt man thanked him, but the apathetic faces seemed to say What of that? And the frowning faces that he could not see still filled the darkness with anger.

And then from the end of the chamber, dressed in white, and all shining with moonlight, came Serafina.

Rodriguez in awed silence watched her come. He saw her pass through the moonlight and grow dimmer, and glide to the moonlight again that streamed through another window. A great dim golden circle appeared at the far end of the chamber whence she had come, as the servent returned with his candle and held it high to give light for Dona Serafina. But that one flame seemed to make the darkness only blacker; and for any cheerfulness it brought to the gloom it had better never have challenged those masses of darkness at all in that high chamber among the brooding portraits it seemed trivial, ephemeral, modern, ill able to cope with the power of ancient things, dead days and forgotten voices, which make their home in the darkness because the days that have usurped them have stolen the light of the sun.

And there the man stood holding his candle high, and the rays of the moon became more magical still beside that little mundane, flickering thing. And Serafina was moving through the moonlight as though its rays were her sisters, which she met noiselessly and brightly upon some island, as it seemed to Rodriguez, beyond the costs of Earth, so quietly and so brightly did her slender figure move and so aloof from him appeared her eyes. And there came on Rodriguez that feeling that some deride and that others explain away, the feeling of which romance is mainly made and which is the aim and goal of all the earth. And his love for Serafina seemed to him not only to be an event in his life but to have some part in veiled and shadowy destinies and to have the blessing of most distant days: grey beards seemed to look out of graves in forgotten places to wag approvaclass="underline" hands seemed to beckon to him out of far-future times, where faces were smiling quietly: and, dreaming on further still, this vast approval that gave benediction to his heart's youthful fancy seemed to widen and widen like the gold of a summer's evening or, the humming of bees in summer in endless rows of limes, until it became a part of the story of man. Spring days of his earliest memory seemed to have their part in it, as well as wonderful evenings of days that were yet to be, till his love for Serafina was one with the fate of earth; and, wandering far on their courses, he knew that the stars blessed it. But Serafina went up to the man on the couch with no look for Rodriguez.

With no look for Rodriguez she bent over the stricken hidalgo. He raised himself a little on one elbow. "It is nothing," he said, "Serafina."

Still she bent over him. He laid his head down again, but now with open and undimmed eyes. She put her hand to his forehead, she spoke in a low voice to him; she lavished upon him sympathy for which Rodriguez would have offered his head to swords; and all, thought Rodriguez for three blows from a knave's frying-pan: and his anger against Morano flared up again fiercely. Then there came another thought to him out of the shadows, where Serafina was standing all white, a figure of solace. Who was this man who so mysteriously blended with the other unknown things that haunted the gloom of that chamber? Why had he fought him at night? What was he to Serafina? Thoughts crowded up to him from the interior of the darkness, sombre and foreboding as the shadows that nursed them. He stood there never daring to speak to Serafina; looking for permission to speak, such as a glance might give. And no glance came.