As for my mother, her irregular breathing is too shallow to be readily apparent. And her cough syrup libation has left a crimson stain around her mouth that suggests nothing so much as the purge fluids: the froth of blood and stomach acid that corpses regurgitate in their early hours of death. Trust me, Gentle Tweeter, I may be thirteen years old and cantankerous and a girl, but I have spent several hours hovering over my own dead body in a hotel suite, hoping someone would arrive to resuscitate me. After observing the myriad noxious changes that beset my own fresh cadaver—lividity, rigor mortis, bowel evacuation—I know what purge fluids are.
To the future-dead, I heartily suggest you don’t linger.
My father presses his cheek against my mom’s, muttering her name like an incantation, “Camille, Camille Spencer, Cammy, my love,” breathing this magic utterance into her still ear. I’m embarrassed to watch, but it’s too late to escape. Mere moments before, Mr. Ketamine fled the room. As for me, what I observe seems more intimate than sex. Tears spring to my father’s eyes and he moans in agony. “My Camille, my Cammy, how could you end your life?” He sobs his words into her bosom, saying, “How could you? Babette means nothing—she means less than nothing—to me.” His body shudders as he presses himself upon her, saying, “I never wanted this divorce. I only left you because our Madison commanded it….”
Hearing this, I’m totally Ctrl+Alt+Taken Aback. Here’s more Madison-related human suffering. As if every act of stupidity is somehow my fault.
On his knee, rocking against my mom, he continues to hold the small blue bundle he’s carried into the room. Cradled between his chest and my mom’s, the blue looks vaguely familiar. And as my dad weeps and keens, the body beneath his begins to stir.
Her eyelids flutter. Her fingers caress my father’s hair. So overcome is my dad that he’s unaware of her resurrection until she says, “Antonio?” Her fingers find the blue bundle clasped between them, and she asks, “What have you brought me?”
My father, his face, his eyes gasp. His mouth gapes as if he beholds paradise. His mouth thrusts forward to meet hers, and they kiss. They kiss the same way I gobble down peanut-butter cheesecake. They suck each other’s faces the way my nana smoked her first cigarette in the morning.
And yes, I might be dead, but I’m not so tactless that I ogle their passionate romantic grappling. Instead, I coolly observe how the oceanic reflections of light glimmer through the portholes to ripple against the salon ceiling. Eventually my parents break their clinch.
Breathless, my mom touches the blue bundle of fabric and says, “Show me.”
“Behold, my beloved!” says my dad. He stands, unfurling the blue to reveal that it’s a garment. Stretched between his hands is a coarse collar of faded blue. Chambray, my guess is. White buttons march down the front. It’s a shirt, and he holds it by each cuff, stretching his arms wide to display it all.
Ye gods, Gentle Tweeter, it’s my worst fear. It’s my soiled blue chambray shirt from upstate!
“Behold,” says my father, his face a grinning blissful cross between tears and joy. “Our cherished Madison has sent us another sign! It was for sale in a vintage clothing store in Elmira, exactly where Leonard said it would be!”
My mother, likewise bleary-eyed, peers at the fabric, inspecting it. Her mouth hangs slack with disbelief.
“It’s Madison’s image,” exclaims my father. “It’s her face!”
Hanging there, spoiling the blue fabric, are the stains of Papadaddy’s vile spew. The loathsome fluids that erupted from between the pages of the Beagle book in that long-ago tedious upstate public toilet, they’ve set, creating an abstract pattern like the map of Mr. Darwin’s expedition to someplace horrible. They’ve formed piddling islands and dark continents of a world no one would willingly explore.
“Here!” my father proclaims as he thrusts forward a stained patch for my mother’s closer inspection. “Here’s her eye!” He shifts another corrupt blotch nearer her face, insisting, “And here’s her other eye!” He points to this smudge some huge distance from the first, as if my eyes were in different time zones. As presented the two smudges are vastly different sizes, one no larger than a thumbprint. The other is the size of a fist. The two aren’t even on the same level. They’re two asymmetrical blobs separated by a gross smear he interprets as my nose.
Please know, Gentle Tweeter, this is not me. It’s wiener juice spurted out. It’s the face of a deformed monster.
“I can see now! That is Maddy’s pretty nose!” my mom exclaims. “I can see it! The face looks exactly like Madison!”
“Look at her mouth!” my dad gushes, almost weeping. “Oh, her sweet mouth!” Using his fingertip, he traces the irregular outline of a revolting stain, a grotesque mess of indelible ejaculate. A crusted horror.
My mom cries out, “It’s a perfect likeness!”
Trust me, Gentle Tweeter, it is not. These revolting residual deposits of frightening man-jelly, they look nothing like me!
My father presses his nose to this abundance of stale ooze, and he inhales, deeply, exclaiming, “It even smells like Madison!”
It’s this disgusting residue of desiccated goo my mother and father now herald as a visitation from their angelic daughter. Depicted in this most sickening medium, they see me, and the shared passion of the moment brings their beaming, beatific countenances to the brink of a second passionate lip-lock. Their mouths tremble toward touching one another. Their faces yearn forward.
But the moment is spoiled. A new voice enters the room, a young woman’s voice, calling, “Antony?” Calling, “Antony, where are you?” At this, my parents freeze. Quickly, they abandon their amorous embrace, almost springing apart, as this new figure enters. Her hair is curled and red, her face bone white. It’s Miss Torrid von Torridski from the Rhinelander penthouse, my dad’s mistress. My former best friend. The infamous Babette; in her hands she carries another not-clean exhibit.
“Look here!” says my dad, calling my mom’s attention to this new object. He spreads the odious shirt across my mother’s lap, and he rushes to take this new curiosity from his noxious paramour. “Another sign from Madison!” he says. It’s a book. Yes, Gentle Tweeter, it’s the book, the book I hoped no one would ever find.
As Babette allows my dad to reverently lift the book from her spidery white hands, she narrates. She says, “The child virgin has sent her own unexpressed menses! Madison’s blood flows forth to eradicate the blasphemous words of the heretic Charles Darwin!” Her voice climbing to shrill heights, Babette says, “A book that bleeds!” As my father bears the profane book on high, carrying it above his head, kneeling once more to present it to my mom, Babette says, “It’s a miracle!”
It’s a mess is what it is. The pages are matted together with coagulated wiener blood, pressed as solid as a brick by the weight of a mattress and a guilty conscience. It’s not sanctified or remarkable. But to them, these deranged former Indigo Children and former alchemists and former shamanists, it’s a holy relic. A big leather-bound, Heaven-sent Kotex.
Buried somewhere within it, written in my mother’s hand, is the message, Set yourself a goal so difficult that death will seem like a welcome reprieve.
How easily this scene could end there, in this tableau: my father holding the book up… my mother on her divan, lifting her arms to accept it… the adulterous handmaiden looking on… but yet another person has entered the room.
Initially, my impression is that my long-dead Mr. Wiggles has returned to me, for this new presence is hardly bigger than a healthy goldfish. It floats in the air, glittering and fluttering the way a fish smoothly oscillates its yellow-pink fins to tread water. The fairy being, it glows, hovering. This enchantment moves closer.