Which was probably just as well. Soon afterward Gault had come to suspect Dickie Lockhart of cheating, and his obsession took root like a wild and irrational vine. It twisted itself so ferociously around Gault's soul that even knowing of R. J. Decker's progress in Louisiana only agitated him; Gault itched to be there to share in the stalk, though he knew it would have been a grave mistake. On the telephone Decker had addressed him in the same cold tones as the fishermen always did, as if he were a spoiled wimp, and this began to bother Gault too. Sometimes Decker seemed to forget he was hired help.
The way this is going, Gault thought, I'll be the last to know if something shakes loose.
So he made a call and asked Lanie for another favor.
Decker got up before dawn, struggled into his blue jeans, and threw on a musty blue pea jacket. The DJ on the clock radio announced that it was forty-eight degrees in downtown Hammond. Decker shivered, and put on two pairs of socks; living in the South Florida heat turned your blood to broth.
Skink sat on the floor of the motel room and flossed his teeth. He wore only Jockey shorts, sunglasses, and the flowered bathcap. Decker asked if he wanted to go along but Skink shook his head no. The twang of the floss against gleaming bicuspids sounded like a toy ukulele.
"Want me to bring back some coffee?" Decker asked.
"A rabbit would be good," Skink said.
Decker sighed and said he'd be back before ten. He got in the rental car and headed for the dock at Pass Manchac. On old Route 51 he encountered a steady stream of well-buffed Jeeps, Broncos, and Blazers, all towing bass boats to Lake Maurepas. Many of the trucks had oversize tires, tinted windows, and powerful fog lights that shot amber spears through the soupy-dark bayous. These vehicles served as the royal carriages of the top bass pros, who had won them in various fishing tournaments; a tournament wasn't even worth entering unless a four-wheel-drive was one of the prizes. Many of the bassers won three or four a year.
At the fish camp the mood was solemn and businesslike as the sleek boats were backed off galvanized trailers into the milky-green water. The anglers all wore caps, vests, and jumpsuits plastered with colorful patches advertising their sponsors' products; everything from bug spray to chewing tobacco to worms was smiled in this manner. Most of the fishermen wore Lucite goggles to protect their faces during the breakneck race to the bass hole. This innovation had recently been introduced to the bassing world after one unlucky angler died hitting a swarm of junebugs at fifty knots; one of the brittle beetles had gone through his left eyeball like a bullet and tunneled straight into his brain.
R. J. Decker sipped coffee from a Styrofoam cup and stood among a throng of wives, girlfriends, and mechanics waiting for the tournament to begin. A tall chalk scoreboard posted outside the Sportsman's Hideout displayed the roster of forty entrants, which included some of the most famous bass fishermen of all time: Jimmy Houston of Oklahoma, Larry Nixon of Texas, Orlando Wilson of Georgia, and of course the legendary Roland Martin of Florida. Revered in the world of fishing, these names meant absolutely nothing to R. J. Decker, who recognized only one entry on the Cajun Invitational chalkboard: Dickie Lockhart.
But where was the sonofabitch? As the headlights of the trucks sporadically played across the water, Decker scrutinized the faces of the anglers, now hunkered behind the consoles of their boats. They looked virtually identical with their goggles and their caps and their puffed ruddy cheeks. Dickie's boat was out there somewhere, Decker knew, but he'd have to wait until the weigh-in to see him.
At precisely five-thirty a bearded man in khaki trousers, a flannel shirt, and a string tie strode to the end of the dock and announced through a megaphone: "Bass anglers, prepare for the blast-off!" In unison the fishermen turned their ignitions, and Lake Maurepas boiled and rumbled and swelled. Blue smoke from the big outboards curled skyward and collected in an acrid foreign cloud over the marsh. The boats inched away from the crowded ramp and crept out toward where the pass opened its mouth to the lake. The procession came to a stop at a lighted buoy.
"Now the fun starts," said a young woman standing next to R. J. Decker. She was holding two sleeping babies.
The starter raised a pistol and fired into the air. Instantly a wall of noise rose off Maurepas: the race was on. The bass boats hiccuped and growled and then whined, pushing for more speed. With the throttles hammered down, the sterns dug ferociously and the bows popped up at such alarming angles that Decker was certain some of the boats would flip over in midair. Yet somehow they planed off perfectly, gliding flat and barely creasing the crystal texture of the lake. The song of the big engines was that of a million furious bees; it tore the dawn all to hell.
It was one of the most remarkable moments Decker had ever seen, almost military in its high-tech absurdity: forty boats rocketing the same direction at sixty miles per hour. In darkness.
Most of the spectators applauded heartily.
"Doesn't anyone ever get hurt?" Decker asked the woman with the two babies, who were now yowling.
"Hurt?" she said. "No, sir. At that speed you just flat-out die."
Skink was waiting outside the motel when Decker returned. "You got the cameras?" he asked.
"All ready," Decker said.
They drove back to the Sportsman's Hideout and rented the same johnboat from the night before. This time Decker asked for a paddle. The cashier said brightly to Skink: "Are you finding enough of those eels, Mr. Cousteau?"
"Si,"Skink replied.
"Oui!"Decker whispered.
"Oui!"Skink said. "Many many eels."
"I'm so glad," the cashier said.
Hastily they loaded the boat. Decker's camera gear was packed in waterproof aluminum carriers. Skink took special care to distribute the weight evenly, so the johnboat wouldn't list. After the morning's parade of lightning-fast bass rigs, the puny fifteen-horse outboard seemed slow and anemic to Decker. By the time they got to the secret spot, the sun had been up an hour.
Skink guided the johnboat deep into the bulrushes. The engine stalled when the prop snarled in the thick grass. Skink used his bare hands to pull them out of sight, away from the pass. Soon they seemed walled in by cattails, sawgrass, and hyacinth. Directly overhead was the elevated ramp of Interstate 55; Decker and Skink were hidden in its cool shadow. Wordlessly Skink shed the orange rainsuit and put on a full camouflage hunting outfit, the type deer hunters use. He threw one to R. J. Decker and told him to do the same. The mottled hunting suit was brand-new, still crinkled from the bag.
"Where'd you get this?" Decker asked.
"Borrowed it," Skink said. "Put the tripod up front." By swinging the plastic paddle he cleared a field of view through the bullrushes. He pointed and said, "That's where we pulled the last trap."
Decker set the tripod in the bow, carefully tightening the legs. He attached a Nikon camera body with a six-hundred-millimeter lens; it looked like a snub-nosed bazooka. He had decided on black-and-white film; as evidence it was much more dramatic than a tiny Kodachrome slide. Color was for vacation snapshots, black-and-white was for the grit of reality. With a long lens the print would have that grainy texture that seemed to convey guilt, seemed proof that somebody was getting caught in the act of something.
Decker closed one eye and expertly focused on the strand of mono-filament tied to the concrete piling.
"How long do we wait?" he asked.