"He'll be pissed."
Tough shit, Decker wanted to say. But instead: "We're not giving up."
"You and Bigfoot?"
"He's got a particular talent."
"Not with women," Lanie said.
Decker dropped her off at the Bienville House. His feelings were not the least bit wounded when she didn't invite him to stay the night.
He took his time driving back to Hammond. It was past two in the morning, but I-10 was loaded with big trucks and semis, city-bound. Their headlights made Decker's eyes water.
At the junction near Laplace he decided to take Route 51 instead of the new interstate. The bumpy unlit two-lane was Skink's kind of highway. Decker flicked on his brights and drove slowly, hoping against all reason to spot the big orange rainsuit skulking roadside. By the time Decker reached Pass Manchac all he'd seen was a gray fox, two baby raccoons, and a fresh-dead water moccasin.
Decker pumped the brakes as he drove by the Sportsman's Hide-out. Someone had left the spotlights on at the dock. It made no sense; the tournament was over, the bassers long gone. Decker negotiated a sleepy U-turn and went back.
When he got out of the car, he noticed that the lake air was not nearly as chilly as the night before. Too late for the fishermen, the wind had finally shifted from north to south; it was a balmy Gulf breeze that made the spotlights tremble on the poles.
One of the beams aimed at the tournament scoreboard, another more or less at the giant aquarium.
Decker wondered if anyone had remembered to free the bass. He strolled down to the docks to see.
The aquarium pump labored, grinding noisy bubbles. The water had turned a silty shade of brown. With the back of his hand Decker wiped a window in the condensation and peered into the glass tank. Right away he spotted three dead fish, gaping and jelly-eyed, rolling slow-motion with the current along the bottom. Decker felt like a tourist at some Charles Addams rendition of Marineland.
The shadow of something larger drifted over the dead bass. Decker glanced toward the top of the ten-foot tank, but looked away when the spotlight caught him flush in the eyes.
To escape the glare he climbed the wooden stairs to the weigh– master's platform, which overlooked both the scoreboard and the release tank. From this vantage Decker spotted more dead bass floating on the surface, and something else, whorling slowly in the backwash of the pump. The form was big-shouldered and brown—at first Decker thought it might be a sea cow, somebody's sick idea of a joke.
When the thing drifted by, he got a better look.
It was a man, floating facedown; a chunky man dressed in a brown jumpsuit.
Decker watched the corpse go around the tank again. This time, when it floated by, he grabbed the stiff cold shoulders and flipped it over with a splash.
Dickie Lockhart's eyes stared wide but were long past seeing. He wore a plum-sized bruise on his right temple. If the blow hadn't killed him outright, it had definitely rendered him unfit for a midnight swim.
The killer's final touch was diabolical, and not without wit: a fishing lure, the redoubtable Double Whammy, had been hooked through Dickie Lockhart's lower lip. It hung off Dickie's face like a queer Christmas ornament. Unfortunately, being just as dead as Dickie, none of the bass in the aquarium could appreciate the piquancy of the killer's gesture.
R. J. Decker lowered the corpse back into the water and walked quickly to the car. The scene screamed for a photograph, but it screamed something else too. Decker heard it all the way back to the motel and even afterward, deep into fitful dreams.
According to his official church biography, Charles Weeb had turned to God after an anguished boyhood of poverty, abuse, and neglect. His father had died a drunk and his mother had died a dope fiend, though not before selling Charlie's two sisters to a Chinese slavery ring in exchange for sixty-five dollars and three grams of uncut opium.
The imagined fate of the missing Weeb sisters was a recurring theme in Charlie's TV sermons on the Outdoor Christian Network; nothing sucked in money faster than a lingering close-up of those snapshots of the two little girls, June-Lee and Melissa, under the plaintive caption: "what has satan done with these angels?"
The Reverend Charles Weeb knew, of course. The angels in question were both alive and well, and presumably still working for Mr. Hugh Hefner in the same capacity that had first attracted Reverend Weeb's attention. He had personally clipped their childhood photographs from the pages of Playboymagazine—that hokey section featuring family pictures of the centerfold as a little girl. Charlie Weeb had long since forgotten the real names of these models, or even what month and year they had starred in the publication. However, he wasn't the least bit worried that the pictures would be recognized and his scheme revealed, since no devout OCN viewer could ever admit to looking at such a magazine. The Reverend Charles Weeb made sure to regularly warn his flock that Playboywas a passport to hell.
In fact Charlie Weeb had no sisters, just an older brother named Bernie, who had been busted selling phony oil leases from a North Miami boiler room and was now doing seven years for wire fraud. Weeb's father had been a shoe salesman with an ulcer intolerant of alcohol; his mother was not a dope fiend but a successful real-estate agent, and from her Charlie Weeb had drawn the inspiration for his dream project in Florida, Lunker Lakes.
The Weeb family had never been particularly religious, so neighbors were surprised, even somewhat skeptical, to learn that little Charlie had grown up to become a fundamentalist preacher. The Weebs, after all, were Jewish. Acquaintances were even more puzzled to turn on the television and see Charlie going on about his wretched parents and kidnapped sisters. Bernie the Bum was the only one whom the neighbors remembered.
Charles Weeb's path to religious prominence had been a curious and halting one. After being expelled from the Citadel for moral turpitude, he had spent ten years chasing fads, hoping to hit it big. "Eighteen-to-twenty-five alive!" was Charlie's slogan, because that was always his target market. His schemes were always about two years too late and fifty percent undercapitalized. For a while he ran a health-food store in Tallahassee, then a disco in Gulf Shores, then a hot-tub factory in Orlando. Though his track record made him look like a loser, Charlie Weeb was basically a clever man; no matter how catastrophically his enterprises failed, Weeb's bank account always prospered. In the late 1970s the IRS expressed an avid interest in Charlie Weeb's fortunes; this he took as a signal to find God, and quickly. Thus was born the First Pentecostal Church of Exemptive Redemption.
Charlie Weeb didn't own an actual church, but he had something even better: a TV station.
For two million dollars he had purchased a small UHF operation whose programming consisted entirely of game shows, Atlanta Braves baseball, and The Best of Hee-Haw.Nothing changed for four months, until one Sunday morning a man with straw-blond hair and messianic eyebrows stood behind a cardboard pulpit and introduced himself as the Most Holy Reverend Charles Weeb. From now on, he said, WEEB-TV would be the voice of Jesus Christ.
Then, live on the air, Charlie Weeb healed a crippled cat.
Hundreds of viewers saw it. The calico kitten limped to the stage and—after a tremulous Reverend Weeb prayed for its soul and passed a hand over its furry head—the animal scampered away, cured.
The following Sunday Charlie Weeb performed the same miracle on a gimpy beagle. The Sunday after that, a shoat. Two weeks later, a baby llama, on loan from a traveling circus.
Weeb saved the master coup for Christmas Sunday, the start of a ratings-sweep week. Before his biggest TV audience ever, he healed a lamb.
It was a magnificent performance, full of biblical symbolism. Few viewers who saw the nappy dull-eyed critter rise off the floor were not deeply moved. No one in Charlie Weeb's flock seemed to mind that the miracle took about an hour longer than expected; they figured that, it being a busy Christmas, God was running a little late. In fact, the reason for the delay in the much-promoted lamb healing was that Charlie Weeb's assistant had injected way too much lidocaine into the animal's hind legs before the show, so it took an extra long time for the effect of the drug to wear off.