BOOK THREE
Blow, Winds, and Crack Your Cheeks
11. Woman’s Whole Existence
I
THE betrayal of the British labor movement had entered like a white-hot iron into the flesh of Eric Vivian Pomeroy-Nielson. He had brooded over it and analyzed its causes; he had filled his soul with images of it; and the result was to be a drama called The Dress-Suit Bribe. No literary title, dignified and impartial, but a fighting title, a propaganda title.
The central figure was a miner’s son who had escaped from the pits by becoming a secretary of his union. He had a wife who had been a schoolteacher, somewhat above him in station. They had no children, because the labor movement was to be their child. At the opening of the play he was a newly elected member of Parliament. There were characters and episodes recalling his early days of fervor and idealism, but now we saw him absorbed in the not very edifying details of party politics, the maneuvers for power, the payment of past obligations in the hope of incurring more.
The leisure-class woman in the story had no doubt been modeled on Rosemary, Countess of Sandhaven, Lanny’s old flame; one of those women touched by the feminist movement who did not permit themselves to love deeply because it would interfere with their independence, their enjoyment of prominence and applause. She was a political woman who liked to wield power; she set out to seduce a labor leader, not because she wanted to further the interests of her Tory group, but because she enjoyed playing with a man and subjecting him to her will. She tried to teach him what she called common sense, not merely about love, but about politics and all the affairs of the world they lived in. She didn’t mind breaking the heart of a wife whom she considered an inferior and superfluous person; if in the process she broke up a labor union, that was an incidental gain.
It was a "fat" part for an actress, and at Lanny’s suggestion Rick had endowed the woman with an American mother; a common enough phenomenon in London society, this would make the role possible for Phyllis Gracyn. Lanny’s old friend and playmate had been starred in two plays which had "flopped" on Broadway through no fault of her own; so she was in a humble frame of mind, and when Lanny wrote her about Rick’s play she cabled at once, begging to be allowed to see the script. The part had been written for her— even to allowing for traces of an American accent.
Lanny had become excited about the play, and had talked out every scene with his friend, both before and after it was put down on paper. Irma and Beauty read it, and Emily and Sophie, and of course Rick’s wife; these ladies consulted together, and contributed suggestions as to how members of the grand and beau and haut monde felt and behaved. So the play became a sort of family affair, and there was small chance of anything’s being wrong with its atmosphere and local color. After Emily had read the entire script, she offered to put in five thousand dollars on the same terms as the rest of them, and Sophie, the ex-baroness, was not to be outdone.
The play would be costly to produce, on account of the money atmosphere. If you want actors to look like workingmen or labor leaders, you can hire them cheaply, but if you want one who can play the Chancellor of the Exchequer, you have to dip into your own. Rick, who by now had considerable experience, estimated the total at thirty thousand dollars, and the figure sounded familiar to Lanny, because that had been the cost of Gracyn’s first production, the sum for which she had thrown him over. Now he would take a turn at being the "angel"; a higher, celestial kind, for whom she wouldn’t have to act anywhere but on the stage.
II
The play was finished early in April, and the family went north, with Alfy returning to school. Lanny and Irma motored the mother and father as far as Paris, starting several days ahead; for Zoltan Kertezsi was there, and they wanted to see the spring Salon through his expert eyes; also there were plays to be seen, of interest to professionals such as they were about to become. As it happened, France was in the midst of a furious election campaign, and when you had an uncle running for the Chamber of Deputies, you were interested to see the show. Hansi and Bess had consented to come and give a concert for the benefit of his campaign, so it would be a sort of family reunion.
The Hungarian art expert was his usual serene and kindly self. He had just come back from a trip to the Middle West, where, strange as it might seem, there were still millionaires who enjoyed incomes and wanted to buy what they called "art paintings." Lanny had provided Zoltan with photographs of the Detazes which were still in the storeroom, and three had been sold, at prices which would help toward the production of The Dress-Suit Bribe. Irma insisted upon putting up a share of the money, not because she knew anything about plays, but because she loved Lanny and wanted him to have his heart’s desires.
She took the same tolerant attitude toward political meetings. If Lanny wanted to go, she would accompany him, and try to understand the French language shouted in wildly excited tones. Jesse Blackless was running as candidate in one of those industrial suburbs which surrounded Paris with a wide Red band. Under the French law you didn’t have to be a resident of your district but had to be a property-owner, so the Red candidate had purchased the cheapest vacant lot he could find. He had been carefully cultivating the constituency, speaking to groups of workers every night for months on end, attending committee meetings, even calling upon the voters in their homes—all for the satisfaction of ousting a Socialist incumbent who had departed from the "Moscow line." Irma didn’t understand these technicalities, but she couldn’t help being thrilled to find this newly acquired uncle the center of attention on a platform, delivering a fervid oration which drove the crowd to frenzies of delight. Also she couldn’t fail to be moved by the sight of Hansi Robin playing for the workers of a foreign land and being received as a comrade and brother. If only they hadn’t been such terrible-looking people!
III
All this put Lanny in a peculiar position. He attended his uncle’s réunion, but didn’t want him to win and told him so. Afterward they repaired with a group of their friends to a cafe where they had supper and argued and wrangled until the small hours of the morning. A noisy place, crowded and full of tobacco smoke; Irma had been taken to such haunts in Berlin, London, and New York, so she knew that this was how the intelligentsia lived. It was supposed to be "bohemian," and certainly it was different; she could never complain that her marriage had failed to provide her with adventures.