Her family cave was dark, but that did not mean that she was absent. Her father was a miner and her mother worked in one of the food caves along the main street. Sonda herself was training to become a topside runner, the small group of mining folk who spent their lives traveling back and forth from the home-cave to the surface to trade fledge for essential supplies. Runners were those most likely to try to make their way topside, and few grew old in the caves. Sometimes Trey mourned Sonda’s leaving already.
For a moment images blurred and fought in his mind. He drew back slightly, becoming more aware of his own body back in the dust bath, the sound of his mother’s snoring, and as he opened his eyes he saw the weak firelight still prancing across the rock ceiling. He could even taste fledge in his mouth, instead of the cavern’s fresh open air. Or perhaps it was guilt.
He closed his eyes again and concentrated, moving himself back to Sonda’s cave, hearing her soft song from within, smelling the rich tang of the river sweeping past way below his feet. He remained there for a while, a strong consciousness cast across the space of the cavern, the tinge of guilt he felt at spying more than counteracted by what he was beginning to feel for Sonda. This journey was innocent, the pure necessity of a burgeoning first love. He was not trying to see the future, he was not spying on the girl as she changed or bathed or slept. He hardly even probed inside the house.
And then her singing stopped, and Trey knew that she was dreaming a fledge dream. If only she would ride the dream and come to meet him out here.
He moved away and slipped down one of the many shafts that led to the river. Like the tunnel he traveled every day to the fledge face, this river held history and the future in its grasp. The miners buried their dead here, dropping them into the water and letting them ride the river forever. And they drew water from here as well, catching the future before it hurtled past and lost itself deep beneath the mountains. The future was upriver, the past downriver, and this one moment beneath Trey was the most important of all. The river was all noise, a mind-shattering roar which, broken down, could be saying anything. He cast his consciousness down, tempted to plunge in and see where the waters would take him. Many had done so, and some came back mad.
Trey returned up the black shaft and burst out into the light of the cavern again, veering away and entering one of the old fledge tunnels. This shaft was not worked anymore, not because the fledge had all been mined, but because it had become too dangerous. It was here that Lufero the puppet master had lost his legs many years before, and others had lost more than that here more recently. Cave-ins, a flash flood and a plague of stingers had caused them to abandon this tunnel, leaving it to the dark and whatever eventually crawled in there, out of sight and mind.
Trey liked to travel through here on occasion, his body safe at home while his imagination sought whatever had driven his elders away. He was not the only one; he occasionally brushed past other minds steering this way, but like them he kept to himself. It was not exactly forbidden, what they were doing. But it would be frowned upon by the mayors. This was not a safe place. It had been abandoned for a reason. Many reasons, in fact; most of them told, some of them still held on to by the old miners that had worked this seam. Secrets. Trey knew that the whole truth had never been revealed, and like most people his age, the mystery intrigued him.
Like Petra in Lufero’s puppet play, Trey pushed on.
The shaft was long, winding, and soon it dipped and ran deep. There were several vertical shafts in the floor where machines had once toiled, and newer steps and staircases carved into the tunnels by hand since the Cataclysmic War. Trey had once started down one of these pits, trying to push his consciousness deep, smelling and sensing his way down, way past the river level and into a darkness so thick that it seemed to have weight. He had gone too far, he’d known that even as he pushed, and his body had stiffened and cooled in his cave as his mind plummeted. That shaft had no bottom, and its depth had a gravity. The air held hints of strange things far below, and the turning point had been the touching of an alien mind on his. Only briefly, barely a kiss of consciousness, like something turning its head and its hair swinging out to touch his face.
That had been enough. Trey had somehow hauled himself back, and he’d been sick for the three shifts following.
So now he kept to the tunnels and the mine workings themselves, leaving the old shafts to whatever it was that haunted them. He had asked his mother whether the machines could have become ghosts, but she had scoffed and stormed away, cursing his foolishness.
He traveled until he found the old fledge seam. Even after so long he could sense the toil of the miners that had carved their way this far. It was a wide seam, rich, and Trey guessed that it continued on and on beneath the mountains. Its surface smelled rancid after such a long exposure, but he pushed inside just a little and it was fresh and fruitful, good fledge, free of impurities. A pity that this seam had been left alone. A pity that stingers had come and scared them away, and cave-ins, and…
What else? He pushed farther, because there was something in there. Something denser than fledge. Trey stilled, his body tense and tight in the dust bath, his consciousness holding a moment five thousand steps away. He waited because it seemed the right thing to do, to hold back and make himself quiet and unseen, because something was about to happen. He had stumbled across a held breath.
Trey felt his heartbeat rippling the surface of the dust bath. His mind was submerged in fledge, and borne of it. And he was suddenly very, very afraid.
A heartbeat amongst his, deeper, slower, harder, trying to hide between his own but failing because he had been listening for it.
A heartbeat… something alive in the fledge… alive but sleeping, hibernating, because his heart beat a hundred times before he heard another strange pulse.
Nax?
He tried to pull back. He wanted more than anything to wake in the bath, his mind his own, and to tell his mother about the fledge nightmare he’d had. But this was no nightmare, and Trey could not pull back. Because he had already brushed against this Nax’s mind, and his frantic thought of escape was merely a vain attempt to avoid what was coming.
It came in quickly:
Threat from above, safety being slaughtered, magic returned to shift the balance of things, death and war and change that would seep down even this far, through the cracks in riverbeds and past the roots of the oldest trees down through the earth the danger given an easy route via the holes gutted into the world by those who still plundered
…
And more, much more, none of it in words, all of it in hateful alien expressions of such contempt that Trey, physically ensconced in his dust bath as if that could possibly keep him safe, began to cry.
Eventually he pulled free, or was let go. Flailing, horrified, venting psychic screams that echoed before him and gave many home-cave sleepers instant nightmares, Trey fled back to his own body. As he did so he sensed other minds waking through the earth, some near, some farther away. Minds angry not at him, but at what the future promised.
He flipped from the dust bath and hit the stone floor hard, bruising his limbs and shoulders, running through his cave naked, tripping over his sleeping mother and gashing his elbows open on the ground, giving premature blood to the land. He rose again and tore aside the leather curtain at the cave’s entrance.
“They’re awake!” he screamed. “The Nax are awake!” He could see shadows of people moving to and fro on the main street, and he imagined the puppet master’s red-painted hand clenching and cutting, taking them all down.
There was an outburst of screaming from all across the cavern. Other fledge dreamers were traveling too far this night.
THE FIRST NAXcame from the same tunnel Trey had fled in his fugue.