3
It was more than just a shed. When you got right up to it, the building that Fry had pointed out was more like a vast, corrugated-iron tunnel. When Cooper walked into it, he felt as though he was entering a cathedral, with airy space all around him and light filtering down from the roof, shafts of it striking through cracks in the iron sheeting. Water dripped somewhere ahead of him, and the sides gleamed with patches of damp as he moved.
Many of the older farms in this area still used wartime Nissen huts for storage, relying on the fact that they were built to last a long time and took many years before they finally collapsed from age and neglect. But this thing was bigger than any Nissen hut Cooper had ever seen. A hundred feet long at least, with central posts holding up the ridge of the arc high above him. The structure was open to the elements at both ends, but the middle was dry and sheltered.
Inside, he found two tractors parked on a concrete base alongside a pick-up truck. More vehicles stood outside — a lorry fitted with a winch, an old Escort with a pig trailer attached to the tow bar. The equipment stored in here included an interesting yard scraper made from twenty-four-inch tractor tyre sections. Matt would love that. Cheap, but effective.
Heaps of old tyres lay around the yard, and the vehicles were overshadowed by a huge fortress of silage bags. At first glance, the bags looked like plastic boulders painted black, with strips of loose wrapping stirring in the breeze. Cooper pictured them in summer, with bumble bees buzzing around the stack, attracted by the sweet smell of the silage. But a shiver of cold air reminded him that it was December, and the silage shouldn’t still be standing here, untouched.
Outside, the sides and roof of the shed were starting to turn from their original yellow to rust red. The branches of a hawthorn tree scratched restlessly against the sides — the only sign of life in the abandoned farmyard.
Behind the farmhouse stood a typical skeleton of an open Dutch-style barn, its timbers supporting only a few tatters of roof. He could see that the ridge of the house sagged in a couple of places, and the windows at the back were hung with dusty curtains. A grimy caravan stood in what might once have been the garden. Ancient bales of hay were visible through a ragged hole in the wall of a stone byre.
Another range of old stone buildings was practically in ruins. Cooper found himself inhaling whiffs of a powerful smell here and there as he moved around. A hint of ammonia suggested the presence of a number of cats. Farm cats, that lived outside and prowled the barns and sheds for rodents, doing a job of work.
Beyond the Dutch barn, a few yards down the slope, he found a series of dilapidated poultry sheds. They weren’t all that old, but had never been maintained properly. He peered through a dusty window, expecting rows and rows of battery cages. But there were none to be seen. So the sheds must have been deep-littered with straw for the birds, unless the cages had been removed.
Cooper was already starting to find this place depressing. Parts of Bridge End Farm might be deteriorating because there was no money for maintenance and repairs. But Bridge End was a model of modernity, compared to Pity Wood.
He turned his attention to the house itself. Limestone, with those distinctive gritstone corners called quoins. Some of the walls had been rendered with cement to combat the effects of the weather. But, judging from the scabrous patches where the render had flaked off, the weather was winning. In fact, it had been winning for some time. This farmhouse had thrown in the towel.
If there were any answers to how the body had ended up in that shallow grave a few yards away, they would most likely be found inside the house. Cooper enquired who’d taken possession of the keys, and he eased open the back door.
In the hallway, the first thing he saw was a huge, black family Bible, laid out on a table like a warning.
Fry knew she had to get control of the scene and protect any forensic evidence — though what kind of evidence might have survived the slow decay and partial demolition of Pity Wood Farm she couldn’t imagine.
These were the critical hours. If any evidence did turn up, she had to be able to demonstrate chain of custody. It was so important to look ahead to the possibility of a trial some time in the future. If the prosecution didn’t have chain of custody, it presented a gift to the defence. No matter what happened between now and that hypothetical date, her present actions could cast doubt on an entire investigation or provide it with a solid foundation.
The SOCOs had a rule of thumb. If an item of potential evidence was vulnerable, if everyone was going to walk over it on the way in and out of the scene, it should be removed or protected. If it was out of the way, it could be left in place. There could be evidence that had already been walked over several times on the way in and out.
So those builders had to be kept clear, to minimize any contamination to that they’d already caused. The digging operations had to be done in a controlled manner — someone would have to keep an eye on the diggers and stop them wandering around the farm.
And those vehicles parked up on the muddy track and in the entrance to the yard … well, it was already too late, probably. No matter what action she took now, there was no way she could turn back time.
‘Sutton,’ said Murfin breathlessly, breaking into her thoughts. ‘Sutton.’
‘What?’
‘The previous owners of the farm. Name of Sutton. Raymond is the brother now residing in a care home back in town — we don’t know which yet, but we’ll find out. He’s quite elderly, in his late seventies, we think. There was a younger brother, Derek, who died about a year ago.’
‘Not bad, Gavin.’
‘Thanks. Unfortunately, we can’t find any sign of anyone else in the household at that time, other than the two brothers. We’ve checked the electoral register, and they were the only two adults listed.’
‘So no women?’
‘No women,’ said Murfin. ‘Just peace and quiet.’
Inside the farmhouse, Cooper found the rooms to be a strange mixture of conversion and preservation. Passing from one room to another for the first time was an unpredictable experience. Some spaces were littered with building materials and tools left behind by Jamie Ward’s workmates. Sacks of sand and cement, piles of breeze block, buckets, a ladder, a couple of steel toolboxes. These rooms had been stripped of their original contents — all dumped in the yellow skip he’d seen outside the back door, presumably — and they’d been transformed into building sites instead.
Other rooms, though, had yet to be touched by anyone. Those still contained evidence of the farm’s occupants and their day-today existence — two pairs of wellington boots by the back door, a smelly overcoat still hanging in a cupboard under the stairs.
Upstairs, there were three bedrooms. It was difficult to tell which of them had been occupied most recently, since they were all equally full of junk and old clothes. The middle bedroom overlooked the yard, and it seemed darker and colder than the other two. If Cooper had been choosing a bedroom, it would have been any one but this.
The kitchen seemed to be the part of the house that was most intact. A black, cast-iron cooking range dominated one end of the room, and near it a tap still dripped in a Belfast sink, as if someone had only just failed to turn it off properly. All the furniture was still here, too — a large pine table with scarred and blackened legs, two ancient armchairs, a dresser filled with plates and cutlery.