The Project Gutenberg EBook of The Early Short Fiction of Edith Wharton, Part 2 (of 10), by Edith Wharton
This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org
Title: The Early Short Fiction of Edith Wharton, Part 2 (of 10)
Author: Edith Wharton
Posting Date: July 12, 2008 [EBook #306] Release Date: August, 1995
Language: English
Character set encoding: ASCII
*** START OF THIS PROJECT GUTENBERG EBOOK EARLY SHORT FICTION ***
Produced by John Hamm
THE EARLY SHORT FICTION OF EDITH WHARTON
A Ten-Part Collection
Volume Two
Contents of Part Two
Stories AFTERWARD……………………….January 1910 THE FULNESS OF LIFE………………December 1893 A VENETIAN NIGHT’S ENTERTAINMENT…..December 1903 XINGU…………………………..December 1911 THE VERDICT……………………..June 1908 THE RECKONING……………………August 1902
Verse
BOTTICELLI’S MADONNA IN THE LOUVRE…January 1891 THE TOMB OF ILARIA GIUNIGI………..February 1891 THE SONNET………………………November 1891 TWO BACKGROUNDS………………….November 1892 EXPERIENCE………………………January 1893 CHARTRES………………………..September 1893 LIFE……………………………June 1894 AN AUTUMN SUNSET…………………October 1894
AFTERWARD
January 1910
I
“Oh, there IS one, of course, but you’ll never know it.”
The assertion, laughingly flung out six months earlier in a bright June garden, came back to Mary Boyne with a sharp perception of its latent significance as she stood, in the December dusk, waiting for the lamps to be brought into the library.
The words had been spoken by their friend Alida Stair, as they sat at tea on her lawn at Pangbourne, in reference to the very house of which the library in question was the central, the pivotal “feature.” Mary Boyne and her husband, in quest of a country place in one of the southern or southwestern counties, had, on their arrival in England, carried their problem straight to Alida Stair, who had successfully solved it in her own case; but it was not until they had rejected, almost capriciously, several practical and judicious suggestions that she threw it out: “Well, there’s Lyng, in Dorsetshire. It belongs to Hugo’s cousins, and you can get it for a song.”
The reasons she gave for its being obtainable on these terms—its remoteness from a station, its lack of electric light, hot-water pipes, and other vulgar necessities—were exactly those pleading in its favor with two romantic Americans perversely in search of the economic drawbacks which were associated, in their tradition, with unusual architectural felicities.
“I should never believe I was living in an old house unless I was thoroughly uncomfortable,” Ned Boyne, the more extravagant of the two, had jocosely insisted; “the least hint of ‘convenience’ would make me think it had been bought out of an exhibition, with the pieces numbered, and set up again.” And they had proceeded to enumerate, with humorous precision, their various suspicions and exactions, refusing to believe that the house their cousin recommended was REALLY Tudor till they learned it had no heating system, or that the village church was literally in the grounds till she assured them of the deplorable uncertainty of the water-supply.
“It’s too uncomfortable to be true!” Edward Boyne had continued to exult as the avowal of each disadvantage was successively wrung from her; but he had cut short his rhapsody to ask, with a sudden relapse to distrust: “And the ghost? You’ve been concealing from us the fact that there is no ghost!”
Mary, at the moment, had laughed with him, yet almost with her laugh, being possessed of several sets of independent perceptions, had noted a sudden flatness of tone in Alida’s answering hilarity.
“Oh, Dorsetshire’s full of ghosts, you know.”
“Yes, yes; but that won’t do. I don’t want to have to drive ten miles to see somebody else’s ghost. I want one of my own on the premises. IS there a ghost at Lyng?”
His rejoinder had made Alida laugh again, and it was then that she had flung back tantalizingly: “Oh, there IS one, of course, but you’ll never know it.”
“Never know it?” Boyne pulled her up. “But what in the world constitutes a ghost except the fact of its being known for one?”
“I can’t say. But that’s the story.”
“That there’s a ghost, but that nobody knows it’s a ghost?”
“Well—not till afterward, at any rate.”
“Till afterward?”
“Not till long, long afterward.”
“But if it’s once been identified as an unearthly visitant, why hasn’t its signalement been handed down in the family? How has it managed to preserve its incognito?”
Alida could only shake her head. “Don’t ask me. But it has.”
“And then suddenly—” Mary spoke up as if from some cavernous depth of divination—“suddenly, long afterward, one says to one’s self, ‘THAT WAS it?’”
She was oddly startled at the sepulchral sound with which her question fell on the banter of the other two, and she saw the shadow of the same surprise flit across Alida’s clear pupils. “I suppose so. One just has to wait.”
“Oh, hang waiting!” Ned broke in. “Life’s too short for a ghost who can only be enjoyed in retrospect. Can’t we do better than that, Mary?”
But it turned out that in the event they were not destined to, for within three months of their conversation with Mrs. Stair they were established at Lyng, and the life they had yearned for to the point of planning it out in all its daily details had actually begun for them.
It was to sit, in the thick December dusk, by just such a wide-hooded fireplace, under just such black oak rafters, with the sense that beyond the mullioned panes the downs were darkening to a deeper solitude: it was for the ultimate indulgence in such sensations that Mary Boyne had endured for nearly fourteen years the soul-deadening ugliness of the Middle West, and that Boyne had ground on doggedly at his engineering till, with a suddenness that still made her blink, the prodigious windfall of the Blue Star Mine had put them at a stroke in possession of life and the leisure to taste it. They had never for a moment meant their new state to be one of idleness; but they meant to give themselves only to harmonious activities. She had her vision of painting and gardening (against a background of gray walls), he dreamed of the production of his long-planned book on the “Economic Basis of Culture”; and with such absorbing work ahead no existence could be too sequestered; they could not get far enough from the world, or plunge deep enough into the past.
Dorsetshire had attracted them from the first by a semblance of remoteness out of all proportion to its geographical position. But to the Boynes it was one of the ever-recurring wonders of the whole incredibly compressed island—a nest of counties, as they put it—that for the production of its effects so little of a given quality went so far: that so few miles made a distance, and so short a distance a difference.
“It’s that,” Ned had once enthusiastically explained, “that gives such depth to their effects, such relief to their least contrasts. They’ve been able to lay the butter so thick on every exquisite mouthful.”
The butter had certainly been laid on thick at Lyng: the old gray house, hidden under a shoulder of the downs, had almost all the finer marks of commerce with a protracted past. The mere fact that it was neither large nor exceptional made it, to the Boynes, abound the more richly in its special sense—the sense of having been for centuries a deep, dim reservoir of life. The life had probably not been of the most vivid order: for long periods, no doubt, it had fallen as noiselessly into the past as the quiet drizzle of autumn fell, hour after hour, into the green fish-pond between the yews; but these back-waters of existence sometimes breed, in their sluggish depths, strange acuities of emotion, and Mary Boyne had felt from the first the occasional brush of an intenser memory.