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A huge detective named Franklin was climbing the stairs toward the City Hall's main level when Lucas caught up with him. "What's going on?"

"Just gettin' a Coke and an apple," Franklin said. "Something going on?"

"Meeting," Lucas said. "I was afraid another body had fallen out of a closet somewhere."

"Probably has. But not here, as far as I know," Franklin said.

Lucas went on ahead. The chief's secretary nodded at the closed office door and said, "We've got a crowd. Alie'e's family and some friends. You're supposed to go right in."

Rose Marie was barricaded behind her desk. To her left, Dick Milton, the department PR guy, perched on the edge of a folding chair, his jaws tight. Eight people were arrayed in visitors' chairs in front of the desk: Alie'e's parents; Tom Olson, unshaven, apparently in the same clothes he'd worn at the last visit; and three other men and two women Lucas didn't recognize.

"Lucas, come in, we're just getting started." Rose Marie glanced at one of the men Lucas didn't know and added, "I guess we're trying to get some ground rules going here. Everybody, this is Lucas Davenport, a deputy chief, who often works as a kind of, mmm, key man in these kinds of investigations. Lucas, you know Mr. and Mrs. Olson; and this is Mr. and Mrs. Benton, and Mr. and Mrs. Packard, the Olsons' best friends from Burnt River, who're down to help out; and Lester Moore, the editor of the Burnt River newspaper."

Moore was a gangly man with reddish hair and green watery eyes. He wore wash pants that were an inch too short, and showed a rind of pale skin between the top of his white socks and the cuff of the green pants. "I'm the ground rules problem," he said affably.

"The problem," Rose Marie said, "is that Mr. Moore is also one of the Olsons' good friends." The Olsons both nodded at once, as did the Bentons and the Packards. "They want him here. But if we give him the confidential family briefing that is not available to all the press"

"So will you use what we tell you in confidence?" Lucas asked.

Moore shook his head. "Of course not. I'm here as a friend, not as a reporter. We have our reporter down here right now, and she'll do our coverage."

Milton piped up. "Suppose you think your reporter is reading something wrong, because of privileged information you happen to have."

"We'll go with her story," Moore said. "The people of Burnt River have the right to the informationbut not necessarily at this exact minute."

Rose Marie looked at Lucas, who shrugged. "So, you trust him or not. I'd say, go ahead and trust him now, and stop if something comes out."

After thinking about it for a second, Rose Marie nodded. "All right. Mr. Moore stays with the understanding that what is said in this room, stays in this room."

As Rose Marie briefed the group on what had been done in the past twenty-four hours, and filled them in on the murder of Amnon Plain, Lucas watched Tom Olson. Olson sat squarely and solidly in his chair, his chin down almost to his chest, staring fixedly at Rose Marie as she spoke. He really wasn't porky, Lucas thought, although an observer at a distance might think soespecially since pork was almost the default body shape for men in the upper Midwest. But Olson looked hard; he was barrel-shaped and square-faced, but you could see the bones in his cheeks and at his wrists. Helooked like a farm mechanic: somebody used to pushing around machines, and maybe throwing bales.

The Bentons and Packards, on the other hand, had the pale, round blandness of prosperous Minnesota small-town people. They were not quite blond, but not quite brunette, either. They all spoke softly in rounded Scandinavian vowels, with perfect grammar, and finished each others sentences. They were, Lucas thought, like two pairs of sugar cookies out of the same nonsexist male-female cookie cutter.

Tom Olson was the one to speak when Rose Marie finished. "So what you just said is, you didn't find out anything. There's no new information."

"That's not at all what I said," Rose Marie snapped. "There was a lot of negative informationwe eliminated a lot of possibilities. I will tell you, Mr. Olson, and Chief Davenport will tell you the same thing, that if you don't find the killer standing over the victim and arrest him on the spot, then the elimination of possibilities is one of the most important things we do. Wewill find the killer. We know it's going to take time"

"Oh, horseshit," Olson said.

His mother looked at him and said, "Thomas."

The older Olson cleared his throat and said, "The funeral is the day after tomorrow, if you can release Alie'e to us. The ME said he thought that was likely."

"It's done, or will be in the next few minutes," Rose Marie said.

Olson continued, "When the funeral's over, Lil and I are coming back, with Tom, and the Bentons, and the Packards, when Charlie doesn't have to work, and we'd like to stay for a week or two and hope you catch this guy, but we'd like to stay and see what you do."

"That's no problem at all. We can meet every day to keep you up to date."

"Is Amnon Plain's murder related directly to Alie'e?" Lester Moore asked.

"We don't know," Rose Marie said. "We have to treat it as though it is."

Lucas jumped in. "I was at Plain's apartment. Whoever killed him, planned it. There was nothing impulsive about it. The other murder had an ad hoc quality they feel different."

"Two separate killers?" Tom Olson said.

"Possibly. They may be relatedthey may even have been done by the same personbut I personally think Plain was killed by another person."

"When you say 'person,' are you being politically correct or are you not sure whether the killer was a male or female?" Lester Moore asked.

"I'm being politically correct," Lucas said. "We had a series of very cold, execution-style murders done by a woman, just this past summer. But that's very rare. I think the killer's male. He may even have been seen."

"Well, I hope you find him," the elder Olson said. He looked at his wife and son and said, "Let's go get Alie'e."

When the door closed, Lucas, Rose Marie, and Milton sat in silence for a few seconds, then Rose Marie asked, "Did you see them on television?"

"No."

"It's like people get media training somewhere," Rose Marie said. "In here, Mrs. Olson sits in her chair like a turtle on a rock, but when you see her on TV, she's the perfect mom. She's as good as most of the professionals you see on the news shows. Every hair in place, except the ones that shouldn't be. She's perfectly distraught. She personifies exactly what a distraught mothershould be like. And the kid"

"I wouldn't want to meethim in a dark alley if he was pissed at me," Milton said. "He's supposed to be some kind of holy guy, but he said, 'horseshit.' "

"Horses shit even around holy people," Lucas said.

"Besides," added Rose Marie, "he was clinically correct. That was a load of horseshit. Lester Moore picked up on it, too. There were no secrets, because we don't have any." She brooded about that for moment, then said, "I think I've heard his name, Lester Moore. Maybe when I was up on the Hill?"

Milton shook his head. "It's a famous name."

"Really?" Rose Marie was curious.

"A guy named Lester Moore was killed in some place like Tombstone, or Dodge City, and was buried on Boot Hill. His epitapth said something like, 'Here lies Lester Moore, Two Shots From a. 44, No Les, No More.' "

"Really?"

"Really."

Rose Marie said to Lucas, "We've had some time, now. Now they're gonna start cooking us, the press is. When the funeral's over with, they're all gonna come back here, and we better have something besides horseshit."

Lucas had three messages: one from Catrin that said, "Please call before three," one from Del, and a last one from Sherrill. He called Sherrill first. She answered the cell phone, then said, "I'll call you back in fifteen seconds." In fifteen seconds, his phone rang, and Sherrill said, "I think you better come down here and talk with Jael."