The negotiator looked at Lucas and said, "We have established an element of trust between us."
"Oh, bullshit, he sounds like he's making the moves before we are," Lucas said. "You trust him, he doesn't trust you. Let me talk to him."
Rose Marie looked at the mayor, who shrugged. "I'm no expert," he said.
"Go ahead," said Rose Marie.
Lucas took the phone. "This is Lucas Davenport. I'm the guy who chased you with the Porsche, and I want you to know you messed up a perfectly good paint job."
"Tough shit. What do you want?"
"I want to come up to the gas station door and talk to you, away from this crowd. You're up there in a bulletproof booth, I can't hurt you, you can't hurt me, and you got the hostages. I just want to talk to you away from this crowd."
"About what?"
"About TV."
"What?"
"About all this TV. Give me two minutes. I won't come inside, I'll just stick my head in the door."
After a moment: "If this is a trick, I'll kill this lady."
"This is no trick. I'm just tired of all the bullshit," Lucas said.
He walked up to the station with his hands open, held at armpit level, stopped at the door, pushed it slowly open, then leaned inside.
"How are ya?"
"What, you're doing a Henry Fonda impression?"
"No. I just don't want anybody to get killed. Especially me."
"What do you want?"
"To work a couple of things out with you. First of all, you don't want to go to Cuba. You know what they do to you in Cuba? They put you in prison. Forever. The last guy who hijacked a plane down there hasn't been seen since 1972. They might be Commies, but they don't like criminals. They'll stick you into a wet drippy dungeon with a bunch of rats, and you'll wind up looking like the Count of Monte Cristo. Stillwater prison is a goddamned garden spot next to anything you'll get in Cuba."
"Maybe I'll take that chance," Scott said. Being the hard man, Lucas thought. Lucas could see him clearly through the glass: a thatch of straw-colored hair, a heavy, ruddy face, plastic-framed glasses, and the Coke coveralls.
"Look, you see all those cameras out there? What if I walk one of those cameras up here and let you make a statement to the world about what you were doing for Alie'e. Then we cut out all this Cuba bullshit and killing innocent people in front of TV cameras so everybody'll know you're an assholeand you just come in and tell us what happened to you. You'll have lawyers and everything. You'll be treated well."
"What channel?" Scott asked.
Lucas thought, Gotcha, and said, "Any channel you want. I'd recommend Channel Twenty-nine, because they play right into Fox, which has the best news department, as I'm sure you know."
"No, no. None of that Fox bullshit. Channel Three: that's CBS down here?" Scott asked.
"Yup."
"Lets talk to somebody from Channel Three, see what they say," Scott said.
Lucas walked back to the line.
"What's going on?" Rose Marie asked.
"We're talking," Lucas said. "I gotta go get some movie people."
He felt like he was plodding through knee-deep mud. He spotted Ginger House from Channel Three, with her cameraman, pointed at her, and gestured. She tapped herself on the chest, and Lucas nodded and shouted, "Bring your cameraman."
She trotted across the police line with the cameraman in tow, and other reporters began screaming in the background. Lucas said, "You will now owe me more than you can ever possibly repay."
"What?" She was a nice-looking redhead with freckles on her narrow nose.
"We're gonna walk up there, and the guy's gonna give us a statement, and then maybe something good'll happen."
"Is it dangerous?" she asked. She sounded reluctant.
"No, I don't think"
"You know what's dangerous, Ginger?" the cameraman asked. "What's dangerous is, if you turn this down, I swear to God I'll go back to the truck, get out my gun, and shoot you in the forehead. Every goddamn person in the world is gonna see us do this. We do this, we're gonna be movie stars."
"Or I'll be dead," she said.
"Hell, you're a second-string reporter in Minneapolis. That's the same thing as being dead anyway," the cameraman said.
She thought about it for a second, then said, "Okay." As they walked up to the gas station, she said to Lucas, "I don't have to blow you or anything for doing this?"
"Well, yeah, thatis part of the deal," Lucas said.
"Maybe I'll just describe what I would have done, and you can handle it yourself," she said, trying for a sweet smile; but she was shaking. "What do I say to him?"
"Fall back on your clichйs," Lucas said.
Lucas pushed the door open, said, "This is Ginger House, from Channel Three." The cameraman focused on Scott. Ginger said, "I'll have to come in there to do the introduction. I don't have a gun or anything."
"Better not be a trick," Scott said. "We got a TV, and it's tuned to Channel Three." He nodded at a small four-inch television sitting on a shelf inside the booth.
"I'm too nervous for any tricks," Ginger said, and her voice carried conviction. She stepped through the door, and then turned to face the camera, with Scott looming behind her through the bulletproof glass. The cameraman refocused on her; he whispered, "You're live."
Ginger said, "This is Ginger House. We're standing in an Amoco station off I-35W in Minneapolis, where Mr. Martin Scott is holding two hostages. Mr. Scott is suspected by Minneapolis police of involvement in the murders done in revenge for the Alie'e Maison killing last week. Mr. Scott has agreed to be interviewed exclusively for the Channel ThreeGood Morning show. How are you, Mr. Scott?" Smiling, she pivoted toward Scott, who smiled and said, "Well, Ginger, I'm pretty busy this morning, as you can see"
"Aw, Jesus," Lucas muttered to himself. He turned and looked back toward the growing crowd. He could hear the howling of the other TV people from where he was standing. "Jesus H. Christ."
They talked for ten minutes; and Scott wasn't bad, Lucas thought. He explained the killings cogently, and justified them. Plain had exploited her death by selling pictures of her naked the same night she was murdered; her parents had gotten her involved in dope and deviant sexuality in the first place; Spooner, of course, had actually killed Alie'e.
At the end of the interview, Ginger asked, "Could we just ask a question or two of the hostages?"
"Sure, go ahead."
The woman was named Melody. "We've been treated very well, better than I expected. Mr. Scott has been a gentleman," she said, with a slight unidentifiable accent. Then she did a little finger wave at the camera. The other hostage, a dark-haired young man named Ralph, said, "I just want to get out of here. I've got classes this morningwe've got a quiz."
As Ginger and the cameraman walked back across the gas pad to the police lines, the howling of the press seemed to swell again. Lucas leaned in the door. "So now you've had your airtime. Now if you kill anyone, they'll figure everything else was bullshit, and you were a phony all the time."
"I'm thinking," Scott said.
And the woman, Melody, said to Lucas, "Please, please get me out of here." And to Scott: "Please, let me go."
"I can't yet," Scott said. He looked at Lucas. "There oughta be more than this."
"There is no more than this, Martin," Lucas said. He gestured at the crowd, at the cameras. "You just spoke to the entire world."
"I don't know," he said. "There oughta be more."
Lucas sighed, looked around, then said, "All right. Maybe there is."
"What?"
"I'll be back."
He trudged back across the parking lot. Rose Marie said, "What?"
"We're getting there. It's like pulling a goddamn snail out of a shell." He spotted Jael and walked over to her. "I gotta ask you a favor."
They walked together toward the gas station, and Jael said, "I'm gonna wet my pants."
"That's good," Lucas said. "For six billion viewers, you're gonna wet your pants."
"Sort of a trip, isn't it?"
Lucas leaned in the door again. "Mr. Scott, I'm sure you know this young woman. You've been trying to kill her. She wants to apologize to you for any wrong she might have done to Alie'e, and in turn, she wants you to apologize for killing her brother, who she deeply loved."