Shivering, but not from cold, Ali climbed into the Cayenne and turned on the engine-and the heated seat. The she took her MP3 player out of her pocket and scrolled through the playlist.
She searched through the index until she found “Tell Me on a Sunday,” one of Andrew Lloyd Webber’s less well-known shows, but one Ali had seen on the trip to London with her mother and Aunt Evie.
It had been a one-woman show-ninety solid minutes of music masterfully sung by a former BBC television news presenter turned actress-the irony of that similarity wasn’t lost on Ali now. Nor was the similarity in content. The play had consisted of a litany of songs, telling the story of one heartbreaking romantic breakup after another.
“And here’s another one,” Ali said aloud as she turned on the music and headed for Flagstaff. There was one song in particular that hit her hard when one of the character’s supposed friends shows up eager to spill the beans about her partner’s latest indiscretion, to which she responds, “I knew before.”
But I didn’t, Ali thought. She had assumed that she and Paul had both been working hard on their careers, building something together. With that erroneous assumption now laid to rest, Ali wondered how much else in her life was little more than a mirage-smoke and mirrors and special effects. Unfortunately, she and the lady singing the songs about dashed hopes and dreams had all too much in common.
To an outsider it might well seem as though she had made up her mind to call a divorce attorney too hastily in the overwrought and emotionally charged atmosphere of having just heard about April and Charmaine. In actual fact, Ali had been thinking about just such an eventuality for a very long time, and well before her trip to London, which was one of the reasons the musical had affected her so much when she first heard it on stage. And now that it was time for Ali, too, to take action, she was surprised to find herself clearheaded, calm, and focused. She would deal with Paul and with the station’s firing her all in good time, but for the moment she would do what she had said she would do-she would be there for Reenie’s family for as long as needed.
The route to Flagstaff up through Oak Creek Canyon was only twenty-nine miles long, but with road crews out in force sanding the icy spots, it took Ali over an hour to arrive at Reenie and Howard Bernard’s unremarkable ranch-style house on Kachina Trail. It was a newer house, with one of those towering front-entry facades that had little to do with the rest of the house and everything to do with needing to use a ladder whenever it was necessary to change the bulb in the porch light.
The last time Ali had been to Reenie’s house had been Christmas two years ago. Back then the entire yard had been covered with a layer of new fallen snow and the whole place had been festooned with strings of red and green chili-shaped Christmas lights. There had been lights and decorations everywhere, including a beautifully decked-out ten-foot-tall tree in the middle of the living room window.
Ali parked behind a bright red Lexus with Arizona plates. There was snow in the yard this time as well, but it was several days old and turning gray. Near the corner of the front porch an armless, featureless snowman had dwindled away to sad, shapeless lumps. His forlorn appearance seemed a harbinger of what Ali could expect once she entered the house.
She was making her way up the icy sidewalk when a snowball flew past her ear and smacked harmlessly into the trunk of a nearby tree. Following the snow-ball’s trajectory, she went around to the side of the house where she found nine-year-old Matt, bare-headed and in his shirt-sleeves, forming another snowball in red, cold-roughened hands.
“Truce,” she called when she saw him. “It’s not fair to hit someone who’s unarmed.”
Matt dropped the snow in his hands and came toward her. In the past, he would have thrown himself enthusiastically into Ali’s arms. This time he approached her cautiously as if unsure of his welcome. He stopped several feet short of where Ali stood and observed her with a silent but penetrating look. “Did you hear about our Mom?” he asked.
Ali nodded. “Yes.” she said. “Yes, I did. Your Aunt Bree called me. That’s why I’m here.”
“What did she tell you?” he asked. Seeing the hurt in Matt’s eyes was almost more than Ali could stand. He was only nine-far too young to be carrying around this kind of heartbreak.
“She told me your mother died in a car wreck,” Ali said. “That the car she was driving went off Schnebly Hill Road in the middle of a snowstorm.”
“Dad said it was an accident,” Matt said after a pause. “But I read the newspaper. It said she probably killed herself. Do you think that’s true? Dad said she was sick-that she was starting to get sick-but she wouldn’t leave us like that, would she? I mean, if she killed herself, does that mean she didn’t love us anymore?”
Those were questions Ali could answer with absolute honesty. “I don’t think your mother would leave you on purpose, either,” Ali said. “She wasn’t like that. And of course she loved you, Matt. She loved you very much.”
“But if it isn’t true, how can the newspaper say it, then?” Matt asked.
By being irresponsible, Ali thought. “We have to let the investigators do their job,” she said. “So should the newspapers.”
“But what if Julie finds out?” Matt asked. “What if someone tells her?”
“I won’t,” Ali declared. “You don’t have to worry about me. I would never tell Julie anything of the kind.
Matt heaved a sigh of relief. He came to her then, leaning his small frame against her and letting Ali comfort him. He was cold, and his hands and feet were soaking wet. “You’re freezing,” she said. “We need to get you inside.”
“No,” Matt said. “Aunt Bree’s in there, braiding Julie’s hair. She’s not very good at it, and Julie keeps crying and crying. That’s how come I came outside-to get away. I didn’t want to listen anymore.”
“That’s understandable,” Ali said. “Let’s sit in the car, then. It’s warmer in there than it is out here.”
Nodding, Matt walked toward the Cayenne. Once inside, Ali had no idea what to say next. The last she had known, Howie Bernard had been soft-pedaling his wife’s disappearance in an effort to protect his children. That ruse wasn’t going to work much longer.
“If it wasn’t an accident, and if she didn’t kill herself, maybe it was something worse,” Matt said softly.
“ What do you mean worse?” Ali asked.
“The cops came by a little while ago and took Dad away. What if they arrest him?”
“Did they put handcuffs on him?” Ali asked.
“No, but they put him in the back of a cop car and everything. What if they think…”
Ali had uncovered another source for Matt’s pain.
“Don’t give that another thought,” Ali said. “I talked to one of the deputies down in Sedona. He said that officers up here would be talking to your father today, but I’m sure it’s nothing to worry about. Just routine questions. That’s what they do when someone dies. They ask questions. They try to find out who last saw the person who’s dead. They want to find out what was going on, whether or not anyone had had a disagreement.”
“A disagreement?” Matt asked.
“You know,” Ali said. “A quarrel. An argument.”
Matt turned his face away from Ali, but not before she caught sight of a single tear coursing down his cheek.
“Had there been an argument?” Ali asked.
Without answering, Matt shook his head and then angrily swiped the tear away with the back of his hand. Before Ali could ask anything more, there was a sharp rap on the passenger window next to Matt’s head. When Ali looked past him, all that was visible through the steamy glass was a distorted masklike face. As soon as Ali rolled down the window, Bree Cowan’s face came into view, her features distorted by a fit of anger-or worry.