The speaker was a housewife who used to drink herself into a stupor while her husband was at his office and the kids were at school. She told how her kid would find her passed out on the kitchen floor and she convinced him it was a yoga exercise to help her back. Everybody laughed.
When it was my turn I said, "My name is Matt. I'll just listen tonight."
Kelvin Small's is on Lenox Avenue at 127th Street. It's a long narrow room with a bar running the length of it and a row of banquette tables opposite the bar. There's a small bandstand all the way at the back, and on it two dark-skinned blacks with close-cropped hair and horn-rimmed sunglasses and Brooks Brothers suits played quiet jazz, one on a small upright piano, the other using brushes on cymbals. They looked and sounded like half of the old Modern Jazz Quartet.
It was easy for me to hear them because the rest of the room went silent when I cleared the threshold. I was the only white man in the room and everybody stopped for a long look at me. There were a couple of white women, seated with black men at the banquette tables, and there were two black women sharing a table, and there must have been two dozen men in every shade but mine.
I walked the length of the room and went into the men's room. A man almost tall enough for pro basketball was combing his straightened hair. The scent of his pomade vied with the sharp reek of marijuana. I washed my hands and rubbed them together under one of those hot-air dryers. The tall man was still working on his hair when I left.
Conversation died again when I emerged from the men's room. I walked toward the front again, walked slowly and let my shoulders roll. I couldn't be sure about the musicians, but aside from them I figured there wasn't a man in the room who hadn't taken at least one felony bust. Pimps, drug dealers, gamblers, policy men. Nature's noblemen.
A man on the fifth stool from the front caught my eye. It took a second to place him because when I knew him years ago he had straight hair, but now he was wearing it in a modified Afro. His suit was lime green and his shoes were the skin of some reptile, probably an endangered species.
I moved my head toward the door and walked on past him and out. I walked two doors south on Lenox and stood next to a streetlamp. Two or three minutes went by and he came on out, walking loose-limbed and easy. "Hey, Matthew," he said, and extended his hand for a slap. "How's my man?"
I didn't slap his hand. He looked down at it, up at me, rolled his eyes, gave his head an exaggerated shake, clapped his hands together, dusted them against his trouser legs, then placed them on his slim hips. "Been some time," he said. "They run out of your brand downtown? Or do you just come to Harlem to use the little boy's room?"
"You're looking prosperous, Royal."
He preened a little. His name was Royal Waldron and I once knew a black cop with a bullet head who rang changes through Royal Flush to Flush Toilet and called him The Crapper. He said, "Well, I buy and sell. You know."
"I know."
"Give the folks an honest deal and you will never miss a meal. That's a rhyme my mama taught me. How come you uptown, Matthew?"
"I'm looking for a guy."
"Maybe you found him. You off the force these days?"
"For some years now."
"And you lookin' to buy something? What do you want and what can you spend?"
"What are you selling?"
"Most anything."
"Business still good with all these Colombians?"
"Shit," he said, and one hand brushed the front of his pants. I suppose he had a gun in the waistband of the lime green pants. There were probably as many handguns as people in Kelvin Small's. "Them Colombians be all right," he said. "You just don't ever want to cheat them is all. You didn't come up here to buy stuff."
"No."
"What you want, man?"
"I'm looking for a pimp."
"Shit, you just walked past twenty of 'em. And six, seven hoes."
"I'm looking for a pimp named Chance."
"Chance."
"You know him?"
"I might know who he is."
I waited. A man in a long coat was walking along the block, stopping at each storefront. He might have been looking in the windows except that you couldn't; every shop had steel shutters that descended like garage doors at the close of business. The man stopped in front of each closed store and studied the shutters as if they held meaning for him.
"Window shopping," Royal said.
A blue-and-white police car cruised by, slowed. The two uniformed officers within looked us over. Royal wished them a good evening. I didn't say anything and neither did they. When the car drove off he said, "Chance don't come here much."
"Where would I find him?"
"Hard to say. He'll turn up anyplace but it might be the last place you would look. He don't hang out."
"So they tell me."
"Where you been lookin'?"
I'd been to a coffee shop on Sixth Avenue and Forty-fifth Street, a piano bar in the Village, a pair of bars in the West Forties. Royal took all this in and nodded thoughtfully.
"He wouldn't be at Muffin-Burger," he said, "on account he don't run no girls on the street. That I know of. All the same, he might be there anyway, you dig? Just to be there. What I say, he'll turn up anywhere, but he don't hang out."
"Where should I look for him, Royal?"
He named a couple of places. I'd been to one of them already and had forgotten to mention it. I made a note of the others. I said, "What's he like, Royal?"
"Well, shit," he said, "He a pimp, man."
"You don't like him."
"He ain't to like or not like. My friends is business friends, Matthew, and Chance and I got no business with each other. We don't neither of us buy what the other be sellin'. He don't want to buy no stuff and I don't want to buy no pussy." His teeth showed in a nasty little smile. "When you the man with all the candy, you don't never have to pay for no pussy."
One of the places Royal mentioned was in Harlem, on St. Nicholas Avenue. I walked over to 125th Street. It was wide and busy and well lit, but I was starting to feel the not entirely irrational paranoia of a white man on a black street.
I turned north at St. Nicholas and walked a couple of blocks to the Club Cameroon. It was a low-rent version of Kelvin Small's with a jukebox instead of live music. The men's room was filthy, and in the stall toilet someone was inhaling briskly. Snorting cocaine, I suppose.
I didn't recognize anyone at the bar. I stood there and drank a glass of club soda and looked at fifteen or twenty black faces reflected in the mirrored back bar. It struck me, not for the first time that evening, that I could be looking at Chance and not knowing it. The description I had for him would fit a third of the men present and stretch to cover half of those remaining. I hadn't been able to see a picture of him. My cop contacts didn't recognize the name, and if it was his last name he didn't have a yellow sheet in the files.
The men on either side had turned away from me. I caught sight of myself in the mirror, a pale man in a colorless suit and a gray topcoat. My suit could have stood pressing and my hat would have looked no worse if the wind had taken it, and here I stood, isolated between these two fashion plates with their wide shoulders and exaggerated lapels and fabric-covered buttons. The pimps used to line up at Phil Kronfeld's Broadway store for suits like that, but Kronfeld's was closed and I had no idea where they went these days. Maybe I should find out, maybe Chance had a charge account and I could trace him that way.
Except people in the life didn't have charges because they did everything with cash. They'd even buy cars with cash, bop into Potamkin's and count out hundred dollar bills and take home a Cadillac.