His mind, distracted by the disappearance of one of his two friends in the world, was able to refocus on what had been his priority for the last few months. Now that she was safe, his thoughts were locked obsessively on the completion of his tower.
Many of the reasons for his obsession with rebuilding the instrumentality that had once been housed in the mountain peak of Gurgus were lodged in the past. But the most important one was the future.
The pounding of the horse’s hooves was a tattoo that drove extraneous thoughts away. The Panjeri glass artisan I hired in Sorbold has had a good deal of time to make progress on the Lightcatcher; the ceiling of the tower must be complete by now, the king thought, ruminating on what Gurgus would look like when restored. A full circle of colored glass panes, seven in all, each precisely fired to the purest hues of the spectrum, the mountain peak would soon hold a power that would aid him in his life’s mission.
Keeping the Sleeping Child safe from the F’dor, fire demons that endlessly sought to find her.
From the time he had begun the undertaking of building the tower, the Firbolg king’s mind had known even less peace than usual. His obsession was coupled with uncertainty; he was by training and former trade an assassin, a murderer, an efficient killer who had for centuries plied his trade alone, choosing only the contracts that interested him, or that he felt warranted his attention. Life and circumstance had taken him from an old land, his birthplace, now dead and gone beneath the waves of the sea, and deposited him here, in this new and uncertain place, where he had put his skills to good use, seizing control of the loose, warlike tribes of mountain-dwelling mongrels, forging a ragged kingdom of demi-humans. Under his hand, with the help of his two friends, he had built them into a functioning nation, a realm of silent strength and resolute independence. Now he was a king. And he was still a skilled killer.
What he was not was an engineer.
When he had discovered the plans for the Lightcatcher buried deep in the vault of the kingdom he now ruled, once a great civilization fallen into ruin by its own folly, he had broken into a gray sweat. He could not read the writing on the ancient parchment; it was drafted in a tongue that had been old when his long-dead homeland was still young. As a result, he could not be certain of the specifications of the drawings, of the directions to build the instrumentality, and, more important, of what its powers were. He only knew he recognized in the detailed renderings something he had known in the old world as an apparatus of unsurpassed power, a device that had held an entire mountain range invulnerable from the same evanescent demons that were now seeking the Earthchild he guarded.
That device had apparently been duplicated here long ago.
From that moment on it had become a challenge to rebuild it. For the first time in his life he’d had to rely on outside help, on expertise other than his own, to fashion something that was part weapon, part scrying device, part healing instrumentality. And it was being done in secret, in the hope that he was not being betrayed or misled. Achmed did not really believe in hope, and therefore had suffered mightily, plagued with doubt and worry mixed with the burning belief that this apparatus, and this apparatus alone, would be able both to make his kingdom invulnerable to the invaders he knew would someday come, bent on its destruction, and, far more important, to help him protect the Sleeping Child from those invisible monsters that endlessly sought to find her.
One of his two friends in the world was a Lirin Namer, schooled in the music of words, ancient lore, and the dead language of the drawings. She had been disquieted by the depth of the magic she saw in the renderings, had implored him not to meddle in matters he didn’t fully understand, but in the end her loyalty to and love for him had won out over her reservations, and she had given him a brief translation of one of the documents, at his insistence. It had contained a poem, a riddle really, and the schematic of the color spectrum, along with the power each color held.
He chanted them to himself now as he rode, trying to commit them more naturally to his memory, and finding that the words refused to remain there. He had never been able to recall the words in the ancient tongue; he could retain only the color translations, only for a short while, and only by concentrating resolutely. Even then, he was still uncertain of them, as if some innate magic within them was refusing him right of entry.
Red—Blood Saver, Blood Letter, he thought, trying to employ the techniques of visualizing the words that Rhapsody, the Namer, had taught him. That one, at least, was easy for him to recall. Orange—Fire Starter, Fire Quencher. He was fairly certain of that one as well. Yellow—Light Bringer, Light . . . Queller? His mind faltered. Damnation. I can’t remember.
But soon it would not matter. He had finally found a glass artisan in the neighboring kingdom of Sorbold, a Panjeri master from a tribe known the world over for their expertise in molding the sand of the desert and the ashes of wood into the most exquisite of glass, capturing rainbows in a solid yet translucent form to adorn the windows of temples and of crypts. He had given her free rein, under the eye of Omet, his head craftsman, to move ahead with the firing and inlay of the glass ceiling of Gurgus, which, once finished and outfitted with the other pieces of the apparatus, would become the Lightcatcher. He had even dared to look forward to that being completed by the time of his return.
So it was with more than a little shock moving to unbridled fury that he dragged his hapless mount to a halt upon discovering the rainbow grit that was scattered across the Krevensfield Plain at the foothills of his kingdom.
Achmed dismounted slowly, his considered movements mirroring the motion of the reptile he had received a nickname from. He walked in measured steps to a place where the layer of colorful glass powder was somewhat thicker, crouched down, and scooped some of the tiny shards up in his perennially gloved fingers. The glass was little more than dust, but it still contained the unmistakable colors that he had seen being fired when he left home some weeks back.
Achmed sighed deeply.
“Hrekin,” he swore aloud.
He glanced up from his crouch to the multicolored peaks of the Teeth, where he reigned over the Firbolg hordes in what was known in their tongue as the kingdom of Ylorc. Gurgus, the peak in which the colored windows had been inlaid, was deeper in, past the guardian ring of mountains at the edge, so it was impossible to see what had befallen his tower from this distance. He could, however, see that the guard tower of Grivven, one of the westernmost and highest peaks, was still standing.
At least the entire bloody kingdom didn’t blow to bits while I was gone, he thought ruefully. I suppose I should be grateful.
He tossed the glass powder angrily behind him, mounted, and urged his horse into a steady canter, growing more irate with each breath of the wind that poured over his face as he rode.
Sergeant-Major Grunthor, commander of the united Firbolg forces and Achmed’s only other friend in the world, was directing a massive reconstruction that had clearly been under way for quite some time when the king returned to the mountain. As Achmed strode down the interior mountain corridor leading to the former entrance to Gurgus, he could hear the Sergeant bellowing commands to the workers, his voice occasionally straining with exertion as he moved massive broken pieces of earth himself.