At this point Ellery made a mental note to find out more about Evanston; because all that Shelley said was, “Then I’d better get back. Jimmy will be needing that twenty thousand and he won’t find it in his socks because I hid it in the apartment in a safer place. Thanks, Mr. Queen. I’ll take care of this myself.”
And she would have done so, Ellery felt sure, had not a coal-truck driver ruled otherwise. As Ellery handed Shelley Browne into a taxi the truck careened to avoid a pedestrian and crashed into the cab. The truck driver blubbered, the cab driver raged, and the cover girl lay in a broken heap on the taxi floor. The ambulance doctor said it was concussion and possible internal injuries; he looked grim. Ellery felt a sudden gripe of responsibility; he knew Big T. So he stooped over her and he said, distinctly, “I’ll follow through, Shelley. Just tell me where you hid Jimmy’s nest-egg.” Shelley whispered back, “In a book,” and then her crème de violette eyes turned over and the ambulance took her away.
Later that day Jimmy Browne stumbled from his wife’s room at Floral Hospital into Ellery’s embrace.
“They won’t know for hours, Queen.” He was haggard, blackly boyish. “She’s still unconscious.”
“And it’s 3:07,” mused Ellery. Jimmy had dropped twenty-seven Gs to Big T, he had had with him only seven Gs in cash, and Big T had politely requested the balance by 6 P.M. “We’d better start looking for those two ten-thousand-dollar bills.”
“Queen, she’s going to die.”
“Not necessarily, but you’re a sure thing. Big T lives by the code, and you know the sub-paragraph on welshers. Come on.”
As they trotted down the hospital corridor Jimmy promised, “Queen, if Shelley and I pull out of this I swear I’ll quit the racket for good. I won’t even play Bingo. So help me, I’ll get a job! Where did Shelley say she hid that dough?”
“In a hook.”
“Book?” Jimmy stopped. “In our apartment?”
“That’s what she told me.”
“Why, we just took the joint. There isn’t a book in it!”
To deteriorate matters, they reached the doorway of the Browne suite at L’Aiglon Towers to find Cookie Napoli’s back wedged into it. Cookie Napoli was the size and shape of a Macy’s Thanksgiving Parade balloon and his affection for sweetmeats and mayhem was legend in Manhattan’s sinks.
“What’s the matter, Moby Dick?” snarled Jimmy. “Doesn’t Big T trust me?”
“Believe it or not,” said Cookie, probing among his massive molars for a fragment of fig newton, “I’m just waitin’ for a payoff.”
“3:29,” muttered Mr. Queen; and he followed The Boy Wonder and Big T’s emissary into an apartment all squares and curves and violent pastels, furnished with pieces of vast rhomboidal furniture and elegantly bespattered with art, from Picasso-and Archipenko-type abstractions to a grand piano of steel tubing.
But of literature no sign. Ellery scowled at the bookshelves. He had visualized a young wife defending herself against mental torture during those three husbandless days by buying stacks of murder mysteries or such, but apparently Shelley had not escaped by this route. The shelves were mighty and might have borne the world’s weight of printed wisdom, but they were merely crammed with souvenirs. In the lunacy of their honeymoon Jimmy had lavished on his cover girl all the wealth of the tourist Indies and beyond — bazaar brassware, a teakwood Sacred Cow, a carnelian camel from Djibouti, Chinese old-men ivories, a jade Buddha, a Tibetan prayer-wheel, a Grecian urn, a Tyrolean bride in metal bas-relief attached to the back of a felt-bottomed marble base, a plaster miniature of the Colosseum, a china shepherd and shepherdess from Dresden...
“Don’t bother with that stuff,” cried Jimmy, crawling around inside the amphitheatre of the imitation Italian fireplace. “She said a book.”
“I know what she said,” mumbled Ellery; but while Cookie devoured half a dozen ladyfingers he examined each objet d’amour painstakingly to convince himself that no crevice or secret recess concealed the two images of Secretary Chase.
Afterward, Ellery looked thoughtful. He removed his jacket.
At 4:06 the eminent sleuth raised a dusty nose to announce: “There is positively no book in this apartment, not so much as a memo or telephone book. And there are no ten-thousand-dollar bills, either. Still, Shelley said...” And he threw himself on the sofa and closed his eyes...
“No change yet,” said Jimmy Browne hollowly, dropping the telephone. Cookie reached into his bulging pocket and Jimmy blanched. But the flipper came out clutching a bag of coconut macaroons.
At 4:31 Ellery raised his head from the angular couch on which he labored. “I’ve decided,” he said, “that something is missing in this room.”
“Sure, twenty grand. Stop munching, you cow!”
At 4:53 the telephone screamed. Cookie almost dropped a Nabisco. It was the hospital. Mrs. Browne was still unconscious, but the prognosis was suddenly good. She would live. Jimmy promised again. “But what good will a dead husband do her? Queen, I was leveling — I’ll look for that job.” Wildly he eyed the door. “Just find my dough!”
“Big T’s dough, I believe,” said Cookie courteously, and when his hand emerged this time it grasped an inedible roscoe, which he began to examine with earnestness.
And then, at 5:13, Ellery sprang from his bed of pain. “I was right!”
“About what?”
“There is something missing in this room, Jimmy. Now I know where Shelley hid those bills!”
Challenge to the Reader: You now have all the facts... Where did Shelley hide the two $10,000 bills?
“Jimmy,” said Ellery, “certain things are inseparable. Shoes, for instance. Lovebirds.” He took Shelley’s Tyrolean bride from the bookshelf; the marble base was heavy and he hefted it smilingly. “What was missing was this bas-relief lady’s husband. Whoever heard of a bride without a groom?”
Jimmy stared. “Say. There were a pair. But where’s the other one?”
Ellery hefted the little lady again and then he hurled her, straight and true, at Cookie Napoli, who was thoughtfully edging toward the door. The Tyrolean bride caught Big T’s trigger-man on the chin; Cookie landed on the floor, Jimmy landed on Cookie, and Ellery landed on the roscoe. “When we found Cookie outside your door we assumed he was waiting. Actually, he was leaving. But he had to brazen it out... Ah, a sack of fudge squares, and what’s this in his other pocket? The missing bridegroom. Felt’s loose, metal bas-relief is hollow, and I believe — yes — you’ll find your ten-thousand-dollar bills inside. Cookie heard us coming and pocketed the works for future reference.”
“But she said... Shelley said—” Mr. Browne spluttered as he tore at the shell of the metal bridegroom “—Shelley said she hid it in a book.”
“Bas-relief — meaning a flat back — attached to a marble base with a felt bottom — and they come in pairs. Poor Shelley passed out before she could finish her sentence. What your wife meant to say,” said Mr. Queen, grasping the roscoe more firmly as Cookie stirred, “was ‘In a bookend’.”
W. Somerset Maugham
The Happy Couple
In the prologue of the motion picture called “Quartet” based on four of his own short stories, W. Somerset Maugham spoke these lines: “In my twenties the critics said I was brutal, in my thirties they said I was flippant, in my forties they said I was cynical, in my fifties they said I was competent, and then in my sixties they said I was superficial. I have gone my way, with a shrug of the shoulders, following the path I have traced, trying with my work to fill out the pattern of life that I have made for myself...”