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The stovewood was stacked close by the steps. The hatchet lay on top of the pile, its blade catching the light. She smiled.

When her hand closed around the wooden handle, she knew at last what the thing in her hand was...

When it was over and all the people came — the police, the doctors, the neighbors — she was the only one who remained calm. But she was very puzzled. They kept putting their horror-struck faces close to hers and calling her “Ruth.”

Why were they doing this? To confuse her, perhaps. To make her confess.

But she gave them no satisfaction. She sat very stiffly in her chair, her hands folded in her lap. She knew how to be careful. Very, very careful.

At last one of the doctors came to her and took her bloodstained hand in his.

“Ruth...”

She turned to him and with her free hand smoothed the wrinkles from her invisible skirt.

“Why do you call me that? Surely you know my name.”

“No.” The doctor’s hand was cold and trembling. “I don’t know your name. Please tell me what it is.”

Poor fool! She straightened and took her hand from his.

“I’m Miss Borden, of course,” she said. “Miss Lizzie Borden.”

A Type of Murder

by Dorothy A. Collins[18]

Department of Second Stories

Dorothy A. Collins’ first story,Found on the Cookbook Shelf,” appeared in the October 1978 issue of EQMM. Since her first sale and her debut in print she has been working hard, and her second published story shows much more confidence with the form and a much more imaginative approach to plot. Carry on, Dorothy Collins, let nothing impede your progress...

Uncle Avery wrote Gothic mysteries. I thought they were dreadful things, but the public gobbled them up like hamburgers, and he made a fortune out of them. Unhappily, success soured him, because it wasn’t the kind of success he really wanted. But the money kept rolling in, so he kept churning out his tales of maidens-in-distress, and growing meaner and more embittered every year.

I was his housekeeper-and-secretary. He’d offered me the job when my husband died, and I grabbed it like a lifeline. He was my father’s brother, and outside of a few scattered cousins I was his only relative. Naturally I had great expectations, and I thought that besides latching onto a job I really needed, and a good one at that, I could reinforce my position by taking good care of him. And at first it wasn’t too bad.

He was just starting his fifteenth Avis Crystal bestseller at that time, and was still enjoying the fruits of his pedestrian labors, which included a mansion on ten acres of lush woodland, a couple of expensive cars, a cook, and a gardener. So all around it was a nice setup for me. I kept the house running smoothly, typed up his rough drafts, handled his correspondence, and encouraged him to write the G.A.N. But Great American Novels are written by great American writers, and I found out pretty quickly that Avery Curtis wasn’t one of those and never would be. And after a few more years he apparently came to the same conclusion, because his disposition, none too pleasant to begin with, took a turn for the worse, and he started to drink heavily.

I took the brunt of his ill-nature, and it wasn’t long before I stopped merely tolerating him and began to actively loathe him. And to wish him dead. Not at some indefinite when-the-time-comes date, but soon. Very soon.

I knew I was his sole beneficiary, because over the past years, when he’d come to depend heavily on me, he used the inheritance bait as a lever to keep me with him. But at 68, in spite of his excessive drinking and smoking, he was in good physical shape, and I could see the years stretching ahead, with me getting older and Uncle Avery getting meaner, and any way you looked at it, it was an ugly picture.

So when I came into his study one afternoon and found that short paragraph on top of the other typed sheets of yellow copy paper, the idea started forming with the gathering momentum of an avalanche.

Because, you see, that paragraph of Gothic prose was a perfect suicide note. Absolutely perfect.

And the conditions were perfect, too. I glanced over at Uncle Avery, snoring loudly on the couch, off on another of his monumental benders. He was out for the count. And Mrs. Herman, the cook, was off for the day. Uncle Avery and I were alone in the house.

First of all, although my fingerprints were all over the place, I realized I couldn’t superimpose them over his. So I went into the kitchen and got a pair of thin plastic utility gloves.

Then I went back and re-read the paragraph:

I can’t face any more of this. I thought life had so much more to offer me, but it’s become a travesty — meaningless, empty. I can see no reason for going on with it. I’m sorry, sorry for everything.

As I said, absolutely perfect, especially considering Uncle Avery’s situation and state of mind, which I’d be sure to reveal in full. I looked at the sheets underneath and saw that it was supposed to be stream of consciousness — the heroine mooning about her trouble and turmoil — and wondered why he’d taken it out of the machine with the page unfinished. Probably to crush it and throw it away, except that the need for a drink intervened. Well, I’d roll it back in, first making sure to destroy the preceding few pages so there’d be no continuity to give anything away. Fortunately he didn’t number the rough-draft pages, which used to annoy me, but now it worked in my favor.

Of course they might suspect that I’d typed the note myself, but only his fingerprints would be on the keys and on the paper, and I was pretty sure there was some way they could tell about different styles of typing — pressure and touch, or some such thing. So that was all right.

I went upstairs and got his vial of sleeping capsules. I had no idea how many would constitute a lethal dose, but I knew they were deadly in combination with alcohol, and he was sodden right now. I emptied all ten of them into a large glass, filled it halfway with Scotch, stirred it until the powder was dissolved, and added ice. I tasted it with a teaspoon and spat it out into the sink. It didn’t taste of anything but straight Scotch. I made a drink for myself, put both glasses on a tray with some ice and the Scotch bottle, and carried it into the study.

I set down the tray and brought the phone over to the couch.

“Uncle Avery.” I shook his shoulder. “ Avery. Telephone. Ed Grimes.”

He came awake slowly — surly, befuddled, and belligerent.

“Telephone,” I shouted. “Ed Grimes — your agent.” I held out the receiver.

“Hell with’m,” he muttered. “Call’m back.”

Well, that was easier than telling him Grimes would get tired of waiting and hang up. I replaced the receiver and helped him to a sitting position.

“I made us drinks,” I said. “We’ll be eating in half an hour.” I handed him the glass.

“My God, I’m thirsty.”

I watched as he drained the glass. And then, unaccountably, I started to go to pieces. I did it, I thought, my heart pounding. It’s done. He’s finished. I needed a drink badly now, and I reached for my glass, my hand shaking so badly that I had trouble getting it to my mouth.

Uncle Avery didn’t notice.

“Make me another one, like a good girl,” he mumbled.

But I wanted that glass the way it was, with the dregs of the powder in it. So I said, “All right, but let’s get you comfortable first.” I heaved him back into a lying position, and within a few moments he was snoring again. I wanted another drink myself, but I knew I had to keep my head clear. I put on the plastic gloves and wiped off his glass and pressed his fingers around it several times. I did the same with the vial of sleeping pills, and put both of them on the floor next to the couch. I rolled the “suicide note” into the typewriter and peeled off the top five pages of the manuscript draft for burning.

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18

© 1979 by Dorothy A. Collins.