it is utterly ancient. In the Orient it is innate to every man. Perhaps it is what first distinguished humans as a species, after the interval when they were part human, part animal … “According to current wisdom, being human began with the opposable thumb, which made it possible to pick up a weapon or a tool. But perhaps being human begins with the soul and not the thumb. I don’t know … The Arab slaughtered the lamb, and as he did so, this old man in his white burnous, which remained unspotted by blood, was like an oriental high priest performing the sacrifice. His eyes gleamed, for a moment he was young again, and all around him there was absolute silence. They sat around the fire, they watched the act of killing, the flash of the knife, the twitching of the lamb, the jet of blood, and their eyes gleamed also. And then I realized that these people are still intimately familiar with the act of killing, blood is something they know well, and the flash of the knife is as natural to them as the smile of a woman, or the rain. We understood-and I think Krisztina did, too, because at that moment she was seized with emotion, she blushed, then went white, breathed with difficulty, and turned her head away, as if she were witness to some passionate encounter-we understood that people in the East still retain their knowledge of the sacred symbolism of killing and its inner spiritual meaning. These dark, noble faces were all smiling, they pursed their lips and grinned in a kind of ecstasy as they watched, as if the killing were a warm, happy event, like an embrace. Curious, that in Hungarian our words for killing and embracing echo and heighten each other. 1
“Well, of course we are westerners,” he says in another voice, sounding suddenly professional. “Westerners, or at least immigrants who settled here. For us, killing is a question of law and morality, or medicine, at any rate a sanctioned or prohibited act that is very precisely delineated within our system of thought. We kill, too, but in a more complicated way; we kill according to the dictates and authorization of the law. We kill to protect high principles and important human values, we kill to preserve the social order. It cannot be any other way. We are Christians, we have a sense of guilt, we are the product of Western civilization. Our history, right up to the present, is filled with mass murder, but whenever we speak of killing, it is with eyes lowered and in tones of pious horror; we cannot do otherwise, it is our prescribed role. There is only the hunt,” he says, suddenly sounding almost happy.
“Even then, we observe rules that are both chivalrous and practical, we protect the game according to the demands of the situation in any particular area, but the hunt is still a sacrifice, a distorted residue of what can still be recognized as a ritual that once formed part of a most ancient religious act. It is not true that the huntsman kills for the prize. That has never been the case, not even in prehistoric times, when hunting was one of the few ways to obtain food. The hunt was always surrounded by religious tribal ritual. The good huntsman was always the leader of his tribe and also in some fashion a priest. Over the course of time, all that has naturally faded, but even in their faded form, the rituals are still with us. In my whole life I think I have loved nothing so much as the first light of dawn on the day of a hunt. You get up in darkness, you put on clothes quite different from those you wear every day, and clothes that have been selected for a purpose, in a lamplit room you eat a breakfast that is quite different from the usual breakfast: you fortify your heart with schnapps and e at a slice of cold meat with it. I loved the smell of hunting clothes; the felt was impregnated with scents of the forest, the leaves, the air and blood, because you had hung the birds you had shot from your belt, and their blood had dirtied the jacket. But is blood dirty? … I don’t believe so.
It is the most noble substance in the world, and in all eras the man who wished to say something inexpressibly grand to his God made a blood sacrifice. And the oily, metallic smell of the gun. And the raw, sour smell of the leather. I loved all of it,” he says, sounding suddenly like an old man and almost ashamed, as if admitting to a weakness. ‘~d then you step out of the house, your hunting comrades are already waiting, the sun isn’t up yet, the gamekeeper is holding the dogs on the lead and gives a murmured report on the events of the previous night.
You take your place in the shooting brake, and it starts to move. The countryside is beginning to stir, the forest stretches and rubs its eyes sleepily. Everything smells so clean, as if you have entered another homeland that existed once before, at the beginning of the world. The brake comes to a halt at the edge of the forest, you get out, your dog and your gamekeeper follow you silently. The wet leaves under the soles of your boots make almost no noise. The clearings are full of animal tracks. Now everything is coming to life around you. The light lifts and opens the roof of sky over the forest, as if the secret mechanism in the rigging-loft of a fairy-tale theater has begun to function. Now the birds are beginning to sing and a deer crosses the forest path a long way ahead, about three hundred paces in front of you. You pull back into the undergrowth, and watch … The animal stands stilclass="underline" it cannot see you, it cannot smell you because the wind is in your face, and yet it knows that its fate is awaiting it somewhere close. It lifts its head, turns its delicate neck, its body tenses, for a few moments it stands motionless, rooted to the spot, the way o the can be paralyzed by the inevitable, absolutely helpless, because one knows that the menace is no accidental piece of bad luck but the necessary consequence of incalculable and incomprehensible circumstances. Now you are already regretting that you are not carrying a cartridge pouch. You, too, stand frozen to the spot in the undergrowth; you, too, are bound inextricably to the moment; you, the huntsman. And you feel the tremor in your hands that is as old as man himself, you prepare for the kill and feel the forbidden joy, the strongest of all passions, the urge, neither good nor evil, that is part of all living creatures: the urge to be stronger, more skilled than your opponent, to preserve your concentration, to make no mistakes. The leopard feels it as he tenses for the spring, the snake feels it as she rears to strike among the rocks, the falcon feels it in his plummeting dive, and a man feels it when he has his quarry in his sights. And you felt it, Konrad, perhaps for the first time in your life, when you shouldered your gun and took aim, intending to kill me.”
He bends over the little table that stands between them in front of the fireplace. He pours himself a sweet liqueur in a tiny glass and tests the surface of the crimson, syrupy liquid with the tip of his tongue, then, satisfied, sets the glass back down on the table again.
Chapter 14
It was still dark,” he says, when the other man makes no reply, puts up no defense, gives no sign with a movement of the eye or hand that he has heard the accusation. “It was the moment that separates night from day, the underworld from the world above. And perhaps other things separate themselves out, too. It is the last second, when the depths and heights, the dark and the light, of the world and of men still brush against each other, when sleepers waken with a start from troubling dreams, when the sick begin to groan because they sense that the nightly hell is nearing its end and now the more distinct pain will begin again. Light and the natural ordering that accompanies the day will separate and tease out the layers of desire, the secret longings, the twitches of excitement that had been tangled in the darkness of the night. Both huntsmen and their game love this moment. It is no longer dark, it is not yet light.