Emily felt herself all at sea. She thought she really must be dreaming. Was this incredible woman Aunt Ruth? It couldn't be Aunt Ruth. Emily was up against one of the contradictions of human nature. She was learning that you may fight with your kin... disapprove of them... even hate them, but that there is a bond between you for all that. Somehow, your very nerves and sinews are twisted with theirs. Blood is always thicker than water. Let an outsider attack... that's all. Aunt Ruth had at least one of the Murray virtues... loyalty to clan.
"Don't worry over Jim Hardy," said Aunt Ruth. "I'll soon settle him. I'll teach people to keep their tongues off the Murrays."
"But Mrs. Tolliver has asked me to let her cousin take my stall in the bazaar," said Emily. "You know what that means."
"I know that Polly Tolliver is an upstart and a fool," retorted Aunt Ruth. "Ever since Nat Tolliver married his stenographer, St. John's Church hasn't been the same place. Ten years ago she was a barefooted girl running round the back streets of Charlottetown. The cats themselves wouldn't have brought her in. Now she puts on the airs of a queen and tries to run the church. I'll soon clip HER claws. She was pretty thankful a few weeks ago to have a Murray in her stall. It was a rise in the world for HER. Polly Tolliver, forsooth. What is this world coming to?"
Aunt Ruth sailed upstairs, leaving a dazed Emily looking at vanishing bogies. Aunt Ruth came down again, ready for the warpath. She had taken out her crimps, put on her best bonnet, her best black silk, and her new sealskin coat. Thus arrayed she skimmed uptown to the Tolliver residence on the hill. She remained there half an hour closeted with Mrs. Nat Tolliver. Aunt Ruth was a short, fat, little woman, looking very dowdy and old-fashioned in spite of new bonnet and sealskin coat. Mrs. Nat was the last word in fashion and elegance, with her Paris gown, her lorgnette and her beautifully marcelled hair... marcels were just coming in then and Mrs. Nat's was the first in Shrewsbury. But the victory of the encounter did not perch on Mrs. Tolliver's standard. Nobody knows just what was said at that notable interview. Certainly Mrs. Tolliver never told. But when Aunt Ruth left the big house Mrs. Tolliver was crushing her Paris gown and her marcel waves among the cushions of her davenport while she wept tears of rage and humiliation; and Aunt Ruth carried a note in her muff to Mrs. Tolliver's "Dear Emily," saying that her cousin was not going to take part in the bazaar and would "Dear Emily" be so kind as to take the stall as at first planned. Dr. Hardy was next interviewed, and again Aunt Ruth went, saw, conquered. The maid in the Hardy household heard and reported one sentence of the confab, though nobody ever believed that Aunt Ruth really said to stately, spectacled Dr. Hardy,
"I know you're a fool, Jim Hardy, but for heaven's sake pretend you're not for five minutes!"
No, the thing was impossible. Of course, the maid invented it.
"You won't have much more trouble, Emily," said Aunt Ruth on her return home. "Polly and Jim have got their craws full. When people see you at the bazaar they'll soon realise what way the wind blows and trim their sails accordingly. I've a few things to say to some other folks when opportunity offers. Matters have come to a pretty pass if decent boys and girls can't escape freezing to death without being slandered for it. Don't you give this thing another thought, Emily. Remember, you've got a family behind you."
Emily went to her glass when Aunt Ruth had gone downstairs. She tilted it at the proper angle and smiled at Emily-in-the-Glass... smiled slowly, provocatively, alluringly.
"I wonder where I put my Jimmy-book," thought Emily. "I must add a few more touches to my sketch of Aunt Ruth."
CHAPTER 22. "LOVE ME, LOVE MY DOG"
When Shrewsbury people discovered that Mrs. Dutton was backing her niece, the flame of gossip that had swept over the town died down in an incredibly short time. Mrs. Dutton gave more to the various funds of St. John's Church than any other member... it was a Murray tradition to support your church becomingly. Mrs. Dutton had lent money to half the business men in town... she held Nat Tolliver's note for an amount that kept him wakeful o' nights. Mrs. Dutton had a disconcerting knowledge of family skeletons... to which she had no delicacy in referring. Therefore, Mrs. Dutton was a person to be kept in good humour, and if people had made the mistake of supposing that because she was very strict with her niece, it was safe to snub that niece, why, the sooner they corrected that mistake the better for all concerned.
Emily sold baby jackets and blankets and bootees and bonnets in Mrs. Tolliver's stall at the big bazaar and wheedled elderly gentlemen into buying them, with her now famous smile; everybody was nice to her and she was happy again, though the experience had left a scar. Shrewsbury folks in after years said that Emily Starr had never really forgiven them for having talked about her... and added that the Murrays never did forgive, you know. But forgiveness did not enter into the matter. Emily had suffered so horribly that henceforth the sight of any one who had been connected with her suffering was hateful to her. When Mrs. Tolliver asked her, a week later, to pour tea at the reception she was giving her cousin, Emily declined politely, without troubling herself to give any excuse. And something in the tilt of her chin, or in the level glance of her eyes, made Mrs. Tolliver feel to her marrow that she was still Polly Riordan of Riordan Alley, and would never be anybody else in the sight of a Murray of New Moon.
But Andrew was welcomed quite sweetly when he somewhat sheepishly called the following Friday night. It may be that he felt a little doubtful of his reception, in spite of the fact that he was sealed of the tribe. But Emily was markedly gracious to him. Perhaps she had her own reasons for it. Again, I call attention to the fact that I am Emily's biographer, not her apologist. If she took a way to get even with Andrew which I may not approve, what can I do but deplore it? For my own satisfaction, however, I may remark in passing that I do think Emily went too far when she told Andrew... after his report of some compliments his manager had paid him... that he was certainly a wonder. I cannot even excuse her by saying that she spoke in sarcastic tones. She did not: she said it most sweetly with an upward glance followed by a downward one that made even Andrew's well-regulated heart skip a beat. Oh, Emily, Emily!
Things went well with Emily that Spring. She had several acceptances and cheques, and was beginning to plume herself on being quite a literary person. Her clan began to take her scribbling mania somewhat seriously. Cheques were unanswerable things.
"Emily has made fifty dollars by her pen since New Year's," Aunt Ruth told Mrs. Drury. "I begin to think the child has an easy way of making a living."
An easy way! Emily, overhearing this as she went through the hall, smiled and sighed. What did Aunt Ruth... what did any one know of the disappointments and failures of the climbers on Alpine Paths? What did she know of the despairs and agonies of one who SEES but cannot REACH. What did she know of the bitterness of one who conceives a wonderful tale and writes it down, only to find a flat and flavourless manuscript as a reward for all her toil? What did she know of barred doors and impregnable editorial sanctums? Of brutal rejection slips and the awfulness of faint praise? Of hopes deferred and hours of sickening doubt and self-distrust?
Aunt Ruth knew of none of these things, but she took to having fits of indignation when Emily's manuscripts were returned.
"Impudence I call it," she said. "Don't send that editor another line. Remember, you're a Murray!"
"I'm afraid he doesn't know that," said Emily, gravely.
"Then why don't you tell him?" said Aunt Ruth.
Shrewsbury had a mild sensation in May when Janet Royal came home from New York with her wonderful dresses, her brilliant reputation, and her chow dog. Janet was a Shrewsbury girl, but she had never been home since she had "gone to the States" twenty years ago. She was clever and ambitious and she had succeeded. She was the literary editor of a big metropolitan woman's magazine and one of the readers for a noted publishing house. Emily held her breath when she heard of Miss Royal's arrival. Oh, if she could only see her... have a talk with her... ask her about a hundred things she wanted to know! When Mr. Towers told her in an off-hand manner to go and interview Miss Royal and write it up for the Times, Emily trembled between terror and delight. Here was her excuse. But COULD she... had she assurance enough? Wouldn't Miss Royal think her unbearably presumptuous? How could SHE ask Miss Royal questions about her career and her opinion of the United States' foreign policy and reciprocity? She could never have the courage.