It was this mission that most frightened Ivan, for many reasons. Katerina would be alone, with no one to help her. And while she would be fenced around with charms and spells—many of them patterned after Mother's—there was no possibility that in a face-to-face encounter she could withstand Baba Yaga. Yet someone had to get inside her house to free the captives who were imprisoned there—if any of them survived—and perhaps to do some other mischief, even if it was nothing more than burning down the house with whatever charms and potions the witch might have stored there. What they had going for them was surprise—Baba Yaga had seen airplanes fly, but never an individual person in a hang glider—and also Baba Yaga's well-known custom of riding into battle on the back of an ass, so she could trot from place to place, screaming orders and casting spells.
If only they could be sure that Katerina would even reach Baba Yaga's house. They were counting on warm updrafts to keep the hang glider aloft, that and dumb luck, for it had a long way to go, and not that high a hill to launch it from. It was downhill, generally, all the way to Baba Yaga's lands, but her house itself was in the middle of a fortress high on a hill. To arrive so low that Katerina couldn't get over the wall would be a disaster.
And Ivan wouldn't know whether she had succeeded or failed. If he died in battle, then the question was moot; but if he lived, if they were victorious, only to learn that she had died falling from the sky before ever reaching Baba Yaga's house, it would be unbearable. Why had he ever thought of a hang glider? Damn that little brat Terrel and his kite!
Yet the thought had come to him, and they knew of no other way to get someone over the wall, and once inside Baba Yaga's house, there was no one with a better chance of getting out again alive. So Katerina it would be.
Ivan's part in this battle might be crucial, but his role would still be small. He had command of the boys with grenades and cocktails. Not that they really needed a commander. Their job was to dodge in and out among the fighting men; they were counting on the men to ignore them as unarmed children until it was too late. Each boy would be on his own in this. Ivan's role would be little more than telling them to fire.
Not that Ivan had not volunteered for more important work. A soldier he was not, but he could read, and so he asked to be the man who would stand beside Matfei, reading his instructions as he wrote them during battle and shouting them out for others to obey. In the end, though, Ivan knew that it was impossible. It could not be his voice that the men heard ordering them into battle. Instead, Father Lukas would read out the orders, shout the commands. Even though his proto-Slavonic wasn't as good as Ivan's, his voice was more familiar here, and he hadn't earned the resentment of every man who had ever dreamed of marrying Katerina.
Katerina, of course, questioned whether it was right for a man of God to be so centrally involved in war. Father Lukas only laughed sharply and said, "If Baba Yaga wins, then all my work here is undone, and the name of Christ might not be heard again in this land for centuries. Besides, I carry no weapon, I harm no man. I will do nothing more than read in a very loud voice, which is what I do in church."
There was appreciative laughter at that bit of sophistry. Everyone understood that it was not hypocrisy but exigency. Father Lukas hated war, but the wolf was coming, and these were his sheep.
In the morning, it was agreed, they all would march to war. They knew where Baba Yaga's army was gathered—not far from the large meadow where scouts reported that a big white house on chicken legs was moving back and forth at her command.
Even after the council ended, Ivan and Katerina had no time alone, not for hours; instead they settled into a candlelit room with King Matfei, Father Lukas, and Sergei, telling all that had happened to them in Ivan's country. They had not told a word of it to Sergei and Father Lukas back in the forest, and it was only at the king's insistence that they told it now, for they did not expect to be believed.
"Ivan's mother is a witch?" Father Lukas sharply asked.
"I never knew till now," said Ivan.
"Bad enough when she was just a Jew," Father Lukas grumbled.
"She saved my life a dozen times," said Katerina. And then she held up the dozens of charms that she had made during those long days in the woods. "Our soldiers will also wear these, of her design, but with my power in them. Aware will make them quicker to recognize their enemy's intentions. Baffle will confuse the enemy, while this potion, which they must drink just before going into battle, will make their movements faster, their aim more accurate. You can be sure that the Widow will have her own charms on every soldier in her army—but her designs are not as deft as Mother Smetski's."
It didn't reconcile Father Lukas to this whole business of relying on witchcraft, but he was a practical man, and there would be time enough to stamp out charms and potions after the war was won, the witch defeated. Someday when a woman gave a gift to a departing soldier, it would be nothing more than a token of her love, and not an amulet with powers in it to protect him in the fight. As for the tales of flying across oceans, no one seemed to doubt them because no one understood what they really meant. What was an ocean to them, who had seen only forest in their lives? What did it mean for a huge house to fly, when there was no house that they had seen as large and heavy as a transcontinental jet? They had never heard a noise so loud as the engines of a plane. They had never seen anything move as swiftly as a car on the interstate. So whatever mental picture they received from Katerina's account, it could not be very close to what had really happened.
What interested them was the soap opera—the jilted lover, coming with charms to win Ivan back or punish him, only to discover that the witch had tricked her, and both the potions had the power to kill. And then the adventure of detecting the witch in the flying house, and their departure just before it flew away and disappeared—that one, too, was sure to be added to the fund of folklore.
I have already changed the future, thought Ivan. There will be different folktales now, to take into account in my dissertation. The lists and charts will be altered.
And then he wondered: What if the folktales I studied already included what we added here? What if the Ivan of the Russian folktales—Ivan, who was as common as Jack was in the English tales—was really Ivan Smetski, a Jewish boy from Kiev?
Now that he thought about it, he could see that he was right. For he had proof. He knew the origin of the tales of Baba Yaga's house that stood up on chicken legs and ran from place to place at her command. In all his years of study, he had never seen a single speculation from a folklorist or literary historian that the original of the witch's walking hut might be a hijacked 747. Yet there were the stories all along.
So everything that is happening now had already happened before I was born, thought Ivan. The hijacked jet. The coming of a common peasant named Ivan, untrained in battle but blessed with magical charms and gifts from his mother. The man who marries the princess, but then finds himself in mortal danger. He had read these tales before, never guessing that he would live through the originals.
What, then, of the tales that Sergei had written down at his behest? Those were the pre-Ivan tales, the stories from the time before Baba Yaga got her walking house. The lore of the folk before being corrupted by his backward passage through the centuries.