"Canst," Shenderspeare said, with a cunning change to the familiar mode, "dance the Beginning of the World?"
"I know not such a dance."
"I," Spearesby said, "will show thee." And he beamed in embarrassment as pure Enderby.
"Well," she said, in her proper person, "we're waiting."
"Oh, that. Well – he takes her in his arms and covers her with kisses. He imposes his will upon her, pun intended, he strips her of her taffeta elegance and carries her over to a gorgeous daybed. He untrusses himself and dances the dance called the Beginning of the World. A nice conceit," he explained. "The Elizabethans saw the sexual act in cosmic terms. It began with an image of creation and ended with death. To die meant to experience the ah orgasm."
For the first time the assembled company responded to words of Enderby with something approaching attention and even respect. It evidently surprised some of the younger ones to learn that people who had been dead a thousand or a hundred years, same thing, knew about copulation and even had expressive figurative speech to decorate it in or with. "Beginnin o the World," the black lad said, drawing out World into something unglobular. "I like that, man." Before or after that night's Brecht nonsense some of them would be trying it out for the sake of the nomenclature. Baby, ah just died. Then a man in overalls entered to say that the Holiday Inn was on fire.
6
What had happened, so Enderby was to learn later, was that a disaffected busboy or bellhop, mandatorily stoned, had filled a familysize Coca-Cola bottle with gasoline siphoned from the hotel manager's car, glugged this inflammable out in the empty thirdfloor bedroom two doors away from Enderby's own and then enflamed it. He had then got the hell out with a cashbox containing something under a hundred dollars, there not being much cash around these days of credit cards. When Enderby got by taxi to the hotel he found a fire engine there, summoned from Indianapolis, with the firemen pumping not water but a grey chemical substance over all available surfaces. Not much of a fire, but the third floor had been evacuated. Enderby found his suitcase, fortunately closed, covered with grey dust and his decent clerical grey suit suited in a deeper grey. His tea mug and kettle were no longer around, but the rest of his stuff rested, along with other defiled luggage, by a pillar in the defiled foyer. He should by rights demand compensation for defilement but contented himself with getting the hell out, not paying his bill, and asking the taxi driver who had brought him hither and was staying to share in the excitement to take him and his defilements to the Sheraton Hotel in Indianapolis.
The driver insisted first on showing him the town he was to dwell in for a space, or it may have been a matter of his not knowing where the Sheraton Hotel was and hoping to find it by dint of cruising the entire city around. Central Park, Monument Place, radiating Massachusetts, Indiana, Virginia and Kentucky Avenues. State Capitol, Court House, Board of Trade building, Central College of Physicians and Surgeons, Blind and Deaf and Dumb Asylums. At length he said, with no hint of triumph, "Well, here it is." And there it was. Enderby expected sympathy from the reception clerk for his refugee condition and the state of his baggage but got none. But he was permitted to submit his suit for dry cleaning.
Lying on his bed, smoking a Robert Burns, he noted that he had been carrying all this while, and in spite of more immediate emotions and preoccupations, an inflated shlong, as she called it, and all because of her. Then he wondered about the fire and dismissed a superstitious supposition. Then he remembered that she was staying in this same hoteclass="underline" he had heard a girl in the big open secretarial area of the theatre's offices confirming her reservation on the telephone. Then he lusted for strong tea and raged in frustration. He would have to go out and resupply himself. He went down, overcoated though without his tout cap, and found a kettle and mug in a kind of hardware store off Kentucky Avenue and, in a supermarket entitled rather soberly EATGOOD, bought brown sugar lumps, canned milk and a box of two hundred tea sachets of unstated provenance, also a brand of toothglue he had not previously met called Champ. And then there was a new variety of stomach tablet named Whoosh. Rather exciting, really, all this consumerism. Fairly pleased, he took his purchases back to the hotel. In the lobby he saw Ms April Elgar. She was being silently admired, and no bloody wonder, by God. She was also flipping through mail that had arrived for her, frowning crossly at it. Enderby went straight up to her and said:
"Not much of a fire, really. But, as you see, I have been evacuated. I have the pleasure or honour of, both I suppose. As you observe."
She did not at first seem to know who he was, a matter of his not wearing the tout cap, but his fag British accent presumably rang the bell of recognition that rang. "Hi," she said.
"A few essential purchases," excusing the brown bags under his arm.
"I guess so," distractedly. And then: "You and me have to rap."
"Rap?" Oh Christ, more spiritualist nonsense. "I should be delighted to er."
"Okay, the bar." She swayed her way ahead to it. Enderby removed his overcoat but found it necessary to hold it folded on his lap. The linen trousers were thin. An insincerely cheerful matron dressed like a whore took their orders: whisky sours for both.
"More sweet than sour," Enderby remarked. "Something of a misnomer."
"You always talk like that?" she said. "All these words."
"Well," Enderby said, "the British have no real slang on the American pattern, I mean not one diffused throughout the entire social system, if you see what I mean. Also, I am a poet, Enderby the poet. Also, I live alone and speak little English these days. It's becoming, from the spoken angle, something of a foreign language for me."
"What do you mean, live alone?"
"In Tangiers, with these three boys."
"Jesus, so you're another of these screaming fags."
"No, no, far from it, although you will, of course, naturally assume that all the British are fags. That's because your American fags tend to speak with a British accent. A bit illogical, really. Cart before the horse, sort of. I am unimpeachably heterosexual." And, by atavistic instinct, he confirmed the testimony by slapping his crotch smartly. "Too many fags around," he added. "Especially in the theatre."
"You can say that again."
"Too many fags a -"
"And dykes too. Listen. This is my show, right?"
"Well," Enderby said with care, "it's supposed to be Shakespeare's really. And let's get this straight about this er fag element in his life. He had an affair with the Earl of Southampton, no doubt about that, but it didn't express his true nature, which was passionately heterosexual. He had to climb through the pretence of ah faggishness. Not uncommon at that time. Their sexuality was so intense that it expressed itself in many forms. But in the sense that the Dark Lady is not only a woman but also a kind of destructive and creative goddess at one and the same time, and even perhaps a disease, well, yes, it is, to some extent your show."
"So the opening number is me, a production number. I'll put the shake in Shakespeare, I'll put the spear in too. Establish," she said, much in Enderby's manner, "priorities."
"Where did you get that from?" Enderby asked with some admiration. "That's rather witty."
"Just thought of it. Sharp as a pistol, brought up in Bristol. The white man's knavery sold me in slavery. Hey," she hailed the serving matron. "Two more of those."
"Thou art," Enderby said, "as wise as thou art beautiful."
"Oh, come on."
"Quotation from. Titania says that to Bottom. But," Enderby said with some urgency, "the beauty is real enough, God knows. I say this with total objectivity. Your beauty is overwhelming, of a kind rarely seen. But this, of course, you must know."
"Yah," she said, "I know it. My beauty is my bread," she added with mock solemnity. "Talent, too, baby, I got talent."