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Whether one admires or despises Bobby Fischer—and it’s quite easy to do both simultaneously, as these pages will show—I hope that his story proves that while he was a deeply troubled soul, he was also a serious and great artist, one who had a passion to know.

We may not—and perhaps should not—forgive Bobby Fischer’s twisted political and antireligious assaults, but we should never forget his sheer brilliance on the chessboard. After reading this biography, I would suggest that the reader look to, and study, his games—the true testament to who he was, and his ultimate legacy.

There was a boy, a chessplayer once, who revealed that his gift consisted partly in a clear inner vision of potential moves of each piece as objects with flashing or moving tails of colored light. He saw a live possible pattern of potential moves and selected them according to which ones made the pattern strongest, the tensions greatest. His mistakes were made when he selected not the toughest, but the most beautiful lines of light.

From The Virgin in the Garden, by A. S. Byatt

1

Loneliness to Passion

I CAN’T BREATHE! I can’t breathe!” Bobby Fischer’s screams were muffled by the black hood tied tightly around his head. He felt as if he were suffocating, near death. He shook his head furiously to loosen the covering.

Two Japanese security guards were holding him down on the floor of the brightly lit cell, one sitting on his back and pinning his arms to his sides, the other holding his legs—Lilliputians atop the fallen Gulliver. Bobby’s lungs were being compressed, and he couldn’t get enough air. His right arm felt as if it had been broken from the scuffle that had happened moments before; he was bleeding from the mouth.

So this is how I’ll die, he thought. Will anyone ever know the truth about how I was murdered?

He pondered in the darkness, incredulous that a supposedly revoked passport had turned him into a prisoner. The scenario had evolved rapidly. It was July 13, 2004. After spending three months in Japan, he was about to embark for the Philippines. He’d arrived at Tokyo’s Narita Airport about two hours before his flight. At the ticket counter, an immigration officer had routinely checked his passport, entering the number: Z7792702. A discreet bell sounded and a red light began to flash slowly. “Please take a seat, Mr. Fischer, until we can check this out.”

Bobby was concerned but not yet frightened. He’d been traveling for twelve years between Hungary, Czechoslovakia, Germany, the Philippines, Japan, Austria, and other countries, clearing customs and crossing borders without incident. Extra pages had to be added to his passport because there was no room left to stamp the dates of his entries and exits, but this task had already been completed at the American embassy in Bern, Switzerland, in November 2003.

His worry was that the U.S. government might finally have caught up with him. He’d violated State Department economic sanctions against Yugoslavia by playing a $5 million chess match against Boris Spassky in Sveti Stefan, Montenegro, in 1992, and an arrest warrant had been issued at that time. If he went back to the United States, he’d have to stand trial, and the penalty, if he was convicted, would be anywhere from ten years in prison to $250,000 in fines, or both. A friend had called the State Department in the late 1990s and asked if Bobby could return home. “Of course he can,” said the spokesperson, “but as soon as he lands at JFK, we’ll nail him.” As a man without a country, Bobby eventually chose to settle in Hungary, and he had never heard another word from the American government. With twelve years having passed, he figured that as long as he stayed away from the United States, he’d be safe.

He sat where he was told, but fear began to take hold. Eventually, an immigration official asked Bobby to accompany him downstairs. “But I’ll miss my flight.” “We know that” was the peremptory reply. Escorted by security guards down a long, dark, and narrow hallway, Bobby demanded to know what was going on. “We just want to talk to you,” the official said. “Talk about what?” Bobby demanded. “We just talk” was the answer. Bobby stopped and refused to move. A translator was called in to make sure there was no confusion. Bobby spoke to him in English and Spanish. More security guards arrived, until approximately fifteen men surrounded the former chess champion in a grim, silent circle.

Finally, another official appeared and showed Bobby an arrest warrant, stating that he was traveling on an invalid passport and that he was under arrest. Bobby insisted that his passport was perfectly legal and had two and a half years to go before it expired. “You may call a representative of the U.S. embassy to assist you,” he was told. Bobby shook his head. “The U.S. embassy is the problem, not the solution,” he muttered. His fear was that a State Department representative might show up at the airport with a court order and try to have him extradited back to the United States to stand trial. He wanted to call one of his Japanese chess friends for help, but Immigration denied him access to a phone.

Bobby turned and started to walk away. He was blocked by a guard. Another guard tried to handcuff him, and he started twisting and turning to thwart the process. Several of the guards began hitting him with batons and pummeling him with their fists. He fought back, kicking and screaming, and he managed to bite one of the guards on the arm. Eventually, he went down. A half dozen guards hoisted him into the air and began carrying him by his arms and legs. Bobby continued squirming to get loose as the guards struggled to take him to an unknown destination. He kicked frantically, almost yanking his hands free. It was then that they put the black hood over his head.

Since Bobby knew that his passport was valid, what was going on? His comments about Jews and the crimes of the United States had stirred things up, but as an American citizen wasn’t he protected by the First Amendment? Anyway, how could his opinions have anything to do with his passport?

Maybe it was the taxes. Ever since his unsuccessful 1976 suit against Life magazine and one of its writers for violation of a contract, he’d been so disgusted with the jurisprudence system that he refused to pay any taxes.

Gasping for air, Bobby tried to enter a Zen state to clear his mind. He stopped resisting and his body became relaxed. The guards noticed the change. They released his arms and legs, stood up, ceremoniously removed the hood, then left the cell. They’d taken his shoes, his belt, his wallet, and—much to his dismay—the buffalo-leather passport case that he’d bought in Vienna years back. But he was alive … at least for the moment.

When he looked up, he saw a nondescript man with a video camera quietly filming him through the bars. After a few minutes the man vanished. Bobby spit out a piece of a tooth that had been chipped, either from one of the punches or when he was thrown to the floor. He put the remnants in his pocket.

Lying on the cold cement floor, he felt his arm throb with pain. What was the next move and who would make it? He drifted off to sleep.

Forty-eight years earlier, August 1956

Visualizing his white pawn two squares in front of his king on an imaginary chessboard, thirteen-year-old Bobby Fischer announced his first move to his opponent, Jack Collins: “Pawn to king four.” Bobby was using a form of chess notation that described the movement of the pieces to various squares. As he spoke, he made a slight, unconscious movement of his head, an almost imperceptible nod, as if pushing the unseen pawn forward.