I… yes. Yes: I was going to tell how I saw the picture, and what Blink said… Do you know this story better than I do?
Go on. It's not for my sake you tell it.
I had asked Blink about the little house Once a Day showed me, and the four stone dead men. "I know about four stone heads," he said, "four heads that are a mountain; but they aren't the four dead men in the story I know. Perhaps the four stone heads picture the four dead men; or perhaps it's a joke of Whisper cord's. What was it she said of them? 'Are they mad.' Well. Who can follow Whisper? But there is a story:
"At the time of the Storm, when at last the lights and phones of the Co-op went off for good, and Great St. Roy led us away to wander, there was a boy, Gary, among us, who would become St. Gary. St. Gary had been raised by his aunt, who was a speaker, and by his uncle, who was named Plunkett. Plunkett's work, secret in nature, was one of those last plans of the angels spoiled by the Storm: a plan for immortality. The secret slipped out through Plunkett's wife, who revealed to Gary that although his uncle was dead and buried, which she didn't dispute, he was also alive in an underground place near Clevelen, far west, near the place the Co-op had been.
"So St. Gary turned back from the speaker's flight to return to Clevelen to see if he could find his supposed uncle still alive, though as he went west he passed the grave where he had seen his uncle laid. After a long search, Gary did find the place Plunkett's wife had told him of; and by that time so had others, some desperate to learn what the angels knew of immortality, others wishing to destroy the work as they were intent on destroying all that the angels had done.
"What they had found, and now kept constant watch over and had fierce disputes about, were five clear spheres without any openings and with, it appeared, nothing at all inside them. Attached to four of these five were angel-pictures, gray and shiny, of four faces. One of them was St. Gary's Uncle Plunkett.
"There was a lot of resistance among the others there to St. Gary taking his uncle away with him. For some time he argued with them, defending Plunkett from those who wanted to smash the spheres, if they were smashable, and from those who wanted to open them, or operate them, if that could be done. Then the Long League intervened there. Women of the League came, and said they would decide the matter - as they were just then deciding so many matters - and that no one should touch the spheres or investigate them further but they. St. Gary wouldn't agree; and by stealth one night he made away with the sphere that was in some sense Plunkett, and fled.
"For many years and through many hazards, Gary kept Uncle Plunkett with him, though the speakers laughed at him and the sphere that was so obviously empty. He became a great saint in his old age, and lived in a beech near the camp the speakers had then near New Neyork in the days of the Long League's power; and he lived with Plunkett all that time. And if Plunkett ever said a word, nobody heard it.
"After Gary's death, Uncle Plunkett went into St. Andy's wagon with other stuff, precious and useless; and like so many other things, the silver ball and glove they tell about, the spectacles to see at night with, the dream machine, it was lost eventually, or perhaps sold, no one remembers, as no one then cared much. The Long League indeed did care: rumors came that they were searching for the last of the four dead men, some said to destroy it as they had the others, or to keep it out of the hands of their enemies as others said, but the speakers had little to do with these disputes. And then no more was heard about it."
I had questions, but to all of them Blink only shrugged and shook his head: why were there five spheres, and only four pictures? If the five spheres were all alike, why was it said there were only four dead men? How could they be what they were said to be, alive? "Ask the angels, ask the Long League," he said. "They alone know. All I know is Gary's story; if Whisper cord knows more, it's their secret - but somehow I think they don't, and their four dead men are only a game, like the three dreams of Olive, the seven wandering stars, the nine last words of Little St. Roy. There is, though, one thing; one tangible thing, and by a path I won't describe to you, I come to have it. Look..
And like Mbaba going to her chests to prove a story of when-we-wandered, Blink got up and searched among his belongings, and from a cranny in the wall he took out the cracked angel-picture of Uncle Plunkett which Gary had found attached to the clear sphere, and taken away with him when he took Plunkett. In the picture, Plunkett wore a shirt with buttons and had almost no hair, only a gray burr all over his head. Under his shaven chin he held a card with writing on it. He wasn't looking right out, but a bit to one side, as though he had heard someone call to him. The crack in the picture made white seams across his face like the scars of a terrible wound; he was smiling a big smile, and his teeth shone like the fitsall teeth. For some reason the picture made me shiver violently.
"Maybe," I said at last, "they had it all wrong. Maybe the spheres were something else altogether, and there never really were four dead men; they'd got it mixed up with some other story, or got it wrong somehow. Probably."
Blink smiled at me and patted my cheek. "Probably," he said. "Let's go look for mushrooms."
I didn't think that a man as old as Blink would spend the winter in a place as exposed as his house in the oak, but though autumn came on faster now he showed no signs of moving. He pottered around working in Book or staring glumly at the glass which covered his crostic-words, as nights grew colder and cold mist filled the house in the mornings so that we sat wrapped to our ears late in the Three Bears, as Blink called the sewn-together shaggies and skins we kept warm in. We wrapped up early in them too, and smoked and talked through the long evening while we watched his little charcoal fire go out. "That fire," I said, "won't be much help soon."
"No," he said. "Good thing we won't need it."
The woods became transparent. From the windows of the house you could see now all the way out to the pasture and nearly to where the brook ran chilly between its frosted rocks. Blink and I worked at making the house secure: we chinked cracks with mud and moss, hung the walls with thick rugs he had stored all summer. We closed up the fire's mouth and blocked its chimney. We made a new front door to fit over the old one, and bickered over how the two could best be fitted together to keep out the cold. On a day when the stillness and the curdled darkness of the clouds all day suggested a heavy frost, Blink drew out from where they were stored several thick sheets of plastic, unclouded, great treasures; a thickness went over the outside of each small window, and another on the inside. When this was done, he arranged the two bed-chairs so they faced the windows. "Is Jug filled right up to the top?" he said.
"Yes."
"Then I guess we're ready."
In a little brazier he lit twigs and started small lumps of charcoal going; while these caught, he found a small jar made of angel-silver, tightly sealed, and opened it. From it he took a big pinch of black powder, looked at it, frowning, and shook some back in. The rest he scattered on the glowing charcoal. It didn't smoke, but the smell was pronounced, a dense and penetrating odor like no other I have ever smelled. We made some last preparations; Blink carefully resealed the jar and put it by him; he looked around, finger to his lips, satisfied that all was ready. I had begun to feel deliciously warm and sleepy, but alert as well, as though I could go to sleep and stay awake at the same time. That seemed to be Blink's idea too, and we crept into the Three Bears, made even warmer with silver cloths Blink had attached around them, made ourselves comfortable, and sat there for three months.