She did and stood aside. Then I strode in.
Fifteen
Walking into Breanne’s corner office was like stepping onto a giant magic carpet floating high above Manhattan. Two of the four walls consisted of unbreakable glass. Far below me, traffic looped Christopher Columbus’s statue in a diorama of matchbox cars. Stretching out before me, the tops of Central Park’s trees sprouted newly green buds all the way to the horizon line.
If this were my office, no work would ever get done. I’d just stare out the floor-to-ceiling windows all day with a sketch pad in my lap, continually reframing the views—uptown and downtown and crosstown.
Breanne wasn’t looking at any of these sights. She was sitting tensely behind her massive glass desk, having obvious issues with the brooding sculptor, who was sprawled across the geometric lines of the art deco chair in front of her.
In his late thirties, Nunzio was clad in black Armani with a plain white T-shirt beneath. He’d chosen a fitted size, I noticed, snug enough to reveal his well-developed body. His long, wavy ebony hair was tied into an ink-black ponytail.
“Ah, at last,” Breanne said, her smile tense, her blue eyes almost pleading as she waved me in.
Holding the tray with one hand, I set my first shot in front of the editor-in-chief then turned to her jet-lagged guest. Nunzio had a broad, forceful face, not unlike the chiseled marble monument to the intrepid Italian mariner twenty-two floors below. His dark eyes were half-closed, and he barely glanced at me as I handed him one of the three remaining espresso cups.
When I’d first come through the door, Breanne had been telling him all about her wedding plans. Nunzio didn’t appear to be listening. As she resumed her chattering, the man’s large hand lifted my tiny cup to his Roman nose. He sniffed once, grunted, and downed the shot in a single gulp.
His heavy, half-closed eyelids lifted a fraction. “Mmmmm.”
While Bree continued talking, I took the empty demitasse and saucer, placed them on my tray, and handed him a second espresso. He glanced at me briefly, then one corner of his frowning mouth lifted slightly.
“Grazie,” he said.
“Prego,” I whispered.
He sipped this one slowly until it was finished. While he did, I found myself studying his hands. The man was a hardworking artisan on the rise, and his hands were amazingly muscular. I noticed thick calluses on the pads of his fingers and thumbs, wondered what his workshop looked like, what he was molding these days.
He noticed me noticing him, and his head tilted slightly. Then his artist’s gaze moved subtly down my body and up again. “Very nice,” he murmured in Italian. He drained his second cup and held it out to me.
“You’d like to offer me something more, signorina?”
Again he’d used Italian. The tone was suggestive. I ignored it. Averting my focus downward, I placed his empty demitasse back on my tray and held out the final espresso. Nunzio intentionally overreached, moving his hand beyond the cup. His long, callused fingers lightly brushed my wrist then moved down, tickling the outside edge of my hand before taking possession of the saucer.
The contact was not subtle. The caress was deliberate and a little bit shocking. When I glanced up, his liquid-brown eyes locked on to my startled green ones. Then his lips lifted in private amusement. Obviously, the sculptor had caught me admiring his hands, so he’d decided to let me feel them, too.
I said nothing, simply swallowed and turned to leave the room. There was a palpable intensity in the man that became more apparent as he became more awake. I was glad, frankly, to get myself clear of it.
As I approached the double doors, they swung open, and Monica strode in.
“Ah!” Breanne halted her nonstop monologue when she noticed the younger editor. “I see the layout is here!”
“Bene!” Nunzio said.
He was sitting up straight now. The dark storm in his olive-skinned face had dissipated; his mood had visibly improved.
As I turned around to close the double doors, Breanne stood, met my eyes, and nodded—probably the closest thing to a thank-you I’d ever get from the woman.
I slipped away as the three of them—Bree, Nunzio, and Monica—began to examine the layout. Back in the break room, I brewed up four more espressos, attracting attention from some of the magazine staff. Drawn by the heavenly aroma of the Bouchon House Blend, the assistants clustered around me at the counter. They were all young women. Like Terri, they were very slender with an ethereal beauty that reminded me of pixies in the forest.
I gave them a quick lesson in how to work the machine for themselves, taking the opportunity to casually question them about Breanne and Monica and office politics. I didn’t get much beyond what I already knew. Breanne was a tough, demanding boss, who had little patience for screwups and sometimes belittled employees. (Telling the receptionist to shut up was apparently par for the course.) And Monica had been a very trusted, well-liked golden girl for years, which she cunningly used to advance herself.
A few minutes later, I was off again with a tray full of espressos. Returning to the corner office, I found Nunzio and Bree talking animatedly—but not unhappily—about his profile pages. By now, Roman Brio had also joined them.
I served the sculptor, Monica, and Roman. This time Breanne passed, so I took the last espresso for myself and backed away. Sipping the shot near the office doorway, I quietly observed the scene, paying special attention to Monica. She seemed agitated and tense, just as she had at the House of Fen. There was a notepad in her hand, and she was furiously scribbling in it as Nunzio made comments on the pages.
“The layout is good,” he finally declared, his Italian accent strong. “Make the changes I desire, and I will review her again before she prints, si?”
“Of course!” Breanne said. “Your instructions will be followed to the letter, Nunzio. I assure you.”
“And now I have something for you...”
The sculptor’s powerful hand reached into his Armani jacket and came out holding a small blue ring box. He flipped open the lid and, with a little bow, presented it to Breanne. Nestled in the blue velvet were two wedding rings.
“Oh. Oh God. They’re magnificent...”
Bree’s voice had gone soft, as if she were actually envisioning the moment the rings would be exchanged with her groom—instead of the moment they’d be photographed for her magazine.
Everyone in the room fell silent, aware of Breanne’s emotional shift. I stepped a little closer to see the rings, too. Then Monica, Roman, and Breanne began gushing about the intricate design. Hundreds of micro-thin strands of the finest white, yellow, and rose gold had been woven into a patterned circle. The design was inspired, with the metallic threads reflecting light as if shimmering stars were hidden within.
“I worked with the finest goldsmith on the Ponte Vecchio to realize this vision,” Nunzio said. “There are no other rings like these on earth—” He paused and smiled. “At this time.”
“Yes, of course. They’re the perfect prototype to launch your international jewelry line,” Breanne said, her tone all business again. “And your profile in Trend will be your introduction to a lucrative market in the United States.”
Nunzio set his empty espresso cup aside and rose from his chair. With a little smile he said, “May your marriage be blessed.”
Breanne thanked the sculptor and turned to Roman. “Take these,” she said, handing him the blue velvet box. “You’re as good as my best man, Roman, and I’d like you to watch over the rings until the ceremony.”
Roman smiled, obviously touched. He tucked the box into his lapel pocket. Like Puck making promises to his fairy queen, he crossed his heart with his pudgy hand.