Lawrence Durrell
Esprit de Corps: Sketches from Diplomatic Life
1. The Ghost Train
I like Antrobus. I can’t really say why — I think it is because he takes everything so frightfully seriously. He is portentous — always dropping into a whisper, clicking his tongue, making a po-face, pursing his lips, turning the palms of his hand outwards and making “what-would-you” gestures.
We’ve served together in a number of foreign capitals, he as a regular of the career, I as a contract officer: which explains why he is now a heavily padded senior in Southern while I am an impoverished writer. Nevertheless, whenever I’m in London he gives me lunch at his club and we talk about the past — those happy days passed in foreign capitals “lying abroad” for our country.
“The Ghost Train episode”, said Antrobus, “was a bit before your time. I only mention it because I can think of nothing which illustrates the peculiar hazards of Diplomatic Life so well. In fact it throws them into Stark Relief.
“Every nation has its particular idée fixe. For the Yugoslavs it is trains. Nothing can compare for breathtaking romance with the railway train. Railway engines have to be put under armed guard when not in motion or they would be poked to pieces by the enquiring peasantry. No other object arouses the concupiscence of the Serb like a train. They drool over it, old boy, positively drool. Ils bavent.
“You twig this the minute you alight from the Orient Express at Belgrade because there is something queer about the station building itself. It leans to one side. It is neatly cracked from platform level to clock-tower. Moreover there are several distinct sets of ruts in the concrete of the platform which are highly suggestive. The first porter you engage will clear up the mystery. Apparently every fifteenth train or so leaps the buffers, grinds across the Freight Section and buries itself in the booking office. No one is ever hurt and the whole town joyfully bands together to dig the engine out. Everyone is rather proud of this particular idiosyncrasy. It is part of the Serbian way of life.
“Well, being aware of this as I was, I could not help being a bit concerned when Nimic in the Protocol hinted that the Diplomatic Corps was to be sent to Zagreb for Liberation Day in a special train which would prove once and for all that the much-vaunted Yugoslav heavy industry was capable of producing machinery every bit as good as the degenerate Capitalist West. This tip was accompanied by dark looks and winks and all efforts to probe the mystery further proved vain. A veil of secrecy (one of the seven veils of Communist diplomacy) was drawn over the subject. Naturally we in the Corps were interested, while those who had served for some time in the Balkans were perturbed. ‘Mon Dieu,’ said Du Bellay the French Minister gravely, ‘si ces animaux veulent jouer aux locos avec le Corps Diplomatique …’ He was voicing the Unspoken Thoughts of many of us.
“There was no further information forthcoming about the Ghost Train as we jokingly called it, so we sat back and waited for Liberation Day. Sure enough the customary fat white envelope appeared ten days before from the Protocol. I opened mine with a troubled curiosity. It announced that the Corps would be travelling by a Special Train which would be placed at its disposal. The train itself was called ‘The Liberation-Celebration Machine’.
“Even Polk-Mowbray looked a bit grave. ‘What sort of Devil-Car do you think it will be?’ he said apprehensively. I couldn’t enlighten him, alas. ‘It’s probably a chain-drive Trojan with some carriages built around it in plywood.’
“There was a short-lived movement among the Corps to go by road instead and thus sidestep the ‘Liberation-Celebration Machine’ but the Doyen put his foot down. Such a defection would constitute a grave slight. The Yugoslav heavy industry would be hurt by our refusal to allow it to unveil the marvels of modern science to us. Reluctantly we all accepted. ‘Butch’ Benbow, the naval attaché, who was clairvoyant and who dabbled in astrology, took the omens. Apparently they were not propitious. ‘All I can see is clouds of smoke,’ he said hoarsely, looking up from the progressed chart on his desk. ‘And someone gets a severe scalp wound — probably you, sir.’
“Polk-Mowbray started. ‘Now, look here,’ he said, ‘let’s have no alarm and despondency on this one. If the Yugoslav heavy industry gives me even a trifling scalp wound I’ll see that there is an International Incident over it.’
“The day drew inexorably nearer. The Special Train, we learned, was to be met in a siding just outside Belgrade. There is a small station there, the name of which I forget. Here at the appointed time, which was dusk, we duly presented ourselves in full tenue. There were to be flowers and speeches by representatives of the Yugoslav Heavy Industry. Most of the representatives looked nearly as heavy as their industry. But I couldn’t take my eyes off the train.
“I’m not saying it was gaudy. It was absolutely breathtaking. The three long coaches were made of painted and carved timber; flowers, birds, liberation heroes, cache-sexes, emblematic devices, post-horns — everything you can imagine, all carved and painted according to the peasant fancy. The general effect was that of a Sicilian market-cart with painted and carved side-boards — or the poop of some seventeenth-century galleon. Every blacksmith, wheelwright and cartwright in Serbia must have had a hand in it. ‘C’est un chalet Tyroléan ou quoi?’ I heard Du Bellay say under his breath. His scepticism was shared by us all.
“We entered and found our reserved carriages which seemed normal enough. The band played. We accepted a wreath or two. Then we set off in the darkness to the braying of donkeys and cocks and the rasping of trombones. We were off across the rolling Serbian plains.
“Two things were immediately obvious. All this elaborate woodwork squeaked and groaned calamitously, ear-splittingly. How were we to get any sleep? But more serious still was the angle of inclination of the second coach with the Heads of Mission in it. It was about thirty degrees out of centre and was only, it seemed, held upright by the one immediately before and behind it. It was clear that the Yugoslav heavy industry had mislaid its spirit-level while it was under construction. People who looked out of the windows on one side had the illusion that the ground was coming up to hit them. I paid Polk-Mowbray a visit to see if he was all right and found him looking rather pale, and drawn up on the higher elevation of the coach like someone on a sinking ship. The noise was so great that we couldn’t speak — we had to shout: ‘My God,’ I heard him cry out, ‘what is to become of us all?’ It was a little difficult to say. We were now gathering speed. The engine was a very old one. It had been abandoned before the war by an American film company and the Yugoslavs had tied it together with wire. Its gaping furnace, which was white hot, was being passionately fed by some very hairy men in cloth caps who looked like Dostoevsky’s publishers. It seemed to me that the situation had never looked graver. Despite its age, however, it had managed to whip up a good forty-five. And every five hundred yards it would groan and void a bucketful of white clinker into the night which set fire to the grass on either side of the track. From far off we must have looked like an approaching forest fire. “Another feature of the ‘Liberation-Celebration Machine’ was an ingenious form of central heating which could not be turned off, and as none of the windows opened, the temperature inside the coaches rapidly mounted into the hundreds. People were fanning themselves with their tall hats. Old man, never have I seen the Corps subjected to such a strain. Sleep was impossible. The lights would not turn off. The wash basins appeared to empty into each other. And all the time we had the ghastly thought of all the Heads of Mission in the Hanging Coach, drinking brandy and gibbering with fright as we sped onwards through the night.