2 TELECINE: TRAFALGAR SQUARE, STUDIO, STREETS, LAWCOURT
Henry Busby, a licensed street photographer, squabbles with two others for the custom of a foreign visitor (“I saw him first!”) who manages to escape all of them. Henry returns glumly to his studio and to George, his brother and partner. Ruin faces them. Must they also join the armies of the unemployed? Henry has a sudden idea — he has heard that in Berlin the street photographers have partners dressed like bears because there is a bear on the city coat of arms. Why not try that here? George objects that London has no bear on its coat of arms and people come to Trafalgar Square to be photographed with pigeons. Henry shows a newspaper photograph of people queuing in hundreds to see a new bear acquired by London Zoo. Bears are popular — Rupert Bear in the Express, Winnie the Pooh etc. He rents a skin and persuades George to put it on. George finds it surprisingly comfortable. They go out into the streets arm-in-arm and reach the Square followed by a small crowd of laughing onlookers.
HENRY: Come on now, who’ll be first to be photographed with this fine chap?
They do a brisk trade, drawing clients from their competitors, who complain bitterly that the bears are frightening the pigeons. But next day when they return to the Square they find the other photographers also accompanied by bears, a black bear, a polar, and a child dressed as a koala. They protest. A brawl develops. The bears are arrested, fined and bound over to keep the peace. However, the press and BBC are glad of some comic relief from a grim world situation, and the matter is widely publicized. The queues to see the new bear at London Zoo grow longer. The Teddy Bears’ Picnic becomes a popular hit. Furriers start marketing teddy bear suits for children.
3 ARCHIVE MATERIAL: RECORDING OF BBC NEWS PROGRAMME IN TOWN TONIGHT Dr. Karl Adler, discoverer of the inferiority complex, is visiting London for an international psychiatric conference. A BBC interviewer asks his opinion of the growing enthusiasm for bears. He replies that though the bear cult is (he believes) of German origin he feels it is destined to make great headway in Britain. He is asked the causes of the cult — why not an elephant or a tiger cult?
ADLER: In the first place a bear is one of the few creatures that do not look ridiculous when walking about upon their hind legs. But there are more significant reasons for their popularity. They are not normally flesh-eaters — their favourite food is honey and buns — so women and children feel safe with them. But they have claws and teeth which they can use if threatened, so men can identify with them without losing their self-respect. In my opinion a civilization such as ours has much to gain from this cult. The greatest part of a psychiatrist’s work is with people who feel inadequate as human beings, and considered objectively most of them are physically and mentally inadequate; but dressed in a properly padded skin they make surprisingly adequate bears …
4 TELECINE: STUDIO, STREET AND LAWCOURT
The words of the interview emanate from a wireless-set in George and Henry’s photographic studio. George, wearing the bearskin without the mask, sits reading a newspaper. Henry switches off the wireless, saying irritably:
HENRY: What blasted rot! … Take that thing off, George.
GEORGE: No. I’d feel cold.
HENRY: I feel cold, but do I complain?
GEORGE: Yes, all the time.
HENRY: Then you might have the common decency to give me a shot!
GEORGE (STANDING): I’m going for a walk.
HENRY: Like that?
GEORGE: Yes, why not? This is a free country. And I’m comfortable in it.
(HE FITS THE MASK OVER HIS HEAD)
HENRY: But you look utterly ridiculous … what’s the use in talking? When you’ve your mask on you might as well be deaf.
George walks slouch-shouldered through Soho followed by a small jeering crowd, most of it children. He meets another bear followed by a similar crowd. Coming abreast they glance at each other’s muzzles, suddenly stand erect, put their backs to the wall, roar and menace their persecutors with their paws. The children stop laughing and run away. The remaining adults calls the bears “cowardly brutes” and one or two of the most belligerent accuse them of being “afraid to fight like men”. The other bear hangs back but George flings himself on the critics and is badly beaten up in an affray which knocks over a costermonger’s barrow. He is rescued by the police and accused of provoking a riot. He is brought before Lord Goddard, a highly punitive judge of the period. There is a man dressed like a bear in the public gallery and the judge begins by having him removed by the ushers. George’s lawyer makes a dignified and convincing defence, pointing out that the accused has been the only person to physically suffer, that he was outnumbered and unjustly provoked etc. Nonetheless, the judge sees George as “one of these misguided individuals who seem determined to lead Britain backward to an age of primitive savagery” and condemns him to an unusually savage term of imprisonment, while regretting that the laws of the land make it impossible to have him publicly flogged into the bargain. George, asked if he has anything to say to this, responds with dignity and courage.
GEORGE: I do not blame the children who mocked me — I do blame the parents who failed to restrain them. I can’t blame the roughs who attacked me — I do blame the society which deprives them of honest employment and leaves them with nothing to do but roam the streets jeering at innocent animals. For I am innocent! Bears are strong, but bears are gentle! Lastly, I blame neither the police or the laws of Britain for bringing me here, but I will say this! I would rather wear a bearskin, and stand in the dock, than wear a wig, and sit on the bench, and pass such an inhumanly cruel sentence as you, my Lord, have passed upon me!
(A STORM OF APPLAUSE SWEEPS THE COURT. THE JUDGE ORDERS IT CLEARED.) 5 ARCHIVE MATERIAL: NEWSPAPER STILLS AND PATHE NEWSREEL CLIP
We see headlines denouncing unkindness to bears in popular and progressive newspapers, then photographs of bears at Hyde Park Corner demanding justice for their martyred brother, bears with collecting cans gathering money for an appeal fund; processions of bears with banners urging George’s release; then the banner headlines annoucing that the appeal has been upheld. A newsreel clip shows George emerging from the wicket-gate of Wandsworth prison to be confronted by a cheering crowd, a third of it wearing bearskins. Two supporters assist him into one. He makes a speech before donning the mask.
GEORGE: Fair play has triumphed! For myself I am happy, but for my fellow Bruins I am jubilant. The British people have always admired us for our gentleness; they are now learning to like us for our strength, and believe me, we live in an age when strength was never more necessary. Sinister forces are abroad in the world, forces eager to tear the fur from our backs and the buns from the muzzles of our cubs. We must organize!
(HE PUTS ON THE MASK AND EMITS A HOLLOW ROAR)
A rapid montage of stills shows the growth of the cult, starting with trademarks for Bear-brand stockings, Polarmints and the Metro-Goldwyn-Meyer panda growling through its celluloid arch. We see photographs of a bear-garden-party at Cliveden House which the German ambassador attends in the costume of a prehistoric grizzly. In Oxford Street shop windows expensively furred bears posture among the wax dummies. In poorer districts you can buy costumes made of rabbit-skin. In Piccadilly Circus furry prostitutes attract pin-striped businessmen by throatily roaring.